Abstract

Morphogenetic fields of thought, flux and transformation, energy and light are the manifestations that inform a new sensibility for creating realities and exploring the world. We are seeing the emergence of a new moistmedia culture and the possibilities of a syncretic art that combines aspects of a vast transdisciplinary field. Historically, syncretism has destabilized political and religious orthodoxies, reconciling and harmonizing formerly discrete antagonists; its etymology derives from the coming together of opposed tribes to resist a common enemy. In contemporary culture, the enemy is habit - the uncritical repetition of behaviours, perceptions, categories and values. Just as cybernetics analogizes differences between systems, so syncretism finds likeness between unlike things. If cybernetics underlies the technology of new media art, syncretism informs the psyche. In the context of telematics, it is a matter of heuristics and heteronymia. The digital moment in art is passing as it approaches the status of orthodoxy; the period of discovery through extreme speculation, invention and untrammelled creativity is in danger of giving way to academicism and commercialization, whether in cyberspace, on the Web or through the mobile. Art's twentieth-century preoccupation with the body is giving way to the technoetic exploration of new territories of mind. This may involve revisiting the pathways to personal transformation and transcendence of older cultures, where the syncretism of knowledge and beliefs, as for example in Brazil, is explicit. Art needs to adopt syncretic strategies to embrace emerging models of mind and matter, cyberception, living process and computational systems, moist-media, quantum reality, the nanofield, and ecological, social and spiritual issues. This may lead to significant changes in the way we regard our own identity, our relationship to others, the nature of memory, the exploration of consciousness, and the phenomenology of time and space.