In the late 18th century, Immanuel Kant attracted attention for his criticisms of colonialism, that problematized the established boundaries between civilization and barbarism, and chastised English colonialism in particular. Some years later, however, in his lectures on Anthropology, he ventured some oddly racist views, concerning the specific differences between European and Indigenous peoples. Kant's racism is by now well‐documented. However, less attention has been paid to the peculiarities of that racism, and especially its foundations in a theory of virtue. His (...) racism comes to light especially in his discussions of the virtues of patience and courage, and in passages which have rarely been subject to critical scrutiny still to this day. This article starts out from an analysis of the functions of Kant's concepts of courage and patience in his account of European versus Indigenous difference, with a view to interrogating the politics of virtue in the present, where this discussion is reoccurring in new guises. What Kant considered courage has now been devalorized, while what he considered patience is now valorized. This reversal of perspectives on what counts as virtuous has occurred in correlation with a reversal in western perspectives on Indigeneity. Such that contemporary accounts of courage are correlated with contemporary accounts of Indigeneity. These reversals of perspective must be understood in context of the transformation which philosophical anthropology has undergone under the duress of the Anthropocene. Contemporary works by Dipesh Chakrabarty and Jonathan Lear are of great relevance to this correlated transformation and will be discussed here. The article analyses what both Chakrabarty and Lear understand by courage today, its relevance to the Anthropocene, and points out the limitations of their theories. Ultimately the article argues for a rethinking of the definition of courage as a political virtue of the Anthropocenic present. (shrink)

In this essay I bring Gregory Bateson together with Deleuze and Guattari (primarily with the latter) to show their ecological compatibility, especially with Guattari’s ecosophy. I do this against the backdrop of the Anthropocene which presents us not only with a ‘climate’ of post-truth and political corruption, but also with the so-called climate crisis. In the context of these two broad examinations, I ask what can an artisan-artist-designer do given this problematic context? My reply is to call on ‘speculative design’ (...) by an ‘avant-garde without authority’ to expose the symptoms of the Anthropocene era. (shrink)