For Hegel, poverty is not simply a misfortune, but, rather, a kind of injury inflicted on one class by another. Though Hegel rejects Marx’s theory of class, he nevertheless anticipates Marx’s idea of the exploitation of one class by another. How, though, do we align this proto-marxist dichotomy between rich and poor with Hegel’s official theory of class; his tripartite theory of estates? I argue that Hegel’s wealthy are chiefly found in the ‘mercantile’ estate, and that they are those intellectual (...) labourers who manage, oversee, and organize the production process. (shrink)

It probably comes as a surprise to no one that Hegel's political philosophy is difficult to interpret. But his political thought clearly poses problems which the rest of his work does not, and these problems arise from apparent political ambivalence on his part towards the French Revolution, towards monarchy, towards the doctrine of popular sovereignty, towards public opinion and press freedom - well, there is scarcely a reader of Hegel who could not add some additional topic to this already lengthy (...) list. For instance, Hegel sometimes noted how crucial it is for a state to be decisive; every state needs a reservoir of decisiveness, supplied preferably by a monarch, who ‘has become the personality of the state,’ who ‘cuts short the weighing of the pros and cons between which it lets itself oscillate perpetually now this way and now that, and by saying “I will” make its decision and so inaugurates all activity and actuality.’. (shrink)

This essay draws on Hegelrsquo;s conception of tragedy in the emPhenomenology/em to reinterpret the intercultural conflicts that confront us today. It is argued that the prevailing self-conception of modern states, relying on the opposition between universality and particularity, effaces the irresolvable entanglement of contrary values such as progress and tradition or reason and faith. The essay seeks to employ Hegelrsquo;s insight into the dynamic of tragic conflicts to conceptualize precisely this entanglement. This requires, however, that the tragic strand of this (...) insight be extricated from the predominant optimism of Hegelrsquo;s dialectics as a whole. By turning this tragic strand into a conceptual perspective of its own, this essay seeks to account for the inherent tendency of contending cultural paradigms to oppose their counterpart instead of recognizing themselves in the other.nbsp; br /. (shrink)