RESUMEN La cuestión de la constitución del sujeto político ha sido uno de los ejes centrales del pensamiento de Ernesto Laclau. En el presente trabajo nos centramos en un período específico de su reflexión teórica en torno a esta problemática: entre los años posteriores a la publicación de Hegemonía y estrategia socialista y la aparición de La razón populista. Consideramos que esta etapa de su pensamiento puede ser interpretada como el intento por elaborar una teoría deconstructiva del sujeto político, la (...) cual se sostiene sobre dos nociones que cobran vital importancia en este período: la decisión y la dislocación. ABSTRACT The constitution of the political subject has been one of the main issues in Ermesto Laclau's thinking. In this paper, we will focus on a specific period of his theoretical reflection regarding this issue: the one developed between the publication of Hegemony and socialist strategy and the appearance of On populist Reason. We intend to show how this period may be interpreted as an attempt to elaborate a de-constructivist theory of political subject, based on the notions of decision and dislocation. (shrink)

This thesis explores how we might think the relation between psychoanalysis and the cultural field through Donald Winnicott’s concept of the environment, seeking to bring the concept into dialogue with more “classical” strands of psychoanalytic theorizing. A substantial introduction sets out the rationale behind the thesis by reading Freud and Winnicott in relation to the “classic” and the “romantic”, or the “negative” and “positive”, in psychoanalytic thought. It goes on to outline the value of bringing these tendencies together in order (...) to think the relationship between psychoanalysis, culture and change. The chapters which follow move from psychoanalysis as a “cultural cure” – a method and discourse drawing on and feeding into a broad conception of cultural life – towards a notion of “culture as cure” informed by Winnicott’s theory of the environment. Chapter one examines Freud’s refusal of the “culture”/ “civilization” distinction and considers what it means for the idea of a cultural cure. Chapter two considers whether Winnicott’s thinking about “culture” ultimately prioritises the aesthetic over the political. Chapter three uses Aldous Huxley’s Brave New World to explore an analogy between totalitarianism, technology and maternal care. Chapter four turns to the series In Treatment to think about the intersections of therapy and technology in terms of reflection and recognition. Chapter five employs Ian McEwan’s Saturday as a means to reflect on the capacity of culture to cure. Ultimately, I suggest that social “cure” may require more than “good-enough” cultural forms and objects, but Winnicott’s “romantic” theorization of the aesthetic, coupled with a “classic” attention to structures of power and oppression may offer a means of thinking the relationship between psychoanalysis and culture in potentially transformative ways. (shrink)