Abstract

This essay offers a close reading of a poem written by Paul Celan in 1962: Ars Poetica 62. I choose this neglected text since it offers genu­ine insight into Celan’s torturous relationship with German culture in the early 1960s especially against the background of the German unwillingness to confront the horrors of the war and camps. Celan situates this poem not only against German silence and forgetfulness, but against the way it defines them in terms of literary history—especially as concerns the German-Jewish (non-)conversation about identity, belongingness, and integration. In terms of this tradition, Celan integrates two principal figures (Hölderlin & Kafka) to explore the contradictions, paradoxes, and caesurae of the recent German past. I also look at the role that Heidegger plays within the Rezeptionsgeschichte Hölderlins as it affects both Celan and the German philosophical tradition.