Abstract

“To create fiction is, in fact, a way to abolish reality.”1The main title of this article departs from a statement made by Andrew Cross in the chapter he wrote for The Cambridge Companion to Kierkegaard, “Neither Either nor Or: the Perils of Reflexive Irony,” which must surely suggest a tantalizing read for anyone familiar with the writings of Italo Svevo. In his chapter, Cross posits Søren Kierkegaard’s theorizing of irony as “not just a verbal strategy, but a way of life.”2 It is, of course, commonly accepted that Kierkegaard’s writing is characterized by various forms of intentional and self-conscious verbal indirectness, some of which will be explored in this article. But beyond irony as a speech...