Composition as analysis: the meta-ontological origins (and future) of composition as identity

Synthese 198 (Suppl 18):4545-4570 (2019)
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Abstract

In this paper, I argue that the debate on Composition as Identity—the thesis that any composite object is identical to its parts—is deadlocked because both the defenders and the detractors of the claim have so far failed to take its philosophical core at face value and have, as a result, defended and criticized respectively something that is not Composition as Identity. After establishing how Composition as Identity should properly be understood and proposing for it a new interpretation centered around the novel notion of metaphysical information, I set forth a strategy to defend it that crucially rests on the indefinite extensibility of the domain of quantification. I eventually suggest that “Composition as Analysis” is a name that better reflects the content and theoretical proposal of the thesis that Composition as Identity is supposed to be.

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Martina Botti
Columbia University

References found in this work

The question of realism.Kit Fine - 2001 - Philosophers' Imprint 1:1-30.
The potential hierarchy of sets.Øystein Linnebo - 2013 - Review of Symbolic Logic 6 (2):205-228.
Pluralities and Sets.Øystein Linnebo - 2010 - Journal of Philosophy 107 (3):144-164.
Composition as Identity: Part 2.Meg Wallace - 2011 - Philosophy Compass 6 (11):817-827.
Composition is Identity and Mereological Nihilism.Claudio Calosi - 2016 - Philosophical Quarterly 66 (263):219-235.

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