Knjiga obravnava nekatera pojmovanja odnosa med telesom in filozofijo v 17. in 18. stoletju, natančneje v okazionalizmu, francoskem materializmu in britanskem utilitarizmu. Razdelek o okazionalizmu med drugim obravnava Malebranchevo pojmovanje telesa prvega človeka, ki je določalo njegova filozofska prepričanja, to pa celo do te mere, da je sprememba v njegovi fiziologiji, do katere je prišlo ob grehu, usodno zaznamovala ves nadaljnji potek zgodovine filozofije. Razdelek o materializmu poskuša rekonstruirati filozofijo, ki jo razvija sámo telo, ki je pri Diderotu dobesedno prišlo (...) do besede. Trdno prepričan, da telo ve o samem sebi več, kot ve duh o njem, Diderot razvije filozofijo materializma kot govor telesa o samem sebi. Razdelek o utilitarizmu pa med drugim obravnava Benthamovo filozofijo telesa po smrti in sámo telo, katerega posmrtna usoda je rezultat te filozofije, namreč filozofovo lastno ohranjeno telo oziroma tako imenovano avto-ikono, ki je bilo v očeh utilitarističnega modreca tisto, ki bo po smrti »njegov lastni jaz«. (shrink)

Diderot?s universe is somewhat weird, often dreamlike and hallucinatory, and his ontology fluid and elusive. It comprises the existing, the non-existent and even contradictory entities, the boundaries between which cannot always be clearly delimited. This universe in which nothing is of the essence of a particular being and everything is more or less something or other, resembles the amorphous and oneiric world of Zhuangzi in which nothing is clearly defined, while essenceless things, floating in uncertainty and indeterminacy, literally blend into (...) one another. The author examines what the early Hollywood comedies of Preston Sturges and the Marx brothers can teach us about the metaphysics and the principles at work in this complex and intricate world. Didroov univerzum je unekoliko neobican, cesto nalik na san, halucinatoran, a njegova ontologija fluidna i neuhvatljiva. Ona, naime, obuhvata kako postojeca tako i nepostojeca, pa cak i protivrecna bica, izmedju kojih nije uvek moguce postaviti jasne granice. Taj univerzum, u kojem nista nema sustinu posebnog bica i svaka stvar je vise ili manje bilo koja stvar, mozda jos najvise podseca na Cuang Ceov amorfni i oniricni svet, u kojem nema nicega razgovetnog, a stvari koje bez ikakve esencije plutaju u neizvesnosti i neodredjenosti se doslovno prelivaju jedna u drugu. Autor razmatra sta nam o metafizici i principima koji vaze u tom kompleksnom i slozenom svetu mogu reci rane holivudske komedije Prestona Stardzesa i brace Marks. (shrink)

The paper considers the multiplication of speech organs in Diderot's first novel Les Bijoux indiscrets. The main plot device of the novel—the talking "jewels" or female sex organs— enables Diderot to confront two different conceptions of the soul, the spiritual and material, in one and the same body. The voice coming from the head, traditionally held to be the seat of the soul, is contradicted by a voice that comes from that part of the body which is traditionally considered as (...) to be the least submissive to the head or mind. When the body rebels against the women who believe themselves to be spiritual substances in command of the body to which they are united, it is in fact the soul which is identical with the body or with its organization that really rebels against them, and objects to the false portrayal of its seat—and function— in the body. Strictly speaking, by unmasking the testimony of the women as a lie, the jewels expose the very spiritualist position itself as a lie. The paper then argues that, unlike the spiritualism propounded by the head, the spontaneous philosophy of the "indiscreet jewels" is one of forthright materialism. (shrink)

The article examines Diderot’s view of the inconstancy of nature and its corollaries, the most obvious of which is the recognition of the impossibility of philosophy and natural history. For, if everything in nature is in a state of flux, no theory can keep up with its changes, reflect on them and capture anything more than an isolated moment. Diderot’s conception of nature has important consequences for his aesthetic theory. If the goal of the fine arts is to imitate nature, (...) and if everything in nature undergoes constant change, does it not mean that art—no less than philosophy and natural history—is also impossible? By focusing on Diderot’s novel Rameau’s Nephew, I argue that the lesson of the numerous mimes its eponymous hero performs in the novel is that the dynamics of nature can perhaps only be captured by mime rather than on canvas or in stone, both of which, as Diderot puts it, can represent only a fleeting moment. (shrink)

Publication date: 28 April 2021 Source: International Letters of Social and Humanistic Sciences Vol. 90 Author: Zoran Mastilo, Nenad Božović, Dejan Mastilo The paper addresses and evaluates the currency board policy and assesses whether the currency board, as a form of monetary policy, is in the function of development of Bosnia and Herzegovina's national economy. In this context, a hypothesis that the currency board provides the foundation for growth and development of a transition economy is being put to the test. (...) To test the hypothesis, the paper compares the movement of economic growth indicators among the countries of South Eastern Europe with the primary focus on Bosnia and Herzegovina. By comparing the obtained results, as well as by applying the correlation and regression analysis, by means of simple linear regression, it is proven that the currency board does not represent an obstacle to economic growth, but is the basis for establishing the stability of the economy and the basis for sustainable growth and development able to adequately respond to shocks. (shrink)

The paper discusses the metaphysical theory developed in the early eighteenth century in France by the so-called égoïstes, and explores some of its ramifications. In the eighteenth century French, the term égoïsme was used not only in the ethical sense, but also in the metaphysical sense, that is, to denote the extremist view that only oneself exists. The paper focuses primarily on Jean Brunet's work Projet d'une nouvelle métaphysique, published in 1703, which has since been lost, analyzing its fundamental principle (...) that the egoist's thought is the cause of the existence of all creatures, as found in a contemporary review of the book. Examining Brunet's "new metaphysics" within the framework of its own epistemology, the paper shows that the egoist philosopher himself was not trulyconvinced of the central tenet of his own metaphysical theory, that is, he did not sincerely believe that other minds were nothing other than modes of his thought or ideas that refer to nothing outside his mind, and argues that the very existence of Projet d'une nouvelle métaphysique in the form of a book in the mind of its author was contrary to the metaphysical theory expounded in it. (shrink)

Izhajajoč iz Montaignovega eseja Apologie de Raimond Sebond skuSa avtor osvetliti razliko med povezovanjem tako imenovanih razlogov za dvom, se pravi čutnih zmot, norosti in sanj pri Montaignu in v Descartesovi Prvi meditaciji. V zvezi z demonom kot razlogom oziroma sredstvom za dvom pa skuša - ob navezavi na Popkinovo tezo, da bi bilo zgodovinski vir Descarte-sovega demona mogoče iskati v znamenitem sodnem procesu zoper Urbaina Grandierja, do katerega je v začetku tridesetih let 17. stoletja prišlo v Loudunu v Franciji (...) - opozoriti na določeno ujemanje med Descartesovo lastno držo do demona v Prvi meditaciji, da bo namreč trdno odločen pazil, da mu ta varljivec ne bo mogel vsiliti kaj lažnega, in odklonilnim stališčem teologov s pariške Sorbone do pričevanja demonov na tedanjih sodnih procesih. (shrink)

Filozofija prvega človeka pred grehom, tj. filozofija v paradižu, je bila malebranchevski okazionalizem. Če bi Adam vztrajal v okazionalistični drži, do greha ne bi prišlo. Prav padec iz okazionalizma je bil potemtakem tisti, ki je povzročil Adamov padec. Okazionalizem je bil očitno možen samo ob božji razveljavitvi določenih naravnih zakonov, z eno besedo, možen je bil samo v paradižu. A dejstvo, daje klonil celo najbolj prepričani okazionalist, Adam, in to v času, ko je - s tem, daje njemu v prid (...) delal izjemo v naravnih zakonih - njegovo okazionalistično prepričanje posredno vzdrževal sam Bog, najbrž govori o tem, da se okazionalizem, kot filozofija, ni mogel obdržati niti z božjo pomočjo. (shrink)

The article considers the eponymous character of Du Marsais's Le Philosophe and examines his moral rationalism. In the eyes of Du Marsais's sage, the ways of virtue are not necessarily as painful as they might seem to those who are willing to stick to them solely in the hope of the promised post-mortem rewards, and the ways of vice are not necessarily as pleasant as they might seem to those who avoid them primarily out of fear of the threatened post-mortem (...) punishment. The sage is not encouraged to be virtuous by the prospect of eternal pleasure, nor is he deterred from vice by the thought of eternal suffering. For him, virtuous behaviour, i.e., observing the rules of probity, is in itself a source of genuine pleasure; likewise, he finds sinful behaviour repelling in itself: since the sense of probity enters as much into the mechanical constitution of the sage as the enlightenment of the mind, any action contrary to probity is also contrary to his very nature. (shrink)

Slovenian philosopher Miran Bozovic's An Utterly Dark Spot examines the elusive status of the body in early modern European philosophy by examining its various encounters with the gaze. Its range is impressive, moving from the Greek philosophers and theorists of the body (Aristotle, Plato, Hippocratic medical writers) to early modern thinkers (Spinoza, Leibniz, Malebranche, Descartes, Bentham) to modern figures including Jon Elster, Lacan, Althusser, Alfred Hitchcock, Stephen J. Gould, and others. Bozovic provides startling glimpses into various foreign mentalities (...) haunted by problems of divinity, immortality, creation, nature, and desire, provoking insights that invert familiar assumptions about the relationship between mind and body. The perspective is Lacanian, but Bozovic explores the idiosyncrasies of his material (e.g., the bodies of the Scythians, the transvestites transformed and disguised for the gaze of God; or Adam's body, which remained unseen as long as it was the only one in existence) with an attention to detail that is exceptional among Lacanian theorists. The approach makes for engaging reading, as Bozovic stages imagined encounters between leading thinkers, allowing them to converse about subjects that each explored, but in a different time and place. While its focus is on a particular problem in the history of philosophy, An Utterly Dark Spot will appeal to those interested in cultural studies, semiotics, theology, the history of religion, and political philosophy as well. Miran Bozovic is Associate Professor of Philosophy at the University of Ljubljana, Slovenia. He is the author of Der grosse Andere: Gotteskonzepte in der Philosophie der Neuzeit (Vienna: Verlag Turia & Kant, 1993) and editor of The Panopticon Writings by Jeremy Bentham (London: Verso, 1995). (shrink)

The Panopticon project for a model prison obsessed the English philosopher Jeremy Bentham for almost 20 years. In the end, the project came to nothing; the Panopticon was never built. But it is precisely this that makes the Panopticon project the best exemplification of Bentham’s own theory of fictions, according to which non-existent fictitious entities can have all too real effects. There is probably no building that has stirred more philosophical controversy than Bentham’s Panopticon. The Panopticon is not merely, as (...) Foucault thought, “a cruel, ingenious cage”, in which subjects collaborate in their own subjection, but much more—constructing the Panopticon produces not only a prison, but also a god within it. The Panopticon is a machine which on assembly is already inhabited by a ghost. It is through the Panopticon and the closely related theory of fictions that Bentham has made his greatest impact on modern thought; above all, on the theory of power. The Panopticon writings are frequently cited, rarely read. This edition contains the complete “Panopticon Letters”, together with selections from “Panopticon Postscript I” and “Fragment on Ontology”, Bentham’s fullest account of fictions. A comprehensive introduction by Miran Bozovic explores the place of Panopticon in contemporary theoretical debate. (shrink)

The Cartesian cogito—the principle articulated by Descartes that "I think, therefore I am"—is often hailed as the precursor of modern science. At the same time, the cogito's agent, the ego, is sometimes feared as the agency of manipulative domination responsible for all present woes, from patriarchal oppression to ecological catastrophes. Without psychoanalyzing philosophy, _Cogito and the Unconscious_ explores the vicissitudes of the cogito and shows that psychoanalyses can render visible a constitutive madness within modern philosophy, the point at which "I (...) think, therefore I am" becomes obsessional neurosis characterized by "If I stop thinking, I will cease to exist." Noting that for Lacan the Cartesian construct is the same as the Freudian "subject of the unconscious," the contributors follow Lacan's plea for a psychoanalytic return to the cogito. Along the path of this return, they examine the ethical attitude that befits modern subjectivity, the inherent sexualization of modern subjectivity, the impasse in which the Cartesian project becomes involved given the enigmatic status of the human body, and the Cartesian subject's confrontation with its modern critics, including Althusser, Bataille, and Dennett. In a style that has become familiar to Žižek's readers, these essays bring together a strict conceptual analysis and an approach to a wide range of cultural and ideological phenomena—from the sadist paradoxes of Kant's moral philosophy to the universe of Ayn Rand's novels, from the question "Which, if any, is the sex of the cogito?" to the defense of the cogito against the onslaught of cognitive sciences. Challenging us to reconsider fundamental notions of human consciousness and modern subjectivity, this is a book whose very Lacanian orthodoxy makes it irreverently transgressive of predominant theoretical paradigms. _Cogito and the Unconscious_ will appeal to readers interested in philosophy, psychoanalysis, cultural studies, and theories of ideology. _Contributors. _Miran Bozovic, Mladen Dolar, Alain Grosrichard, Marc de Kessel, Robert Pfaller, Renata Salecl, Slavoj Žižek, Alenka Zupancic. (shrink)

The Cartesian cogito—the principle articulated by Descartes that "I think, therefore I am"—is often hailed as the precursor of modern science. At the same time, the cogito's agent, the ego, is sometimes feared as the agency of manipulative domination responsible for all present woes, from patriarchal oppression to ecological catastrophes. Without psychoanalyzing philosophy, _Cogito and the Unconscious_ explores the vicissitudes of the cogito and shows that psychoanalyses can render visible a constitutive madness within modern philosophy, the point at which "I (...) think, therefore I am" becomes obsessional neurosis characterized by "If I stop thinking, I will cease to exist." Noting that for Lacan the Cartesian construct is the same as the Freudian "subject of the unconscious," the contributors follow Lacan's plea for a psychoanalytic return to the cogito. Along the path of this return, they examine the ethical attitude that befits modern subjectivity, the inherent sexualization of modern subjectivity, the impasse in which the Cartesian project becomes involved given the enigmatic status of the human body, and the Cartesian subject's confrontation with its modern critics, including Althusser, Bataille, and Dennett. In a style that has become familiar to Žižek's readers, these essays bring together a strict conceptual analysis and an approach to a wide range of cultural and ideological phenomena—from the sadist paradoxes of Kant's moral philosophy to the universe of Ayn Rand's novels, from the question "Which, if any, is the sex of the cogito?" to the defense of the cogito against the onslaught of cognitive sciences. Challenging us to reconsider fundamental notions of human consciousness and modern subjectivity, this is a book whose very Lacanian orthodoxy makes it irreverently transgressive of predominant theoretical paradigms. _Cogito and the Unconscious_ will appeal to readers interested in philosophy, psychoanalysis, cultural studies, and theories of ideology. _Contributors. _Miran Bozovic, Mladen Dolar, Alain Grosrichard, Marc de Kessel, Robert Pfaller, Renata Salecl, Slavoj Žižek, Alenka Zupancic. (shrink)

Review of Tolstoy and Spirituality (Academic Studies Press, 2018), edited by Pedrag Cicovacki and Heidi Nada Grek, with articles by Miran Bozovic, Predrag Cicovacki, Abdusalam A. Guseynov, Robert Holmes, Božidar Kante, Rosamund Bartlett, Diana Dukhanova, Liza Knapp, Inessa Medzhibovskaya, Donna Tussing Orwin, Mikhail Shishkin, and Alexandra Smith.