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  1. Capturing the gaze in film: Feminist critiques of Jewish and Islamic orthodoxy in Israel and Iran.Yael Shenker - 2018 - Critical Research on Religion 6 (2):113-131.
    This article addresses issues of body and sexuality exposed by documentary films about orthodox Jewish women in Israel and traditional Islamic women in Iran, directed by Anat Yuta Zuria and Ziba Mir-Hosseini, respectively. These two groups of religious women are faced with some similar circumstances. The directors of these films use their cameras to expose not only the male gaze, but sometimes they also turn their cameras back on the men who perpetuate and benefit from religious legal systems that subjugate (...)
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  • Appropriating Difference in Ella C. Sykes’ Through Persia on a Side-Saddle.Farah Ghaderi & Karim Sadeghi - 2016 - Angelaki 21 (2):163-176.
    This article teases out Ella Sykes’ responses to the differences she encounters in the contact zone in Persia in her much-neglected travel narrative Through Persia on a Side-Saddle. The authors argue that Ella Sykes’ position/self-positioning in relation to difference is shaped by various, and at times opposing, factors, which contribute to the ambivalent nature of her representations of Persia and its people in her travel narrative. The paper proposes that even though Through Persia seems to be moulded by and moulds (...)
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