Purpose. The article suggested for consideration is aimed at clarifying the shift in human perception from the spatial turn announced by Michel Foucault, to a performative turn. The performative turn has an anthropological footing. It is based on the all-round investigation of the body’s principal role for cultural existence, as a result of a reverse reaction to artificial conceptual gap between space and body, which basically means ignoring the embodiment theme. An example of such theoretical deformation was Edmund Husserl’s “anthropology (...) phobia” revealed and thoroughly analysed by Hans Blumenberg in his critical works. Originality of the approach applied in this research, first and foremost, demonstrates not an abstract phenomenological conception as a theoretical construct, but a phenomenological activity itself, as well as practical work expressing antepredicative experience and solving the problems arising in this complicated process. Applying the Blumenberg’s analysis also allows to peep in the sideline notes of Edmund Husserl himself, which, for their part, acquire special meaning in relation to such a practical turn. Conclusions show the following state of affairs demonstrated by the anthropological and performative shift towards the body theme: 1) absolutisation of space without mentioning its relation to body experience is unreasonable and groundless, like in Husserl’s “anthropology phobia ”; 2) since the ground itself is a metaphorical anthropology basis, anthropology can reveal the structural conditions of perception due to thematic fronting of embodiment; 3) this gives anthropology some compensational features, to avoid false culture and nature dualism; 4) so, the space and body relationship is expressed by the Vehikel-phenomenon of the body itself, by placing, arranging and depicting, and thus replacing something missing and unavailable for direct contemplation, by revealing the spatial infrastructure for object perception, creating the presence conditions and metaphorically marking the contemplation boundary; 5) the depicting arrangement is at the same time a bodily performance, a play, staging and performing, which gives an aesthetic, poetic and emphatic impact on the use of philosophy language, in our case, on the way a phenomenology philosopher works with the language. (shrink)

Alvin Plantinga’s evolutionary argument against naturalism (EAAN) claims that if both naturalism (N) and evolutionary theory (E) are true, then all our beliefs are unreliable (premiss 1). Consequently, given N&E, the belief in N&E is unreliable (premiss 2) and N&E is self-defeating (conclusion). The empirical verification argument against naturalism (EVAAN) is more cautious and improves EAAN by withstanding a rejoinder of the evolutionary naturalist to premiss 1. EVAAN claims that non-abstract beliefs that are not empirically verifiable are unreliable, given N&E (...) (premiss 1a). This anticipates the evolutionary naturalist’s claim that empirical verifications play a crucial role in peer assessments and sexual selection of intelligence, and that, therefore, N&E makes empirically verifiable beliefs often reliable (premiss-1 rejoinder). However, even then it can be argued that the belief in N&E is unreliable, given N&E (premiss 2), because N&E is neither abstract, nor empirically verifiable (premiss 1b). EVAAN distinguishes reliably verifiable intelligence from metaphysical intelligence and claims that, if N&E is true, humans are lacking metaphysical intelligence. This paper also contains an argument against EAAN, by supporting the premiss-1 rejoinder. (shrink)