Abstract

This research interested in the critical and comparative treatment of the aesthetic sensory image of the sea in the Niroda and, Ali Mahmoud Taha, in terms of the aesthetic sensory concept which, connects the aesthetic dimensions with the poetic situations from the philosophical, literary and psychological perspectives. With the application of two poetic texts embodying the image of the sea in each of the perspectives of European and Arab cultures. The treatment was done through two main dimensions: the emotional links of the image of the sea, and the semantic dimensions of the image of the sea. The first dimension dealt with the concept of the Emotional links and their relation to sensory images on the one hand and the image of the sea on the other, with the application of two poetry texts to Neruda and Mahmoud Taha, The application was based on the normative statistical dimension to be more accurate and systematic in the treatment, and was linked to the technical and aesthetic aspects of the image, especially the aesthetic components that are based on the foundations of creative awareness in terms of memory, senses and imagination. The second dimension dealt with the semantic dimensions of the image of the sea in terms of political, social, cultural, cultural and other dimensions in both Neruda and Mahmoud Taha. And how the image of the sea formed a fundamental dimension to them and reflected the life variables experienced by the two poets, despite the differences of cultures and languages and visions, reflecting the aesthetics of art and associated with the poetic aspects on the one hand and deep literary texts on the other hand.