The aim of our study was to test the effectiveness of the “three good things for others” intervention. We used the randomized controlled trial method, with four measurements (pretest, posttest, follow-up after 2 weeks, follow-up after 4 weeks) and with random assignment of participants to experimental and placebo control groups. We investigated the effects of the intervention on prosocial behavior, and in addition on positive and negative affect, and positive orientation (a general tendency to approach reality in a positive way). (...) The results showed an increase in positive affect and a decrease in negative affect in the experimental group a day after the intervention. These effects, however, did not endure over the next 2 or 4 weeks. We also observed a statistically significant increase in prosocial behavior in the placebo control group, in which participants were engaged in a task of recalling childhood memories. The results are discussed and recommendations for future studies are proposed. (shrink)

In _The Platonizing Sethian Background of Plotinus’s Mysticism_, Zeke Mazur offers a radical reconceptualization of Plotinus with reference to Gnostic thought and praxis, chiefly as evidenced by Coptic works among the Nag Hammadi Codices whose Greek Vorlagen were read in Plotinus’s school.

This interdisciplinary study fuses analysis of feminist literature and manifestos, radical political theory, critical vanguard studies, women's performance art, and popular culture to argue for the animal liberation movement as successor to the liberationist visions of the early twentieth-century avant-gardes, most especially the Surrealists. These vanguard groups are judiciously critiqued for their refusal to confront their own misogyny, a quandary that continues to plague animal activists, thereby disallowing for cohesion and full recognition of women's value within a culturally marginalized cause. (...) This volume is of interest to anyone who is concerned about the continued--indeed, escalating--violence against nonhumans. More broadly, it will interest those seeking new pathways to challenge the dominant power constructions through which oppression of humans, nonhumans, and the environment thrives. Women, Destruction, and the Avant-Garde ultimately poses the animal liberation movement as having serious political and cultural implications for radical social change, destruction of hierarchy and for a world without shackles and cages, much as the Surrealists envisioned. (shrink)

Confirmant notamment les analyses de Pascale Casanova dans La République des lettres , Zofia Bobowicz, traductrice et actuellement conseillère éditoriale aux éditions Noir et Blanc, explique dans cet entretien les difficultés de réception rencontrées par la littérature de l'Europe centrale en France, alors qu'il en va tout autrement dans d'autres pays. Connaissant depuis un quart de siècle l'univers éditorial français de l'intérieur, Zofia Bobowicz souligne le rôle joué par la critique littéraire et la conjoncture politique ou culturelle du (...) moment dans la diffusion de cette littérature, et, par voie de conséquence, dans sa traduction.Confirming such analyzes Pascale Casanova in The Republic of Letters , Zofia Bobowicz, translator and editorial consultant currently published by Black and White, explains in this interview the difficulties encountered by receiving the literature of Central Europe France, while it is quite different in other countries. Knowing the past quarter century French publishing world from the inside, Zofia Bobowicz emphasizes the role played by literary criticism and the political and cultural moment in the dissemination of this literature, and, consequently, in its translation. (shrink)

The paper reports the results of a comparative analysis of the two groups students coming from temporarily disconnected families due to foreign work parents and teenagers with the same social environment, but without the experience of separation time. The subject of the analysis was: the cohesion of a family from the perspective of the evaluated adolescent and three factors of psychological loneliness: social loneliness, emotional loneliness and existential loneliness. The Loneliness Scale was used based on an original concept of multidimensional (...) sense of loneliness. The questionnaire for the survey of family cohesion were used too. The age, gender, family structure and the family lifestyle were controlled. Obtained results revealed significantly lower cohesion and significantly higher existential loneliness in group of teenagers from temporarily disconnected families. Not confirmed the supposition that made in earlier studies of temporarily disconnected families due to economic migration, that these teenagers suffer from a sense of emotional loneliness There has also confirmed the belief that the level of family cohesion and a sense of loneliness in adolescents is associated with atypical organization of family life associated with the duration of migration of parent/parents, frequency of contact with family members working abroad: mothers, fathers or broth parents, the duration of stays at home. (shrink)

Preview: “Taste” is among those philosophical categories that are the most difficult to fully characterize. Reflection on taste, on the experience and concept of taste, flourished in modern times. It went through its history from dynamic development in the seventeenth century and theoretical career in the eighteenth century. One gets the impression that “taste” became the central category of philosophy of the seventeenth and eighteenth centuries. In the nineteenth century, interest in taste diminished significantly. Considerations of taste were closely integrated (...) into the general philosophical attitudes of thinkers of the period. They generated disputes that form the canvas of later considerations that are already less emotional. The social transformations that we have been observing in the last few decades are forcing a renewed interest in the category of taste. At the same time, it is a colloquial category, commonly used. It is present if not in every European dictionary, then in most. In some languages it also has numerous synonyms that provide clues as to how various psycho-social states are expressed through these terms. Most often they are limited to the physiological sense of taste and are linked to cuisine, customs, recipes, and health. Taste, however, cannot just be confined to physiology – although the importance of the social functioning of taste understood in this way cannot be denied. (shrink)

Under what conditions are people responsible for their choices and the outcomes of those choices? How could such conditions be fostered by liberal societies? Should what people are due as a matter of justice depend on what they are responsible for? For example, how far should healthcare provision depend on patients' past choices? What values would be realized and which hampered by making justice sensitive to responsibility? Would it give people what they deserve? Would it advance or hinder equality? The (...) explosion of philosophical interest in such questions has been fuelled by increased focus on individual responsibility in political debates. Political philosophers, especially egalitarians, have responded to such developments by attempting to map out the proper place for responsibility in theories of justice. This book both reflects on these recent developments in normative political theory and moves the debate forwards. (shrink)

In this article I challenge the claim that nuclearity is a central principle in the organization of texts. I propose the Framework for the Relational Analysis of Texts which accounts for the paratactic and hypotactic realization of coherence relations. Within this framework, the taxis of coherence relations is co-textually dictated. I consider the writer choices in the distribution of discoursal salience and the intertextual and intercultural variation of these choices. It is suggested that divergence between approaches that perceive text as (...) exhibiting both hypotactic and paratactic organization and those that see nuclearity as a basic characteristic of text structure arises from differences in the linguistic corpora examined during the construction of respective theoretical frameworks. (shrink)

Resumo: Neste artigo, propõe-se uma confrontação entre a teoria dos signos de Gotthold E. Lessing, tal como exposta em Laocoonte ou sobre as fronteiras da pintura e da poesia, e os dois ensaios de Theodor W. Adorno sobre as relações entre música e pintura. Pretende-se, com isso, demonstrar a presença decisiva de elementos da estética clássica alemã no pensamento adorniano do pós-guerra; em particular, observa-se o modo pelo qual a teoria racionalista de Lessing atua na abordagem dialética adorniana a respeito (...) da irredutibilidade formal dos meios artísticos e das possibilidades de sua convergência. À luz de tal confrontação, discutem-se, em um segundo momento do artigo, os temas da conferência de Adorno de 1966, A arte e as artes, que, em certa medida, consubstancia a discussão dos ensaios anteriores sobre música e pintura. Assinala-se, nesse contexto, a continuidade da posição teórica de Adorno e se apresentam as diferenças entre o processo de pseudomorfose e o de imbricação dos meios artísticos, segundo o filósofo.s: This article presents a comparison of Gotthold E. Lessing’s theory of signs, as found in his Laocoön: an essay on the limits of painting and poetry, and Theodore W. Adorno’s two essays on the relationship between music and painting. Our aim is to point out the decisive influence of German classical aesthetics on Adorno’s post-war aesthetics. Specifically, we discuss how Lessing’s theory functions as a framework for Adorno’s dialectical assessment of the formal specificity of artistic media and their possibilities of convergence in the context of the 1960’s avant-garde. In this context, we discuss the main implications of Adorno’s famous lecture of 1966, Art and the arts, which concerned the process of media convergence that intensified during the 1960’s, as well as the concepts of “overlapping” between artistic media and of “pseudomorphosis”. (shrink)

The dead are among us. We are reminded of their names through the books we read, the hoovers we buy, the sandwiches we consume, the tarmac we travel on, the wellingtons we wear, or, frequently, the buildings we visit. Even if we settled on the criteria for being worthy of commemoration, what should we do about the fact that there seem to be so many people who would likely meet them? Commemoration is a form of attention giving, and attention is (...) a scarce resource. It is scarce even if it could be permissibly commanded at will. It is even more scarce when commanding attention may violate someone's freedom to decide for themselves where to bestow it. I will argue that when it comes to public commemorative attention, there are duties that fall on us all to remember the now dead victims of injustice. I will also offer reasons for why such duties would normally mean that we need to prioritize the remembrance of the victims of injustice ahead of remembrance that might be owed to those who had expectations of being remembered or even took steps by donations to secure such remembrance. (shrink)

The dead are among us. We are reminded of their names through the books we read, the hoovers we buy, the sandwiches we consume, the tarmac we travel on, the wellingtons we wear, or, frequently, the buildings we visit. Even if we settled on the criteria for being worthy of commemoration, what should we do about the fact that there seem to be so many people who would likely meet them? Commemoration is a form of attention giving, and attention is (...) a scarce resource. It is scarce even if it could be permissibly commanded at will. It is even more scarce when commanding attention may violate someone's freedom to decide for themselves where to bestow it. I will argue that when it comes to public commemorative attention, there are duties that fall on us all to remember the now dead victims of injustice. I will also offer reasons for why such duties would normally mean that we need to prioritize the remembrance of the victims of injustice ahead of remembrance that might be owed to those who had expectations of being remembered or even took steps by donations to secure such remembrance. (shrink)

This volume broadens animal liberation dialogues by offering the arguments, challenges, inspiration and narratives of grassroots activists. The essays show what animal advocacy looks like from a collective of individuals living in and around Minnesota's Twin Cities; the essayists, however, write of issues, both personal and political, that resound on a global scale"--Provided by publisher.

RESUMO O ensaio “Vers une musique informelle” é uma das mais conhecidas contribuições da reflexão musical de Adorno, certamente um dos maiores legados de sua filosofia da música. Este artigo procura, em um primeiro momento, especificar o sentido crítico da contribuição conceitual de Adorno, que visava à superação dos impasses e da alternativa entre pensamento motívico-temático e pensamento serial nas práticas composicionais de época. Em seguida, descreve a intenção propositiva de Adorno ao encaminhar uma “teoria material das formas”, teoria que, (...) na realidade, havia sido concretizada na monografia sobre Mahler, publicada no ano anterior ao ensaio. Por fim, busca evidenciar a atualidade do conceito de música informal, questionando, por um lado, a leitura de Fredric Jameson e, por outro, examinando brevemente os procedimentos de dois compositores contemporâneos cujo teor remete ao conceito adorniano: Helmut Lachenmann e Wolfgang Rihm. ABSTRACT Adorno’s essay “Vers une musique informelle” is one of the most well-known contributions of his musical thought and also considered one of the most significant legacies of his philosophy of music. Initially, this article intends to specify the critical sense of Adorno’s conceptual contribution, which aimed the overcoming of the avant-garde compositional stalemate and the alternative between motivic-thematic thought and serialistic thought, at the time. Then, it describes the intention put forward by Adorno in his “material theory of forms”, a theory that had been fully developed in the monograph on Mahler, published just one year before the essay. Finally, the article tries to show some of the contemporary implications of the concept of informal music, by questioning, on the one hand, Fredric Jameson’s interpretation of the concept, and, on the other hand, briefly examining the methods of two contemporary composers that seemingly set this concept in motion: Helmut Lachenmann and Wolfgang Rihm. (shrink)

Pretende-se expor os elementos principais da teoria dos tipos, que encontramos nos Beethoven-Fragmente, de Theodor W. Adorno. Por meio desse modelo de pensamento, Adorno esclarece os critérios orientadores de seu conceito de tempo musical, que se particulariza criticamente nos escritos musicais posteriores, como as monografias sobre Wagner, Mahler e Berg, os ensaios sobre Stravinsky e as conferências sobre o serialismo pós-Webern. A teoria dos tipos envolveria as diferentes modalidades de “relação da música com o tempo em geral”. Além da exposição (...) teórica, articulada à interpretação do tempo em Hegel, propõe-se a análise técnica de peças de Beethoven, sobretudo do 1º movimento da 3a Sinfonia, obra que fundamentaria in musicis o conceito adorniano de tempo musical. (shrink)

Em "Teoria da vanguarda", de Peter Bürger, o choque é compreendido como o artifício intencional dos movimentos de vanguarda contra a autonomia do esteticismo modernista, a fim de devolver a arte à práxis vital. Adotando uma perspectiva distinta, o choque, para Adorno, expõe antes a crise da experiência da formalização do tempo decorrente da incongruência entre as forças produtivas e as relações de produção na sociedade industrial, sendo que dois caminhos artísticos distintos derivam da inflexão histórica da crise da experiência. (...) Em Schoenberg, na esteira do que Bürger classificaria como esteticismo, o choque seria amortizado pela expansão da linguagem musical, mediante seu registro. Em Stravinsky, o procedimento mecânico de golpes rítmicos e de montagem, em consonância com a profusão de vivências do choque, surge como elemento regressivo. Os choques não seriam dispositivos críticos, mas sismogramas de reações às mudanças da consciência subjetiva do tempo na modernidade. O artigo procura enfatizar as premissas conflitantes entre Bürger e Adorno quanto à posição do conceito de choque, assim como as críticas de Bürger ao modernismo adorniano. In Peter Bürger's "Theory of the avant-garde", the concept of shock is rendered as an intentional avant-garde procedure against the institutionalization of art, i.e., against the autonomous criteria of modernist aestheticism, with the purpose of bringing art back to everyday life and vital praxis. From a quite different materialistic perspective, the concept of shock, in Adorno's musical writings, exposes the crisis of experience (Erfahrung) of the dissociation of time within two major streams of modern music, namely Schoenberg's school and Stravinsky's. This paper aims to point out the conflicting assumptions and consequences between Adorno and Bürger regarding their respective theoretical grasps on the concept of shock, as well as the critique to Adorno's musical modernism that Bürger addresses in this book. (shrink)

In Utopophobia Estlund offers a prominent version of a conditional account of feasibility. I think the account is too permissive. I defend an alternative incentives account of feasibility. The incentives account preserves the spirit of the conditional account but qualifies fewer actions as feasible. Simplified, the account holds that an action is feasible if there is an incentive such that, given the incentive, the agent is likely to perform the action successfully. If we accept that ought implies feasible, then we (...) should reject some normative requirements on agents that Estlund would accept in light of his more permissive conditional account. But we can still recognise normative requirements on individual and collective agents that, if complied with, would result in a world that is radically better than our own. (shrink)

John Rawls tells at the start of A Theory of Justice that his theory is intentionally constrained in two ways: it is ideal and focuses on the justice of the basic structure of society. This chapter begins by evaluating Rawls's claim that ideal theory sets the target of reform for nonideal theory, whose task it is to work out what to do “under less happy conditions.” It states that it is unclear just when ideal theory can inform the priorities of (...) nonideal theory. The chapter also presents discussions on whether the ideal theory is utopian and concessive to human nature. Even the kind of nonideal theory that delivers concrete action‐guidance for “us” remains unhelpfully ideal if it does so merely in the form of policies or institutional arrangements. (shrink)