Aufmerksamkeit - ein Schlüsselkonzept gegenwärtiger humanwissenschaftlicher Forschung - ist als grundlegendes Phänomen menschlicher Intentionalität mit individuellen und sozialen Prozessen der Selektion und der Fokussierung verknüpft: Was weckt bzw. lenkt unsere Aufmerksamkeit, insbesondere unter den Bedingungen der digitalen Mediengesellschaft, und wie wird dadurch unser Bewusstsein geprägt oder sogar gesteuert? Der Band versammelt neuere Forschungsbeiträge aus Philosophie, Psychologie und Erziehungswissenschaften, die diese Fragen unter interdisziplinären Gesichtspunkten näher untersuchen.

Dust is a distinctive material that, in addition to its physical properties, reveals anthropological and cultural dimensions, particularly within aesthetic contexts. In a collaborative project focused on “dust,” a theoretical-systematic approach is combined with an artistic-practical-participatory one. Philosophical reflections and artistic concepts related to the material “dust,” specific artworks involving dust, and the relationship between artwork and theory are interwoven. Thus, the text discusses various types of dust, the role of the artist, different modes of perception, cultural context, forms of (...) dust and materiality, media-specific characteristics, and questions of mediation. Throughout this process, common practices of artistic and theoretical engagement are transformed and developed. (shrink)

Atmospheres constitute an ordinary perceptual phenomenon that can become a new experience, as the former are more than the sum of single-sensory perceptual factors. Drawing on the terminological pair ‘subject’ and ‘object’ and its interdependencies, the atmospheric phenomenon can be approached in an essayistic fashion (and by means of applying an aesthetic focus in the broadest sense). In so doing, it becomes clear that the atmosphere serves as a condition for the emergence as well as actualization of special perception. Based (...) on Gernot Böhme’s research and further studies, specific (ontological) determinants are identified and differentiated according to the definitional facets of the ‘and’, the ‘in-between’ and the ‘whereby’ or ‘in what way’. These considerations demonstrate to what extent perception precedes the separation of subject and object in that the atmospheric ‘whereby’ is responsible for creating tuned spaces and situations. Turning to the objects of perception and their concomitant ecstasies as well as to the subject of perception with its reception helps to clarify which components of an atmosphere work in what way. In this context, methods of exploratory involvement and participation (in the Parcours Commenté but even more so in the Aesthetic Fieldwork) gain in importance in order to explore atmospheres from a lifeworld perspective. (shrink)