Rebranding Marlboro with colors‎

In Evripides Zantides (ed.), Semiotics and Visual Communication III: Cultures of Branding (2019)
  Copy   BIBTEX

Abstract

From the perspective of color semiotics, Mony Almalech traces changes in the color ‎design of Marlboro cigarettes and applies his original approach to color semiotics to decode ‎the natural and associative meanings of colors.‎

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,709

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Colors from a Logical Point of View.Timm Lampert - 2011 - In Wolfschmidt Gudrun (ed.), Colors in Culture. Tredition. pp. 24-39.
Современный философский текст.Ю. В Шичанина - 2007 - Epistemology and Philosophy of Science 11 (1):67-70.
Los lenguajes del color.Eulalio Ferrer Rodríguez - 1999 - México: Fondo de Cultura Económica.
Color objectivism and color pluralism.Vivian Mizrahi - 2006 - Dialectica 60 (3):283-306.
Transparency vs. revelation in color perception.John Campbell - 2005 - Philosophical Topics 33 (1):105-115.
Constant colors in the head.James A. McGilvray - 1994 - Synthese 100 (2):197-239.

Analytics

Added to PP
2020-05-11

Downloads
5 (#1,535,575)

6 months
2 (#1,186,462)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

Add more references