DigiCat Publishing presents to you this special edition of "Socratic Discourses" by Plato, Xenophon. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in (...) the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

One of the foundational works of military history and political philosophy, and an inspiration for Alexander the Great, the Anabasis of Cyrus recounts the epic story of the Ten Thousand, a band of Greek mercenaries hired by Cyrus the Younger to overthrow his brother, Artaxerxes, king of Persia and the most powerful man on earth. It shows how Cyrus' army was assembled covertly and led from the coast of Asia Minor all the way to Babylon; how the Greeks held the (...) field against a superior Persian force; how Cyrus was killed, leaving the Greeks stranded deep within enemy territory; and how many of them overcame countless dangers and found their way back to Greece. Their remarkable success was due especially to the wily and decisive leadership of Xenophon himself, a student of Socrates who had joined the Ten Thousand and, after most of the Greek generals had been murdered, rallied the despondent Greeks, won a position of leadership, and guided them wisely through myriad obstacles. In this new translation of the Anabasis, Wayne Ambler achieves a masterful combination of liveliness and a fidelity to the original uncommon in other versions. Accompanying Ambler's translation is a penetrating interpretive essay by Eric Buzzetti, one that shows Xenophon to be an author who wove a philosophic narrative into his dramatic tale. The translation and interpretive essay encourage renewed study of the Anabasis as a work of political philosophy. They also celebrate its high adventure and its hero's adroit decision-making under the most pressing circumstances. (shrink)

This book presents translations of three dialogues Xenophon devoted to the life and thought of his teacher, Socrates. Each is accompanied by notes and an interpretative essay that will introduce new readers to Xenophon and foster further reflection in those familiar with his writing. "Apology of Socrates to the Jury" shows how Socrates conducted himself when he was tried on the capital charge of not believing in the city's gods and corrupting the young. Although Socrates did not secure (...) his own acquittal, he profoundly impressed some listeners who then helped to shape the public perception of philosophy as a noble, if highly idiosyncratic, way of life. In "Oeconomicus," Xenophon relates the conversation Socrates had on the day he turned from the study of natural philosophy to that of moral and political matters. "Oeconomicus" is concerned most directly with the character and purpose of Socrates' political philosophy. Xenophon provides entertaining portraits of Socrates' circle of friends in the "Symposium." In the process, he conveys the source of every individual's pride in himself, thus defining for each a conception of human excellence or virtue. The dialogue concludes with Socrates' beautiful speech on love (eros) and its proper place in the good or happy life. (shrink)

An essential text for understanding Socrates, Xenophon's Memorabilia is the compelling tribute of an affectionate student to his teacher, providing a rare firsthand account of Socrates' life and philosophy. The Memorabilia is invaluable both as a work of philosophy in its own right and as a complement to the study of Plato's dialogues. The longest of Xenophon's four Socratic works, it is particularly revealing about the differences between Socrates and his philosophical predecessors. Far more obviously than Plato in (...) the dialogues, Xenophon calls attention in the Memorabilia to his own relationship with Socrates. A colorful and fully engaged writer, Xenophon aims above all to convince his readers of the greatness of Socrates' thought and the disgracefulness of his conviction on a capital charge. In thirty-nine chapters, Xenophon presents Socrates as an ordinary person and as a great benefactor to those associated with him. (shrink)

The Symposium that Xenophon wrote has lived in the shadow of the more famous one by Plato, so much so that it has not received a full commentary in English for well over a hundred years. Yet it is a work as useful for its Greek as it is precious for its content. Socrates is the hero of each Symposium, but most of our understanding of him is usually owed to Plato; we risk assuming that his portrait of Socrates (...) is right. Xenophon saw the man differently: his picture is independent, and it is the only significant surviving alternative view. Moreover, the scene that Xenophon paints in his Symposium has a vigour and wit of its own. The work is a document of prime importance for the classical Greek society which we study most and know best: it is set at the male heart of it. Thirdly, Xenophon's Greek is lucid and unforced. The editor has been using the text for a number of years to help students bridge the gap between what they learn from their beginners' courses and the richer Greek of more fashionable texts. Hence an unprecedented amount of help with the language, and a large vocabulary, as well as the notes usual in this series on the content. (shrink)

Xenophon's portrait is the only one other than Plato's to survive, and while it offers a very personal interpretation of Socratic thought, it also reveals much about the man and his philosophical views.

Plato and Xenophon: Apologies compares two key dialogues on the death of Socrates. Socrates was accused of impiety and corrupting the youth of ancient Athens and was tried, convicted, imprisoned, and executed. Both Plato and Xenophon make clear that the charges were not brought forward in the spirit of true piety, and that Socrates was a man of real virtue and beneficence. To this day, his trial and execution remain a mark upon the democracy that put him to (...) death. These dialogues underscore the limitations of democratic relativism and emphasize the nature of philosophy or the free mind. Plato’s Apology of Socrates is both poetry and an act of reformation, justifying the life of philosophy, challenging the authority of the pagan gods and heroes, and introducing Socrates as a heroic and even divine figure. In contrast, Xenophon’s Socrates is not dialectical and otherworldly, but makes a different appeal for philosophy. From Xenophon emerges the heroic tradition of Plutarch with its reflections on the virtues and vices of great historical men. Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Plato and Xenophon’s immediate audience. (shrink)

Sarah Fielding (1710-1768), the younger sister of Henry Fielding, and the close friend of his literary rival Samuel Richardson, was one of the very few English women to master ancient languages like Latin and Greek. With the help of Shaftesbury's nephew, James Harris, a distinguished writer, scholar and grammarian, she embarked on the ambitious project of translating Xenophon's Memorabilia and the Apology of Socrates from the Greek. This work, titled Memoirs of Socrates, with the Defence of Socrates before his (...) Judges, was finally released in 1762. She proved a discreet editor and a talented Hellenist, whose elegant style garnered praise from Tobias Smollett in his Critical Review. This superb translation is re-published in its entirety for the first time since the 18th century"--Provided by publisher. (shrink)

La modernité s’est accompagnée d’une reprise en main par l’État des noyaux de pouvoir religieux qui lui étaient auparavant extérieurs. Toutefois, on peut montrer qu’à cette rupture se superpose une autre discontinuité notable : l’apparition d’un concept de pouvoir nouveau, s’occupant de la vie elle-même et non plus de ses marges, qui serait la biopolitique. Il est possible de déceler les leviers conceptuels qui nouent ensemble ces deux transformations chez l’un des penseurs essentiels de cette modernité politique, Spinoza, dans la (...) mesure où, tout en démontrant la nécessité pour le pouvoir politique de s’émanciper du religieux et de le reprendre en main, il participe d’une nouvelle manière de penser l’exercice du pouvoir. (shrink)

La modernité s’est accompagnée d’une reprise en main par l’État des noyaux de pouvoir religieux qui lui étaient auparavant extérieurs. Toutefois, on peut montrer qu’à cette rupture se superpose une autre discontinuité notable : l’apparition d’un concept de pouvoir nouveau, s’occupant de la vie elle-même et non plus de ses marges, qui serait la biopolitique. Il est possible de déceler les leviers conceptuels qui nouent ensemble ces deux transformations chez l’un des penseurs essentiels de cette modernité politique, Spinoza, dans la (...) mesure où, tout en démontrant la nécessité pour le pouvoir politique de s’émanciper du religieux et de le reprendre en main, il participe d’une nouvelle manière de penser l’exercice du pouvoir. (shrink)

_The Blackwell Guide to Plato’s Republic_ consists of thirteen new essays written by both established scholars and younger researchers with the specific aim of helping readers to understand Plato’s masterwork. This guide to Plato’s _Republic_ is designed to help readers understand this foundational work of the Western canon. Sheds new light on many central features and themes of the Republic. Covers the literary and philosophical style of the _Republic_; Plato’s theories of justice and knowledge; his educational theories; and his treatment (...) of the divine. Will be of interest to readers who are new to the _Republic_, and those who already have some familiarity with the book. (shrink)

What is love? Why do we idealize those whom we love? How do we choose whom to love? Are some kinds of love better than others? Each age returns to these questions with renewed perplexity. Gerasimos Santas examinees the two greatest theoretical architectures of love, side by side. It provides a thorough critical description and comparison of these theories, allowing a sophisticated dialogue to emerge between the two thinkers. In the first half of the book Professor Santas reconstructs and explains (...) Plato's theories of eros and philia: erotic love, familial love and friendship. He attempt to show that Plato's was a unified theory in which erotic love has a special connecion with creativity and beauty. He then discusses Freud's notion of love as distinct from, though based on, his general theory of sexuality. He discusses in detail Freud's explanations, before and after narcissism, of idealization and choice of beloved. Freud too, it emerges, had a unified theory of love: all love has its origins in the libidinal instincts of infancy and childhood. The book concludes by showing that, despite Freud's claim that his theory of love is 'Platonic', the two theories are instructively different. (shrink)

The Symposium that Xenophon wrote has lived in the shadow of the more famous one by Plato, so much so that it has not received a full commentary in English for well over a hundred years. Yet it is a work as useful for its Greek as it is precious for its content. Socrates is the hero of each Symposium, but most of our understanding of him is usually owed to Plato; we risk assuming that his portrait of Socrates (...) is right. Xenophon saw the man differently: his picture is independent, and it is the only significant surviving alternative view. Moreover, the scene that Xenophon paints in his Symposium has a vigour and wit of its own. The work is a document of prime importance for the classical Greek society which we study most and know best: it is set at the male heart of it. Thirdly, Xenophon's Greek is lucid and unforced. The editor has been using the text for a number of years to help students bridge the gap between what they learn from their beginners' courses and the richer Greek of more fashionable texts. Hence an unprecedented amount of help with the language, and a large vocabulary, as well as the notes usual in this series on the content. (shrink)

_Publication postponed indefinitely (as of September 2019)_ This volume provides accurate and accessible translations of Xenophon's Socratic writings; a general Introduction that discusses Xenophon, Socrates and Socratic literature; short introductions to each individual work; annotation; and an index. An attractive text, not only for the study of the historical Socrates and Socratic thought, but also for courses dealing with the economic or social history of Athens in the Classical period.

This article investigates the concept of sound, in relation to the new means and sciences from different perspectives, ultimately providing an analysis of the newborn artistic movement of bioart. It is divided into two parts. The first part of the study is based upon reference, investigating the interconnection between art and science. This mechanism is characterized by transformation processes in the interdisciplinary practices that are applied mainly by various artists and movements of the post-Second World War period. The expressive element (...) seeks an unworldly explanation through audio and visual conjunctions. This nature is obvious in Paul Klee’s reflections of musical elements in his paintings, and Rimmington’s attempts to marry audio-visual influences in his ‘colour organs’. The experimentations of composers such as Xenakis and Stockhausen at various locations with light and colour illustrate the continuous quest to render sound by the use of new means. Technology is a vital component of transformation as it enhances syncretic creativity for various art domains such as those that Fluxus deployed. Nam Jun Paik and Dick Higgins introduce radical techniques in their performances as they detach their selves from the parameters that define composition, and use the mind and power of sentiment in order to identify reality aurally and optically. Towards the end of the twentieth century, we witnessed the appearance of new art forms such as bioart. The human body, host of material and immaterial functions, comes to the forefront of art prac¬tice. Its relation to elements such as oscillations and vibrations that express the energy flow is analysed through the model of spiritualism that came from eastern thought. The notion of digital embodiment is presented as a reminder, highlight¬ing the importance of technology in biotechnology and genetics. The second part of the article involves an experiment. This describes how the concept of biomusic is applied with the use of electrocardiography (ECG) data from the MIT PhysioNet database. As sound penetrates the entire human body, it can be analysed in all of its phasma. Using this information, we attempt to translate/transform these biological sound phenomena into music. The sound produced by the elaboration of data that result from biological functions can be described as biomusic. It can be transformed into frequencies related to time and can be expressed in musical themes. Sonification plays an important role in this research as it constitutes a rapid and precise rendering of polymorphic information (in this case the ECG) in musical notes. This modelling and musical attribution leads to two distinguishable results, each concerning different clinical cases (all data belong to a normal heart function and a pathological one). The invention of this novel system is suggested for scientific as well as musical disciplines. It has the ability to be implemented in an experimental form and obtain an educational character. The transformation process avoids compensation throughout the matching process between ECG functions and music, while focusing on the aesthetic factor at the same time. Sound meets art in the world of biomusic as it takes shape through technology, constituting a new medium to further evolve the model of ‘biology into art’ transformation. (shrink)

In two passages from Xenophon's Memorabilia, Socrates refutes Aristippus, first by a rather brutal brand of Realpolitik , then by refusing to answer Aristippus' questions about the good and the beautiful . This article argues that the nasty politics that emerge in Memorabilia 2.1 are not Socratic, but rather the natural consequence of Aristippean hedonism. Political considerations of another sort drive Socrates' tactics in Memorabilia 3.8, where his evasive manoeuvres are driven by his desire to avoid a direct confrontation (...) with hedonism. Socrates' own views are hedonistic in some sense, as revealed by his otherwise irrelevant discussion of pleasing home plans and altar sites at the end of 3.8, but Socrates does not wish to reveal as much to companions lacking his self-control. Socrates' treatment of Aristippus has as much to do with politics as with pleasure. (shrink)

In two passages from Xenophon’s Memorabilia, Socrates refutes Aristippus, first by a rather brutal brand of Realpolitik, then by refusing to answer Aristippus’ questions about the good and the beautiful. This article argues that the nasty politics that emerge in Memorabilia 2.1 are not Socratic, but rather the natural consequence of Aristippean hedonism. Political considerations of another sort drive Socrates’ tactics in Memorabilia 3.8, where his evasive manoeuvres are driven by his desire to avoid a direct confrontation with hedonism. (...) ocrates’ own views are hedonistic in some sense, as revealed by his otherwise irrelevant discussion of pleasing home plans and altar sites at the end of 3.8, but Socrates does not wish to reveal as much to companions lacking his self-control. Socrates’ treatment of Aristippus has as much to do with politics as with pleasure. (shrink)

In The Religion of Socrates, Mark McPherran offers an extended discussion of selected evidence about Socrates’s philosophy of religion. Relevant passages from Plato’s Euthyphro and Apology are taken to be authentic reports of Socrates’s own thinking, and are commented on at considerable length. The interpretation that emerges is supplemented by evidence from other works by Plato and from Xenophon’s Memorabilia. The ten-page bibliography is useful, and the index of passages is especially valuable. But McPherran’s evidence is tendentiously selected, and (...) so his depiction cannot be trusted as a portrayal of Socrates himself. (shrink)

In The Religion of Socrates, Mark McPherran offers an extended discussion of selected evidence about Socrates’s philosophy of religion. Relevant passages from Plato’s Euthyphro and Apology are taken to be authentic reports of Socrates’s own thinking, and are commented on at considerable length. The interpretation that emerges is supplemented by evidence from other works by Plato and from Xenophon’s Memorabilia. The ten-page bibliography is useful, and the index of passages is especially valuable. But McPherran’s evidence is tendentiously selected, and (...) so his depiction cannot be trusted as a portrayal of Socrates himself. (shrink)

_On Tyranny_ is Leo Strauss’s classic reading of Xenophon’s dialogue _Hiero_, or _Tyrannicus_, in which the tyrant Hiero and the poet Simonides discuss the advantages and disadvantages of exercising tyranny. Included are a translation of the dialogue from its original Greek, a critique of Strauss’s commentary by the French philosopher Alexandre Kojève, and the complete correspondence between the two. This revised and expanded edition introduces important corrections throughout and expands Strauss’s restatement of his position in light of Kojève’s commentary (...) to bring it into conformity with the text as it was originally published in France. (shrink)

_On Tyranny_ is Leo Strauss's classic reading of Xenophon's dialogue, _Hiero_ or _Tyrannicus,_ in which the tyrant Hiero and the poet Simonides discuss the advantages and disadvantages of exercising tyranny. This edition includes a translation of the dialogue, a critique of the commentary by the French philosopher Alexandre Kojève, Strauss's restatement of his position in light of Kojève's comments, and finally, the complete Strauss-Kojève correspondence. "Through [Strauss's] interpretation Xenophon appears to us as no longer the somewhat dull and (...) flat author we know, but as a brilliant and subtle writer, an original and profound thinker. What is more, in interpreting this forgotten dialogue, Strauss lays bare great moral and political problems that are still ours." —Alexandre Kojève, _Critique_ "_On Tyranny_ is a complex and stimulating book with its 'parallel dialogue' made all the more striking since both participants take such unusual, highly provocative positions, and so force readers to face substantial problems in what are often wholly unfamiliar, even shocking ways." —Robert Pippin, _History and Theory_ "Every political scientist who tries to disentangle himself from the contemporary confusion over the problems of tyranny will be much indebted to this study and inevitably use it as a starting point."—Eric Voegelin, _The Review of Politics_ Leo Strauss was the Robert Maynard Hutchins Distinguished Service Professor of Political Science at the University of Chicago. (shrink)

Moral leadership matters. As world politics enters a new and dangerous era, judgment, constancy, moral purpose, and a willingness to overcome partisan politicking are essential for America's leaders. Tempered Strength finds the alternative standard of leadership that Americans are seeking in the classical philosophy of prudence. Ethan Fishman's new work brings together leading American political scientists—including Ronald Beiner, Kenneth L. Deutsch, and George Anastaplo—to discuss the evolution of a standard of prudential leadership both reasonable in nature and practical in scope. (...) Section One studies the meaning of prudence and its evolution in the history of political science from Aristotelian phronesis to Xenophon, Thomas Aquinas, Edmund Burke, and Michael Oakeshott. Section Two demonstrates how the theory of prudential leadership can be applied to practical political issues. (shrink)

In Xenophon’s Socratic literature, there is repeated emphasis on the utility the friends provide one another. One extended passage, _Memorabilia_ 2.6, shows that Socrates takes a good person to care about a friend both for the benefits to be gained for oneself and for the sake of the other’s welfare. Genuine friendship, for Socrates, is not transactional or self-interested but rather rooted in the mutual benefit that only good people can provide one another.

In this chapter, we explore Xenophon’s philosophy of management and identify nine dimensions of business management, as well as the competencies that good management requires. The scientific contribution of this chapter does not only consist in the fact that this is the first publications in which Xenophon’s philosophy of management is systematically analyzed. Historical analysis can also help to question the self-evidence of our contemporary conceptualization of management. Xenophon’s philosophy of management enables us to criticize the contemporary (...) focus on profit maximization and to articulate an intrinsic relation between business and society; to criticize the contemporary disconnectedness of business management and to develop a broader set of individual competencies and know-how that is required for business managers; to criticize the contemporary focus on management and control; and to rehabilitate the role of business management as ability and capacity that involves know-how, actual engagement, and virtuous competencies. Finally, this concept of management challenges contemporary conceptualizations of the differences between private and public management in political philosophical debates. (shrink)