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The world disenchanted, and the return of gods and demons

In Asher Horowitz & Terry Maley (eds.), The Barbarism of Reason: Max Weber and the Twilight of Enlightenment. University of Toronto Press. pp. 223--247 (1994)

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  1. Max Weber and the Iron Cage of Technology.Terry Maley - 2004 - Bulletin of Science, Technology and Society 24 (1):69-86.
    Max Weber is seen by mainstream social scientists as a sociologist, social theorist, and theorist of bureaucracy. In this reassessment of Weber’s social science and its methodology, it is suggested that Weber can also be seen as a compelling early 20th-century critic of science and technology. The theme of technology, and Weber’s ambivalence about it, is approached through a discussion of his notion of disenchantment. In the modern, disenchanted world, social scientists are compelled to choose the values that guide research, (...)
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  • Darwin’s perception of nature and the question of disenchantment: a semantic analysis across the six editions of On the Origin of Species.Bárbara Jiménez-Pazos - 2021 - History and Philosophy of the Life Sciences 43 (2):1-28.
    This body of work is motivated by an apparent contradiction between, on the one hand, Darwin’s testimony in his autobiographical text about a supposed perceptual colour blindness before the aesthetic magnificence of natural landscapes, and, on the other hand, the last paragraph of On the Origin of Species, where he claims to perceive the forms of nature as beautiful and wonderful. My aim is to delve into the essence of the Darwinian perception of beauty in the context of the Weberian (...)
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