This selection consists of extracts from writings of women concerned solely with the pursuit of abstract ideas, historically contextualized. The texts, for the most part, reflect issues widely debated in their contemporary societies. Extracts from lesser-known writers are also included, providing a diversity of arguments spanning four centuries and including some notable contemporary philosophers.

A leader in the modern commentary on ethics and philosophy, Mary Warnock casts a critical eye over her life and times.

How is hope to be found amid the ethical and political dilemmas of modern life? Writer and philosopher Mary Zournazi brought her questions to some of the most thoughtful intellectuals at work today. She discusses "joyful revolt" with Julia Kristeva, the idea of "the rest of the world" with Gayatri Spivak, the "art of living" with Michel Serres, the "carnival of the senses" with Michael Taussig, the relation of hope to passion and to politics with Chantal Mouffe and Ernesto Laclau. (...) A dozen stimulating minds weigh in with their visions of a better social and political order. The result is a collaboration - of writing, of thinking, and of politics - that demonstrates more clearly than any single-authored project could how ideas encountering one another can produce the vision needed for social change. (shrink)

All religion and much philosophy has been concerned with the contrast between the ephemeral and the eternal. Human beings have always sought ways to overcome time, and to prove that death is not the end. This book consists then in an exploration of certain closely related ideas: personal identity, time, history and our commitment to the future, and the role of imagination in life.

Fundamental principles : the nature of the dispute -- Types of euthanasia -- Psychiatric assisted suicide -- Neonates -- Incompetent adults -- Human life is sacred -- The slippery slope -- Medical views -- Four methods of easing death and their effect on doctors -- Looking further ahead.

The works of Mary Wollstonecraft (1759-1797) ranged from the early _Thoughts on the Education of Daughters_ to _The Female Reader_, a selection of texts for girls, and included two novels. But her reputation is founded on _A Vindication of the Rights of Woman_ of 1792. This treatise is the first great document of feminism—and is now accepted as a core text in western tradition. It is not widely known that the germ of Wollstonecraft’s great work came out of an earlier (...) and much shorter vindication—A Vindication of the Rights of Men (1790), written in the context of the issues raised by the French Revolution. This edition, which follows the model of other Broadview Editions in including a range of materials that help the reader to see the work in the context of its era out of which it emerged, is arranged chronologically, opening with Wollstonecraft’s “other vindication.” It also includes a wide range of other documents in appendices, as well as a comprehensive and authoritative introduction, chronology, and full index. (shrink)

Nature and Mortality is a challenging look at some of the major public issues of our time through the eyes of one of our most influential and probing liberal humanists. It is a frank account on where we stand today on such controversial matters as human embryology, genetic engineering, euthanasia and abortion. Warnock's views may seem like a red rag to a bull to some, but her contribution to the debate is always stimulating. Enlivened by autobiographical anecdote and some delicious (...) side-swipes, Nature and Mortality is Mary Warnock at her most perceptive, wise and entertaining. (shrink)

This chapter first distinguishes between originality and creativity. True originality is rare, whether in art, science, or LEGO, because to be truly original means to have done something that no one has ever done before, and that no one could have anticipated. Most LEGO creations will not meet that condition, for with the exception of serious hobbyists who undertake massive builds, most players who make original creations are making creations that are commonplace. Painting or remolding or placing stickers on the (...) bricks counts against the spirit of LEGO creation. The chapter then discusses The LEGO Movie embodies the paradox that presents three conflicting models of creative LEGO play, illustrated by the Master Builders, Finn's father, and Emmet. The movie's creators were deliberately playing around with conflicting popular conceptions of creativity: creativity as madness, creativity as thinking outside the box, and creativity as vision. (shrink)

The unity of aesthetic and teleological judgment, the third and earlier Critiques, is based on Kant′s discovery of a “heuristic method” for applying judgments regarding sense phenomena to abstract thought, a “second attention” which enables an “idea of the whole”. Synthetic judgment, basis for cognition and human action, depends on efficacy of non-empirical insights: the transcendental standpoint, “regulative” ideas, consciousness of “ought” and the reality of freedom, universality of natural mechanism, the principle of “fortuitous” purposiveness. The activity of reflective judgment (...) in the encounter with the beautiful, sublime, living, and two paradigmatic types of explanation, inspired by Spinoza′s distinction of extensio and cogitatio, permit Kant to bridge the gap between freedom and necessity, theoretical knowledge and morality. (shrink)

SummaryThe history of quantum physics has been deeply conditioned by the change in scientific practice as a social activity during the past fifty years. As a result the theory has not been allowed full maturing; both its formal and empirical advances have not resulted in a comparable conceptual progress. The recasting of quantum theory thus appears as an epistemological necessity. One of the main aspects of this process is to clear quantum theory from its persisting classical connections in order to (...) endow it with an autonomous and intrinsic status. Problems related to the foundations, description, interpretation and approximations of quantum theory are considered in turn, and various recent works are reviewed which contribute to the proposed endeavour.RésuméL'histoire de la théorie quantique a été fortement conditionnée par les changements intervenus au cours des cinquante dernières années dans la pratique scientifique en tant qu'activité sociale. La théorie en conséquence n'a pu atteindre sa pleine maturité et ses développements à la fois formels et empiriques n'ont pas conduit à des progrès conceptuels comparables. La refonte de la théorie quantique apparaît ainsi comme une nécessitéépistémologique. L'un des principaux aspects de ce processus consiste à débarrasser la théorie quantique de ses persistantes attaches classiques, de façon à lui conférer un statut autonome et intrinsèque. On considère ici tour à tour les problèmes de fondements, de terminologie, d'interprétation et de limites, de la théorie quantique, tout en passant en revue divers travaux récents contribuant à l'entreprise proposée.ZusammenfassungDie Geschichte der Quantenphysik ist in entscheidender Weise durch die Veränderungen, die in den letzten fünfzig Jahren in der wissenschaftlichen Praxis als einer sozialen Tätigkeit eingetreten sind, bestimmt worden. Die Theorie hat deshalb ihre volle Reife nicht erlangen können; ihre zugleich formalen und empirischen Entfaltungen haben nicht zu einem entsprechenden begrifflichen Fortschritt geführt. Eine Umgestaltung der Quantentheorie muss daher als ein erkenntnistheoretisches Desiderat betrachtet werden. Einer der wichtigsten Aspekte eines derartigen Unterfangens wird darin bestehen, die Theorie von ihren hartnäckigen Bindungen an klassische Begriffe zu befreien, um ihr einen eigenständigen und autonomen Status zu verleihen. Es werden die Probleme der Begründung, der Terminologie, der Interpretation und der Grenzen der Quantentheorie diskutiert, indem auch verschiedene kürzlich erschienene Arbeiten, die sich auf das vorgeschlagene Unternehmen beziehen, berücksichtigt werden. (shrink)

A little-known movie by Alfred Hitchcock, Torn Curtain — admittedly not one of his best — tells a story of spying and science. It features a strange scene, where two physicists confront one another on some theoretical question. Their “discussion”, if it may be so called, consists solely in one of them writing some equations on the blackboard, only to have the other angrily grabbing the eraser and wiping out the formulas to write new ones of his own, etc., without (...) ever uttering a single word. This picture of theoretical physics as an aphasic knowledge entirely consisting of mathematical symbols, as common as it may be in popular representations, we know to be wrong, of course, and we have to acknowledge that, far from being mute, we are a very talkative kind; physics is made out of words. What I wish to question here, however, is the very nature of our relationship with language, particularly as concerns quantum theory. My thesis will be that we have been somewhat offhand and rather indifferent with respect to the words we use, or rather without respect for them, and that this attitude has reinforced, and sometimes perhaps even produced some of the persisting epistemological and pedagogical difficulties in our field — not to speak of the new cultural problems that we are facing. (shrink)

Dans cet entretien de conclusion, Jean-Marc Lévy-Leblond, physicien et épistémologue, professeur émérite de l'Université de Nice, directeur des collections scientifiques aux éditions du Seuil et de la revue Alliage, montre qu'il est faux de penser que les sciences exactes n'ont besoin qu'accessoirement de la langue en raison du degré de leur formalisation, contrairement aux sciences humaines. La conceptualisation en sciences ne saurait se passer de la langue, ni même des langues . Le recours à l'anglais n'est qu'un moyen, nullement (...) une fin en soi - ce que la mondialisation rend de plus en plus évident, au fur et à mesure que la science se décline de plus en plus en hindi, en chinois, ou dans d'autres langues. En refusant d'être plurilingue comme elle l'a été par le passé, la science risque l'aphasie, non seulement linguistique, mais aussi conceptuelle, ce qui n'est pas sans gravité pour la diffusion des connaissances scientifiques à l'échelle aussi bien locale que mondiale.In this interview, conclusion, Jean-Marc Lévy-Leblond, physicist and epistemologist, professor emeritus at the University of Nice, director of scientific collections by Seuil and review alloy, shows that it is wrong to think that sciences do not need the language incidentally because of the degree of formalization, unlike the humanities. Conceptualization science can not do without the language or even language . The use of English is a means, not an end in itself - that globalization makes it increasingly obvious, as and as science comes increasingly Hindi, Chinese or in other languages. Refusing to be multilingual as it was in the past, science risk aphasia, not only linguistic, but also conceptual, which is not trivial for the dissemination of scientific knowledge to scale as both local and global. (shrink)

Papers from the 1994 meeting represent a broad review of contemporary experimental work on quantum phenomena, emphasizing state-of-the-art experimental science. Useful as an introductory manual for young researchers, the volume addresses topics that include: experiments with single and ultracold ato.

Cent ans après sa parution, il est possible de lire le livre de Bergson sur la relativité de façon moins polémique qu’à l’époque. La maturation et la stabilisation de la théorie d’Einstein, devenue une composante banale de l’arsenal des physiciens, permettent une évaluation précise des méprises commises par Bergson dans son exégèse, en même temps qu’elles amènent à reconnaître leur intérêt épistémologique. Nous entendons ici réfléchir sur cette lecture bergsonienne de la Rélativité einsteinienne.

In her 2012 novel The Panopticon, Jenni Fagan chose to examine the possibility of emancipation from within the care system, and between the walls of an institution modelled on Bentham’s 18th century eponymous invention. Setting the adventures of Anais, an orphan and chronic offender, in that building, testifies to the persistence of the master trope of surveillance, which turns the visual world of the novel into an anxiety-ridden field of observation and control. The reference to disciplinary and punitive visuality proves (...) particularly effective in conveying Fagan’s critique of a system that has relinquished its duty of care and devotes itself to the marginalisation and subjugation of the young delinquents it purports to rehabilitate. However the novel also inspires itself from Foucault by reminding us that the visual field of discipline is not one in which power can be exerted absolutely. In the Panopticon, surveillance elicits the resistance of the residents, who repeatedly escape the all-seeing watchtower, claim a “right to look” and eventually bring down the dispositive of disciplinary visuality, allowing Anais’s emancipation in the process. Ultimately the narrative uses the visual paranoia of panopticism as a foil, as its young protagonist looks for practices of seeing and modes of inscription in the visual landscape that will nurture rather than discipline and punish. Far from rejecting visuality altogether, the narrative seeks out spaces where visual care and consideration constitute a response to the failure of the State system of surveillance effectively to reform or care for its citizens. (shrink)

En 1587, le jeune Galilée est invité à donner Due lezioni all’Accademia Fiorentina circa la figura, sito e grandezza dell’Inferno di Dante [Galilei 1587] afin d’éclairer une vive controverse sur l’interprétation de la géographie de l’Enfer dantesque. Ce travail d’exégèse littéraire permet à Galilée de faire reconnaître ses talents mathématiques comme ses qualités pédagogiques. Mais la portée de ces leçons va bien au-delà, car on peut y voir apparaître plusieurs thèmes majeurs de l’œuvre ultérieure de Galilée : au plan mathématique, (...) l’importance de la géométrie d’inspiration archimédienne, au plan physique, l’étude des questions de similitude que pose la résistance des matériaux – sans oublier l’intérêt constant du scientifique pour la langue et pour la culture littéraire. (shrink)

En 1587, le jeune Galilée est invité à donner Due lezioni all’Accademia Fiorentina circa la figura, sito e grandezza dell’Inferno di Dante (ci-après Leçons sur l’Enfer) [Galilei 1587] afin d’éclairer une vive controverse sur l’interprétation de la géographie de l’Enfer dantesque. Ce travail d’exégèse littéraire permet à Galilée de faire reconnaître ses talents mathématiques comme ses qualités pédagogiques. Mais la portée de ces leçons va bien au-delà, car on peut y voir apparaître plusieurs thèmes majeurs de l’œuvre ultérieure de Galilée (...) : au plan mathématique, l’importance de la géométrie d’inspiration archimédienne, au plan physique, l’étude des questions de similitude que pose la résistance des matériaux – sans oublier l’intérêt constant du scientifique pour la langue et pour la culture littéraire. (shrink)

Known as the “Mother of Tibetan Buddhism” and the “Mother of Knowledge,” Yeshe Tsogyal built upon indigenous Bön philosophy and Mahāyāna Buddhism to bring about a Buddhism that is identifiably Tibetan. I report on her life, her works and teaching. Then summarize her significance as a philosopher of Tibetan Buddhist metaphysics, epistemology and ethics. Lastly, I append portions of several writings attributed to her.

Recently, concerns have been raised about the phenomenon of 'overdiagnosis', the diagnosis of a condition that is not causing harm, and will not come to cause harm. Along with practical, ethical, and scientific questions, overdiagnosis raises questions about our concept of disease. In this paper, we analyse overdiagnosis as an epistemic problem and show how it challenges many existing accounts of disease. In particular, it raises questions about conceptual links drawn between disease and dysfunction, harm, and risk. We argue that (...) "disease" should be considered a vague concept with a nonclassical structure. On this view, overdiagnosed cases are 'borderline' cases of disease, falling in the zone between cases that are clearly disease, and cases that are clearly not disease. We then develop a précising definition of disease designed to provide practical help in preventing and limiting overdiagnosis. We argue that for this purpose, we can define disease as dysfunction that has a significant risk of causing severe harm to the patient. (shrink)

Neil Levy argues that while addicts who believe they are not addicts are self-deceived, addicts who believe they are addicts are just as self-deceived. Such persons accept a false belief that their addictive behaviour involves a loss of control. This paper examines two implications of Levy's discussion: that accurate self-knowledge may be particularly difficult for addicts; and that an addict's self-deceived belief that they cannot control themselves may aid their attempts at self-control. I argue that the self-deceived beliefs of addicts (...) in denial and of self-described addicts differ in kind. Unlike the self-deception of an addict in denial, that of the self-described addict allows them to acknowledge their behaviour. As such, it may aid an addict to develop more self-control. A paradoxical implication is that this self-deception may allow an addict more self-knowledge. (shrink)

Mary Anne Warren investigates a theoretical question that is at the centre of practical and professional ethics: what are the criteria for having moral status? That is: what does it take to be an entity towards which people have moral considerations? Warren argues that no single property will do as a sole criterion, and puts forward seven basic principles which establish moral status. She then applies these principles to three controversial moral issues: voluntary euthanasia, abortion, and the status of non-human (...) animals. (shrink)