Abstract

In Minimal Theologies Hent de Vries offers a revision of his German language edition of Theologie im pianissimo published in 1989. There has been an impressive amount of scholarly work on Adorno and Levinas since 1989, “but this literature pays no attention to a systematic confrontation between their respective philosophical projects, if it mentions their names in conjunction at all”. What his work contributes is an analysis of the works of Adorno and Levinas as being focused on a common project. That project is the exploration of “native modalities of the performative contradiction of argumentative discourse as it seeks to come to terms with its other”. Further, he contrasts these with the later Habermas and early Derrida. This is a meticulous work that provides important insights into these thinkers and religious philosophy. It is directed at a scholarly audience and could be of use in a graduate seminar focusing either on these thinkers or on contemporary issues surrounding the relationship between faith and reason.