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  1. The Essay in Times of Crisis.Jasper Delbecke - 2018 - Performance Philosophy 4 (1):106-122.
    This contribution to Performance Philosophy 4.1 ‘Crisis/Krisis’ explores the breeding ground of the genre of the essay: a state of crisis and transition. This text was conceived and written in line with the editors’ open call for this thematic issue and its search to reassess and revaluate the notion of krisis. In the contribution, I will foreground the essay’s qualities and critical potential—which also can be detected in contemporary performing arts—to revaluate the notion of krisis. By exploring Montaigne, Adorno, and (...)
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  • Essaying art: An unmethodological method for artistic research.Emily Huurdeman - 2020 - Empedocles: European Journal for the Philosophy of Communication 11 (1):25-42.
    Science must articulate its sources, as well as its relevance and its context, and it must provide clear argumentation. Furthermore, it is strictly bound to academic and ethical rules. Art is not constrained by these methods, ethics or rules. In the relatively new field of artistic research, science and art are integrated. However, the definition of this institutionalized field, and the methods and evaluation criteria of its output are debated. Can the scientific and artistic approaches be integrated into one coherent (...)
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  • Compilation and critique : the essay as a literary, cinematographic and videographic form.Alex Fletcher - 2018 - Dissertation, Kingston University
    This dissertation critically engages the meaning and scope of the category of the ‘essay film’; a term that has gained increasing currency in recent decades in film studies and contemporary art to group a diverse array of moving-image works. Departing from recent literature on the essay film, the essay, as I argue, should be conceived less as a stable generic category, than as a dynamic form and experimental mode of writing and filmmaking, which employs and cuts across diverse literary, cinematic (...)
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