Abstract

In this article I take a poem by Lisa Bellear as a starting point for theorizing the possibility of a renovated feminism. I argue that the rhetorical questioning of the poem performs a mode of intersubjectivity in which the addressee/reader reflects upon their whiteness. The poem drives directly into the dense affect that saturates the troubled zone of cross-racial relations in contemporary Australia. If this zone is characterized by white anger and anxiety, it is also a zone of intense `feeling' for the indigenous poet. Jean-Luc Nancy defines literature as the act of the `opening [of] community to itself', that is, of communicating our being-in-common. The cross-racial encounter that Bellear brokers between an indigenous and a white woman through the performance of address in this poem is not entirely comfortable or governable. I discuss how my students find this poem so confronting, and the fact that this discomfort underlines the necessity for a pedagogy that accommodates what Spivak refers to as `moments of bafflement'.