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Spectral Evidence: The Photography of Trauma
MIT Press (2002)
Abstract
An original analysis of the parallels between the arrested moment in photography and in the traumatized psyche.
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Baer, Ulrich. Remnants of Song. Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan. Stanford, CA: Stanford University Press, 2000. Pp. 343. [REVIEW]Sam W. Bloom - 2005 - Substance 34 (1):180-184.
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Citations of this work
From facial expressions to bodily gestures: Passions, photography and movement in French 19th-century sciences.Beatriz Pichel - 2016 - History of the Human Sciences 29 (1):27-48.
Dynamic instances of interaction.Christina Ljungberg - 2010 - Sign Systems Studies 38 (1-4):270-296.
Echo and the Failure of Knowing in Judith Fox’s Photographic Project I Still Do: Loving and Living with Alzheimer’s.Agnese Sile - 2018 - Journal of Medical Humanities 39 (3):361-375.
Lo scarto visuale e il supplemento dell’immagine: le «scritture di luce» del campo di concentramento di Mauthausen.Renato Boccali - 2018 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 11 (2):165-177.
Il ritorno del represso. Qualche considerazione su testo e immagine in Schwindel. Gefühle di WG Sebald.Nicola Ribatti - 2009 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 2 (2).
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