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  1. Caricaturing facial expressions.Andrew J. Calder, Duncan Rowland, Andrew W. Young, Ian Nimmo-Smith, Jill Keane & David I. Perrett - 2000 - Cognition 76 (2):105-146.
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  • Mental representations of affect knowledge.Lisa Feldman Barrett & Thyra Fossum - 2001 - Cognition and Emotion 15 (3):333-363.
  • An investigation of basic facial expression recognition in autism spectrum disorders.Simon Wallace, Michael Coleman & Anthony Bailey - 2008 - Cognition and Emotion 22 (7):1353-1380.
    This study was designed to test three competing hypotheses (impaired configural processing; impaired Theory of Mind; atypical amygdala functioning) to explain the basic facial expression recognition profile of adults with autism spectrum disorders (ASD). In Experiment 1 the Ekman and Friesen (1976) series were presented upright and inverted. Individuals with ASD were significantly less accurate than controls at recognising upright facial expressions of fear, sadness and disgust and their pattern of errors suggested some configural processing difficulties. Impaired recognition of inverted (...)
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  • Fully generated scripted dialogue for embodied agents.Kees van Deemter, Brigitte Krenn, Paul Piwek, Martin Klesen, Marc Schröder & Stefan Baumann - 2008 - Artificial Intelligence 172 (10):1219-1244.
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  • Differences in adult and adolescent listeners’ ratings of valence and arousal in emotional prosody.Michele Morningstar, Joseph Venticinque & Eric E. Nelson - 2018 - Cognition and Emotion 33 (7):1497-1504.
    ABSTRACTJudgments of emotional stimuli’s valence and arousal can differ based on the perceiver’s age. With most of the existing literature on age-related changes in such ratings based on perception...
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  • A dimensional approach to vocal expression of emotion.Petri Laukka, Patrik Juslin & Roberto Bresin - 2005 - Cognition and Emotion 19 (5):633-653.
    This study explored a dimensional approach to vocal expression of emotion. Actors vocally portrayed emotions (anger, disgust, fear, happiness, sadness) with weak and strong emotion intensity. Listeners (30 university students and 6 speech experts) rated each portrayal on four emotion dimensions (activation, valence, potency, emotion intensity). The portrayals were also acoustically analysed with respect to 20 vocal cues (e.g., speech rate, voice intensity, fundamental frequency, spectral energy distribution). The results showed that: (a) there were distinct patterns of ratings of activation, (...)
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  • Vital exhaustion, temperament, and the circumplex model of affect during laboratory-induced stress.Tarja Heponiemi, Liisa Keltikangas-Järvinen, Sampsa Puttonen & Niklas Ravaja - 2005 - Cognition and Emotion 19 (6):879-897.
    The present study examined the relationship between vital exhaustion, Cloninger's temperament dimensions, and state affects during experimentally induced stress among participants aged 22–37 years. Larsen and Diener's circumplex model of affect was used to structure the self-reported affects. Temperament was measured by the Temperament and Character Inventory. Feelings of exhaustion were assessed by the Maastricht Questionnaire. Stressors used were an aversive startle task, an appetitive mental arithmetic task, and an aversive choice-deadline reaction time task. The results showed that the level (...)
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