The earliest recorded philosophical use of the term "phusis" occurs in the fragments of Heraclitus (most notably at B1 and B123). Phusis, in the non-philosophical writings relevant to Heraclitus’s time (e.g. from Homer to Aeschylus and Pindar), was generally used to characterize the external physical appearance of something. Heraclitus, on the other hand, seems to have used the term in the completely opposite manner: an object’s phusis is hidden (kruptesthai) and greater (kreissōn) than the external appearance (B123 (...) and B54). Despite this difference, Heraclitus’s use has an affinity with the common use in his time: phusis is used to characterize things. In B1, for example, Heraclitus makes it clear that he is interested in explaining the nature of each thing as opposed to some cosmic principle of Nature. By examining various fragments, I make the case that the phusis of a thing, for Heraclitus, can be defined as the set of opposites necessarily inherent in an object upon which all objects of that kind depend for their existence. The interesting result is that Heraclitus’s novel use of phusis happens to be the foundation for one of the ways in which opposites form a unity. This particular thesis states that there are essential properties inherent in objects which are pairs of opposites sufficient to determine the unity of the object in question. If this is right, then we can read some fragments which contain descriptions of worldly objects (e.g. bows, lyres, rivers, barley drinks etc.) in a new light. These descriptions of worldly objects might not be meant to stand as metaphoric symbols for cosmic principles, as is often thought; rather, they can be read as instances of Heraclitus attempting to do a metaphysics of objects. (shrink)

This essay explores the treatment of the relation between nature (phusis) and norm or convention (nomos) in Democritus and in certain Platonic dialogues. In his physical theory Democritus draws a sharp contrast between the real nature of things and their representation via human conventions, but in his political and ethical theory he maintains that moral conventions are grounded in the reality of human nature. Plato builds on that insight in the account of the nature of morality in the myth (...) in the Protagoras. That provides material for a defense of morality against the attacks by Callicles in the Gorgias and Thrasymachus and Glaucon in the Republic, all of whom seek to use the nature-convention contrast to devalue morality. (shrink)

Neste artigo, tenciono mostrar que é impossível concluir, como fez André Grabar, que há uma mudança da atitude de Plotino em relação à obra de arte. Plotino coloca sob o vocábulo tékhne toda uma série de atividades humanas associando artes, ofícios e inclusive ciências que não apresentam nenhum traço comum além daquele da competência. Além do mais, a tékhne não é associada à produção artística. Enfim, em Plotino assim como em Platão, a natureza precede sempre a tékhne; com efeito, somente (...) a natureza tem uma ação espontânea, contínua e dispensadora de vida e de potência. (shrink)

Division III of Being and Time (BT) was supposed to address the question of the sense of being. Being and its sense are in question because while we do understand being, it is also strangely withheld from us. That we understand being is evidenced by the fact that we have access to what and that things are (rather than not); that being is withheld from us is evidenced by the fact that we do not seem to be able to articulate (...) what it is that we grasp in this. Being is both given to us and withheld from us. To be given yet withheld is to be question-worthy—and it is also to be the proper object of phenomenology (BT 35). Being is the phenomenon: that which shows itself (phainomenon) (BT 31) but also needs to be “let be seen” (legein) (BT 32). To make sense of being is to make sense of both how it shows itself and how it hides itself. -/- Division I explains how being shows itself by, first, explaining how we discover entities in their being and, second, explicating the structure of our openness to being (i.e., disclosedness). The next step should be to explain how being hides itself—the phenomenon that Heidegger sometimes calls “falling.” But Heidegger does not do this. He is distracted by a different (albeit related) phenomenon: inauthenticity. By pursuing authenticity and inauthenticity throughout §40 and the so-called existentialist chapters in Division II, Heidegger does give us important insight into the riskiness and fragility of our relationship to being. But he does not capture the finitude that he should be aiming at: the withholding of being. Lacking this, Heidegger does not have our finite openness to being fully in view. As a result, the structure of the temporality that he draws out accounts for our openness to being but not for the finitude of this openness. This finitude is not a mere limitation on our part—it is not just that we don’t fully “get” being. It belongs to how being works that it withholds itself from us and so makes itself question-worthy. So, if Heidegger’s goal in Division III is to show how being makes sense, then he will need to make sense of this fundamental feature of being. It is, if nothing else, the feature that sparked his investigation. But because he lost sight of the withholding of being at the end of Division I, Heidegger is not in a position to make sense of being in Division III. -/- By the time he starts working seriously with the notion of phusis in the 1930s, Heidegger has reoriented himself to the phenomenon of being’s withholding. By approaching BT from the perspective of Heidegger’s work in this period, then, we can see more clearly what BT accomplished and where it veered off course. I will do this by interpreting Heidegger’s reading (in Introduction to Metaphysics [IM]) of the opening strophes of the choral ode from Sophocles’ Antigone. On Heidegger’s ontological reading, these strophes show us the various features of being by speaking of the natural world: being is understood as the sea, the earth, and the living thing. I will argue that BT illuminates being as the living thing and being as the earth, and in this explains how being is given to us. But BT falters when it tries to reach being as the sea. The sea is an image of being’s simultaneous granting and withholding. Because Heidegger has not thought being’s withholding in Divisions I and II, he cannot go on to make sense of this withholding as simultaneous with being’s granting in Division III. In short, Heidegger should have thought being as the sea in Division III, but he cannot. (shrink)

Bien que Heidegger ne soit l’auteur d’aucune philosophie de la nature au sens que Kant, Hegel ou Schelling donnèrent à cette expression, il définit néanmoins le philosopher, et plus largement tout logos, comme une pensée de la nature, faisant un avec la nature, voire s’identifiant à elle. Heidegger puise le sens de la nature comme uni-totalité des étants mondains, telle que la rassemble, la recueille et la sauvegarde le logos non seulement chez Aristote, mais encore et surtout chez Héraclite. Sa (...) philosophie est en effet hantée par sa lecture rémanente de la phusis d’Héraclite. La libre interprétation que Heidegger donne de la nature héraclitéenne (laquelle aime à se cacher), qu’elle soit ou non fidèle à la philologie et à la langue grecque archaïque, puise du moins son originalité dans la mise au jour d’un double processus de voilement-dévoilement, qui est à la fois celui du logos et celui de l’être en son rapport aux étants, c’est-à-dire le mouvement général même par lequel la nature se manifeste en se retirant. (shrink)

This chapter contains sections titled: Introduction Phusis and Nomos Political Justice Psychic Justice Just Action.

It is often assumed that science provides the most accurate knowledge about nature. This view not only collapses distinctions between different forms of knowing but also results in a paradox whereby understanding what it means to exist in the world is dictated by practioners of science. In this essay I argue for the relevance of an existential conception of nature via the philosophy of Martin Heidegger, and how his notions of thrownness and phusis enable us to recognize a certain (...) ethical bond to nature. I conclude with a critical analysis of liability insurance and actuarial science to demonstrate my points. (shrink)

Both Heraclitus and Democritus, as the philosophers of historia peri phuseôs, consider nature and human character, habit, law and soul as interrelated emphasizing the links between phusis, kinesis, ethos, logos, kresis, nomos and daimon. On the one hand, Heraclitus’s principle of change (panta rhei) and his emphasis on the element of fire and cosmic motion ultimately dominate his ethics reinforcing his ideas of change, moderation, balance and justice, on the other, Democritus’s atomist description of phusis and motion underlies (...) his principle of moderation and his ideas of health and measured life. In this series, particularly referring to the main principles of motion, moderation and justice, I attempt to describe a coherent pre-Socratic ethical perspective based on the Heraclitean and Democritean fragments. I explore the connections between their physics and ethics also borrowing from Nietzsche’s lectures and writings on the Pre-Socratics. I redefine such Heraclitean and Democritean concepts as harmony, order, perfection, health, self-control, contentment, cheerfulness, concord, sound judgment, wisdom, measure and balance and discuss them under the principles of motion (phusis), moderation (sophrosyne) and justice. In doing so, I also expose the relevance of the Heraclitean notion of logos (interpreting it as the underlying categorical principle of transition between phusis and ethos) in bringing together these ideas and principles. Finally, based on this pre-Socratic Weltanschauung, I assess the possibility of a coherent picture of humanity, its nature and conduct as extending from or fitting into or extending-from-when-fitting-into the cosmos of moving forces and atoms. (shrink)

Some artworks are called sublime because of their capacity to move human imagination in a different way than the experience of beauty. The following discussion explores how Van Gogh’s The Starry Night along with some of his other late landscape paintings accomplish this peculiar movement of imagination thus qualifying as sublime artworks. These artworks constitute examples of the higher aesthetic principles and must be judged according to the cosmological-aesthetic criteria for they manage to generate a transition between ethos and (...) class='Hi'>phusis and present them in unity. Here, referring to Heraclitean, Kantian, Nietzschean and Heideggerian metaphysics and aesthetics, I propose that the principles of motion and transition be the new cosmologic-aesthetic categories for the judgment of sublime artworks as well as for the understanding of the world (Weltanschauung) they represent. (shrink)

Phusis, Aletheia, Khreon, Moira, Logos: tels sont les Grundworte, ces paroles fondamentales qui inaugurerent notre destin, et dont Heidegger devoile le double statut: ouvrant le commencement, elles abritent l'origine; donnant le branle a l'histoire manifeste de la pensee, elles restent en meme temps porteuses de son versant secret, et toujours oublie. C'est ce versant secret qui est ici explore, faisant de ce livre la patiente reconstitution du texte de l'origine. Texte essentiel, puisque ce n'est que lorsqu'il est retabli que (...) notre histoire, enfin rendue a elle-meme, peut trouver sa cloture; que la question de l'etre, enfin pensee comme question, peut etre abandonnee. C'est dire que l'oeuvre heideggerienne connait un double tournant: le premier permet a la pensee de s'engager dans la question de l'etre comme histoire; le second lui permet de se degager de cette meme question, et de clore l'histoire. De ces deux ruptures, l'une precoce et assez generalement reconnue, est celle de la Kehre, l'autre, tardive et plus meconnue, est celle de l'Ereignis. (shrink)

The present essay formulates a phytocentric alternative to the biocentric and zoocentric critiques of anthropocentrism. Treating phuton—the Greek for “plant,” also meaning “growing being”—as a concrete entry point into the world of phusis , I situate the intersecting trajectories and communities of growth at the center of environmental theory and praxis. I explore the potential of phytocentrism for the “greening” of human consciousness brought back to its vegetal roots, as well as for tackling issues related, among others, to the (...) use of biotechnologies and dietary ethics. (shrink)

The relationship between nature and normativity in Aristotle’s practical philosophy is problematic. On the one hand, Aristotle insists that ethical virtue arises through the habitual repetition of ethically good actions, and thus no one is good or virtuous by nature. Phusikê aretê or “natural virtue” is more like cleverness (demotes) than prudence (phronêsis) and it can result in wrong actions. Yet on the other hand, at times Aristotle appears to use nature to justify normative claims. Thus the problem with Aristotle’s (...) use of the notion of nature in his practical philosophy is that in some instances what is natural seems to be ethically neutral, but in other instances it seems to set the standard for human perfection. Modern Aristotle exegetes have sometimes argued that Aristotle must, consciously or not, be using the term “nature” in at least two different senses here. To use the language of Julia Annas, when Aristotle talks about “natural virtue” in the sense of the talents or abilities which one possesses from birth, he has in mind the notion of “mere nature,” but when he discusses the perfections which a virtuous individual enjoys by his or her nature, Aristotle has in mind the notion of nature as an “ethical ideal.” I would like to suggest an alternative solution to the problem of reconciling Aristotle’s different senses of nature in his Ethics. In Nicomachean Ethics V.7, Aristotle claims that political justice {to dikaion politikon) possesses a “natural” {phusikon) part and a “conventional” {nomikori) part. Aristotle claims that both nature and convention admit of variation, and his language suggests that the two are ultimately parts which need to be interwoven or combined. Scholars who have struggled with Aristotle’s apparently disparate senses of the idea of nature have assumed that nature is an ethical ideal which can be separated from and serve as a guide for that which is merely conventional. I argue that when Aristotle invokes what is “natural” as a norm, he does so under the assumption that the natural component of a norm is ultimately separable from its conventional part only in abstraction. Just like the syllable “BA” is not reducible to the letters “b” and “a,” but instead is a whole greater than its two parts, political justice is a composite unity of nature and convention which, in unifying the two parts, transforms them. (shrink)

This article discusses the issue of social and cultural ‘autotranscendence’ - self-production, creativity - in the debates on self-organization. The point of departure is Cornelius Castoriadis’s idea of ‘self-creation’. First, a schisma between mechanical and ontological modeling is indicated and used to introduce the idea of a ‘creative organization’. This is further discussed in relation to Jean-Pierre Dupuy’s concept of social ‘autotranscendence’ by ‘complex methodological individualism’, with particular respect to the incomprehension of the social. Following Johann P. Arnason’s treatment of (...) the question of cultural articulation in Castoriadis, the article argues that the problem of autotranscendence presents a further problem of self-creation discernible in Castoriadis’s notions of phusis/nomos, living being/human, and constraint/magma. The article closes with a consideration of Duncan Watts, Alberto-László Barabási and Bernardo Huberman’s sketch of a network sociology. (shrink)

Heidegger’s discussion about the rise of the arbitrary power of “machination” in his late 1930s writings does not just echo his well-known later thinking on technology, but also affords a profound insight to the ontological mechanism of oblivion behind the history of Western thinking of being. The paper shows how this rise of the coercive power of ordering signifies an emergence of historically and spatially significant moment of completion: outgrowth of the early Greek notions of tekhne and phusis in (...) terms of globally expanding systems of calculative orderings. The paper thus aims to show how the condition of machination marks a fundamental implementation of the hidden consummation of the mechanism of oblivion now being re-adopted into the operational clarity of calculative rationality. It is argued that the rise of machination became possible through the historical process of replacing the early Greek disposition of existence, the wonder, with calculative rationality of ordering. (shrink)

This paper addresses a difficult passage from Aristotle’s Metaphysics (V. 4, 1015a11-13) in which he identifies a metaphorical use of the term “nature” (phusis) to refer to the entities which he calls “substances” (ousiai). I claim that the passage at stake deploys the very notion of metaphor on the basis of an analogy (as defined in the Poetics and in the Rhetorics), which is grounded on a weak (and, sometimes, very weak) similarity between two relations (each involving two relata). (...) The sentences found in 1015a11-13 belong to those kind of metalinguistic sentences which we usually employ to shed some light on the metaphorical use of a term. The similarity Aristotle is presupposing is this: both nature and substance are, in their respective fields, some kind of principle that guarantees (besides other things) certain persistence conditions for what they are the principles of. And this weak similarity is enough for the term “nature” to refer metaphorically to substances. (shrink)

This article concerns the ‘ancient quarrel between philosophy and poetry’. With the guidance of Leo Strauss, and with reference to French cultural anthropology and the Hebrew Bible, I offer close readings of the origin myths told by the characters of Aristophanes in Plato’s Symposium and Socrates in book 2 of the Republic. I contrast Aristophanes’ prudential and political esotericism with Socrates’ pedagogical esotericism, connecting the former with poetry’s affirmation of the primacy of chaos and the latter with philosophy’s openness to (...) the measures of nature or phusis. Aristophanes regards the political poetry of Olympianism as a necessary corrective of original human disorder, while Socrates traces the sickness of souls and cities to an excess of poiēsis, ‘poetry’ or ‘production’ in all of its cultural and material senses. The quarrel between Socrates and Aristophanes illuminates fundamental questions that were of central concern to Strauss: What is the status of nature? Must we orient ourselves by the forceful impressions of culture, or can we make out natural standards of how to live? Is war the primary human condition, or peace? Are human beings essentially erotic, or thumotic? Is philosophy an expression of reckless boldness, or of saving moderation? (shrink)

Kant makes a much-unexpected confession in a much-unexpected place. In the Criticism of the third paralogism of transcendental psychology of the first Critique Kant accepts the irrefutability of the Heraclitean notion of universal becoming or the transitory nature of all things, admitting the impossibility of positing a totally persistent and self-conscious subject. The major Heraclitean doctrine of panta rhei makes it impossible to conduct philosophical inquiry by assuming a self-conscious subject or “I,” which would potentially be in constant motion like (...) other thoughts. For it rules out the possibility of completely detached reasoning which necessitates an unchanging state of mind. In this paper, Kaplama uses panta rhei to critically examine the philosophical shortcomings and contradictions of Kantian and Enlightenment ethics. In his examination, he specifically focuses on the teleological nature of Kant’s principle of freedom and ideal of moral autonomy which have dominated the Enlightenment thought. By doing so, he argues that it is essentially inaccurate to posit Überlegenheit (the state of being superior to nature) as the foundation of philosophical inquiry mainly because this would contradict the Enlightenment’s claim to constitute a rupture from classic and medieval metaphysics and would render Enlightenment a mere extension of Christian metaphysics. As in Christianity, Überlegenheit presupposes two separate realms, the actual (contingent) and ideal (pure) realms of thought and assumes that the transcendence commences from the level of the late metaphysical/teleological construction of the ‘subject’ who is completely persistent, self-conscious and immune to change. He then substantiates these points with reference to the philosophical roots of ethnic prejudice displayed by the post-Enlightenment colonialists and the missionaries in Fiji and the Pacific. This brief critical examination of the post-Enlightenment ethnocentrism will be conducted under the following three points: a) On the Enlightenment’s teleological and universalistic understanding of humanity and the concept of progress versus the Fijian concepts of the continuity of life, regeneration, and reproduction b) On the Enlightenment’s ideal of the free-willing and independent individual subject versus the Fijian ideas of 'the cord', reciprocity, and vanua, and c) On the Enlightenment’s (and Christianity’s) strict dualism between physics and metaphysics, nature and human mind, body and soul versus the Fijian bio-centrism, the sanctity of vanua and the cosmological concept of mana. (shrink)

In this paper, I will discuss the need for a theory of essences within Object-Oriented Ontology (OOO) and then formulate one. I will do so by drawing on Graham Harman’s work on OOO and Martin Heidegger’s thought on the essence of being, presented in his Introduction to Metaphysics. Harman touches on essences, describing them as the tension between a withdrawn object and its withdrawn qualities, but fails to distinguish between essential and inessential qualities within this framework. To fill in the (...) gaps, I will turn to Heidegger’s explication of phusis in order to show that an essential aspect of being is how one enters into causal relations and continually reveals oneself to other beings. In bringing OOO and Heidegger together, I will find that each object has a unique way of exerting itself in the world and that the domestic relations that make up this unique profile are essential to it, while other domestic relations, those that do not influence its particular way of exerting itself, are inessential. Thus, the essence will be found to be the set of domestic relations that make up the determinate form, or unique causal profile, of the object. (shrink)

Reading Protagoras' Great Speech as an honest statement of that Sophist's beliefs, it is argued that nowhere therein does Protagoras make any appeal to an antithesis of nomos and phusis . This paper argues that Protagoras understands civic virtue as the result of a process of socialization that works on existing predispositions to be virtuous, that are naturally possessed by each individual citizen. On Protagoras' analysis, prudence and virtue might sometimes conflict, and it is tempting to think that this (...) conflict might be cognate with that of nature and law. However, this is not the case, since prudence and virtue do not seem on Protagoras' account to be always and everywhere opposed. Hence, nowhere in his Speech does Protagoras make any clear appeal to a nomos-phusis antithesis. (shrink)

The concept of nature (Gr. phúsis; Ar. ṭabīʿa) lies at the heart of classical physics. Seemingly small differences about nature can blossom into significant disagreements. The present study offers an exposition of certain neglected passages concerning ṭabīʿa in Ibn Sīnā’s al-Samāʿ al-ṭabīʿī(The Physics of the Healing). The pre­dominant view of ṭabīʿa is that it as an active principle, a concep­tion of nature that radically departs from Aristotle’s account of phúsis in Physics I-II. I dispute this interpretation by investigat­ing two neglected (...) texts in the Physics of the Healing. First, these texts indicate that nature should be associated with matter and form (I, 6) and, second, they argue that failing to account for matter and form makes knowledge of nature incomplete (I, 9). (shrink)

Cette dimension d’immensité est la première qui me vient à l’esprit, dès lors qu’il est question d’aborder la nature. Nature est un mot qui avait presque disparu, de l’université en tout cas. À partir de lectures hâtives, de Foucault notamment, on en était arrivé à ne plus voir dans la nature que l’illusion voire le fantasme d’une originarité perdue. Or cela, je ne l’ai jamais pensé, je ne l’ai jamais cru, j’ai toujours pensé, au contraire, qu’avec phusis et bios, (...) nous avions un infini de la... (shrink)

This chapter contains section titled: Mapping out the Problem: The “Old Oligarch” Modern and Ancient Quandaries The Challenge of Thrasymachus and Callicles Thucydidean Imperialists Revisit Nomos and Phusis Socrates and Nomos Logos and Ergon Democratic Epistemology and Relativism Democratic Epistemology and Untrustworthy Rhetoric ‐ or, Where Does the Truth Lie? Socrates and Athens.

Dès 1935 Heidegger retrouve le sens originel de la métaphysique dans la conception présocratique de l'être comme "phusis". Sur cette base il va interpréter la métaphysique traditionnelle qui apparaît avec Platon pour culminer chez Nietzsche dans une ontologie de la vie et qui prépare le règne moderne de la technique planétaire, comme un "déni" radical de ce sens originel. L'un des interêts de cette interprétation de la métaphysique, et non des moindres, est ainsi de rendre compte de la signification (...) de la vogue actuelle des philosophies de la vie. (shrink)

Can we make sense of the dogma of Parmenides' poem, that only being is? The prospect that Parmenides presents a perplexity, rather than a solution, forms the central hypothesis of this dissertation. Plato's Socrates seems to have understood this, and we, too, may fear our failure to fathom Parmenides' words and understand his meaning. Every attempt to penetrate Parmenides' thinking becomes unwittingly entangled in an impossible dilemma of trying to account for itself within the austere singularity of being, in seeming (...) defiance of the goddess' injunction against saying or thinking what is not. Thinking requires non-being to individuate or recognize itself, but even the minimal duality needed to acknowledge oneself is most emphatically denied. Parmenides' dogma, however, no less than his reasoning, has proven always attractive, despite its clear implication that everything we do is illusion. The goddess' distinction between Aletheia and Doxa, and her arguments, exacerbate this problem, although these two parts are commonly seen as the kernel of Parmenides' thought. Parmenides' proem grounds this fundamental split in a third and allows us to glimpse the poem's more aporetic structure. Parmenides' thinking is first approached through what his poem says and implies about itself. Its impossibility in light of its own argument points toward self-awareness and a discovery of the ineradicable duality of thinking. A second approach begins with the poem's ancient title, Peri Phuseos, and examines several pre-Parmenidean uses of the word phusis that show enigmatic implications from its first appearance. Scholars suggesting a prototypical concept of nature in early uses of phusis seem to gild the lily. Plato appears as a third locus for inquiry about Parmenides' thinking, and the intersection of Socrates and Parmenides is traced across the dialogues. The structure of Parmenides' poem appears knowingly imitated by Plato frequently, which bears significantly on his representations of Socrates' life and philosophic education. Socrates' caution about whether he understood Parmenides parallels a caution expressed as his "second sailing." Socrates' turn to speeches shows his concern with discovering intention, which perhaps animates his fear of awesome Parmenides but also suggests him to be Socrates' inchoate precursor concerning soul. (shrink)

Reading Protagoras’ Great Speech as an honest statement of that Sophist’s beliefs, it is argued that nowhere therein does Protagoras make any appeal to an antithesis of nomos and phusis. This paper argues that Protagoras understands civic virtue as the result of a process of socialization that works on existing predispositions to be virtuous, that are naturally possessed by each individual citizen. On Protagoras’ analysis, prudence and virtue might sometimes conflict, and it is tempting to think that this conflict (...) might be cognate with that of nature and law. However, this is not the case, since prudence and virtue do not seem on Protagoras’ account to be always and everywhere opposed. Hence, nowhere in his Speech does Protagoras make any clear appeal to a nomos-phusis antithesis. (shrink)