The Thracian camp and the fourth actor at Rhesus 565–691

Classical Quarterly 50 (02):367- (2000)
  Copy   BIBTEX

Abstract

Many scholars argue that only three actors were needed in this problematic scene. I believe four are required. The case for a fourth actor can be made much stronger if we take into consideration the location of the Thracian, Trojan, and Greek camps as presented in the play. This argument has been overlooked in previous discussions of the passage

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,440

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Comic technique and the fourth actor.C. W. Marshall - 1997 - Classical Quarterly 47 (01):77-.
Studies in greek philosophy.C. C. W. Taylor - 1999 - British Journal for the History of Philosophy 7 (1):135 – 139.
Thrasyboulos' Thracian Support.David F. Middleton - 1982 - Classical Quarterly 32 (02):298-.
The laughter of the Thracian handmaid. About the unworldliness of philosophy.Christina Schües - 2008 - Bochumer Philosophisches Jahrbuch Fur Antike Und Mittelalter 13 (1):15-31.
The Thracian Snow in Horace, Odes iii, xxvi, 10.D. L. Drew - 1938 - The Classical Review 52 (01):9-.

Analytics

Added to PP
2010-12-09

Downloads
5 (#1,519,079)

6 months
2 (#1,229,212)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Toward a reconstruction of Iphigenia Aulidensis.David Kovacs - 2003 - Journal of Hellenic Studies 123:77-103.

Add more citations

References found in this work

The number of speaking actors in Old Comedy.Douglas M. MacDowell - 1994 - Classical Quarterly 44 (02):325-.
The number of speaking actors in Old Comedy.Douglas M. MacDowell - 1994 - Classical Quarterly 44 (2):325-335.

Add more references