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  1. Feminism and the discourse of sexuality in korea: Continuities and changes. [REVIEW]Young-Hee Shim - 2001 - Human Studies 24 (1-2):133-148.
    This paper aims to deal with the change of sexual discourse through the rise of a feminist movement in Korea from a constructivist point of view. First, the paper discusses the Confucianism of the Chosun dynasty as an historical background of the issue of sexuality (since Confucianism still has a far-reaching grip and effect on many aspects of everyday life in Korea). Second, it deals with chastity ideology and the double standard of sexuality between men and women as ongoing Confucian (...)
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  • Yunjidang’s feminism and gender equality.Hye-Kyung Kim - 2021 - Asian Philosophy 31 (2):143-159.
    ABSTRACT The received view is that Yunjidang’s feminist philosophy focuses on female sagehood, drawing on the theory of the equal human nature of women and men. I argue that there is much more to it than that, and that her views are anchored in and a development of Mengzi’s philosophy. She creatively interpreted and extended his philosophy, adopting the neo-Confucian metaphysics of the One and the Many. She argued not just for the potential but for the actual gender equality of (...)
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  • From Wife to Moral Teacher: Kang Chŏngildang on Neo-Confucian Self-Cultivation.Sungmoon Kim - 2014 - Asian Philosophy 24 (1):28-47.
    This paper aims to investigate the philosophical thought and moral practice of a Korean neo-Confucian female scholar named Kang Chŏngildang 姜靜一堂, who not only believed in moral equality between men and women and the possibility of female sagehood but actually empowered herself to become a moral paragon. Furthermore, Chŏngildang’s strong faith in moral equality between men and women enabled her to engage in social criticism of the existing educational system and social norms which discriminated against women, not by overcoming neo-Confucianism, (...)
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  • Culture and Affect in Aesthetic Experience of Pictorial Realism: An Eighteenth-Century Korean Literatus’ Reception of Western Religious Painting in Beijing.Ju-Yeon Hwang - 2019 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 12 (1):175-188.
    Cultural factors are operating in the aesthetic experience of pictorial realism, occurring in a transcultural manner, and their effects are salient in beholder’s affective reaction correlated with perceptual-cognitive operation. This paper aims to demonstrate this hypothesis, by developing two analytical tools that might explain the anti-hedonic valence of Hong Taeyong, an eighteenth-century Korean literatus’ aesthetic experience of a Western religious fresco depicting the Lamentation of Christ in a Jesuit Catholic church in Beijing. First, a complex multifold conflict between «actual affect» (...)
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  • Cultural Values Influence the Attitude of Chinese, Japanese, and Korean College Students towards Cosmetic Surgery.Nader Ghotbi & Mostafa Khalili - 2017 - Asian Bioethics Review 9 (1-2):103-116.
    There are large differences in the frequency and types of cosmetic surgeries performed in different countries around the world. Although availability, access, cost, and affordability each play a role in the observed differences, we tested the hypothesis that sociocultural and moral values significantly influence the level of acceptance of cosmetic surgery. In 2015, we collected the views of 206 college students in an international university in Japan to compare the views of Japanese students towards cosmetic surgery with those of South (...)
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  • Gender, Globalization and Aesthetic Surgery in South Korea. [REVIEW]Joanna Elfving-Hwang & Ruth Holliday - 2012 - Body and Society 18 (2):58-81.
    This article explores the unusually high levels of cosmetic surgery in South Korea – for both women and men. We argue that existing explanations, which draw on feminist and postcolonial positions, presenting cosmetic surgery as pertinent only to female and non-western bodies found lacking by patriarchal and racist/imperialist economies, miss important cultural influences. In particular, focus on western cultural hegemony misses the influence in Korea of national identity discourses and traditional Korean beliefs and practices such as physiognomy. We show how (...)
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