Abstract

The aim of this article is to demonstrate a methodology that ‘writes across’ the separation between theory and practice. It refers to French feminist writers of the 1970s and 1980s, often categorized under the heading of ‘écriture féminine’, who were concerned with how language operates and with the relationship between language and the formation of the self. The article consists of a short preface introducing a piece of autobiographical writing driving home. The piece brings into collision incidents, objects and time frames in an attempt to dissolve the borders between fact and fiction, personal and impersonal, private and public, poetic writing and analysis. In the act of writing driving home the author also attempts to generate knowledge. driving home searches within the anecdotal and autobiographical for methodological indicators. The how and why of the author’s writing practice run across, over and around each other, acting as short and inconclusive pathways within the investigative structure of the whole.