The coming to office of Jair Bolsonaro in Brazil has brought to the fore the need to understand the rise of the far right and to come to terms with the conflicted legacies of more than a decade of rule under the Workers’ Party. This forum brings together six leading intellectuals from different traditions on the left and introduces their reflections on the contradictions and complexities of the Workers’ Party, the 2008 crisis, the June 2013 protests, the weakness of the (...) Brazilian left, corruption, and on how to characterise Bolsonaro’s regime. Their interventions offer crucial insights that are relevant today not just to Brazil, or even Latin America, but to the politics of the left worldwide. (shrink)

The coming to office of Jair Bolsonaro in Brazil has brought to the fore the need to understand the rise of the far right and to come to terms with the conflicted legacies of more than a decade of rule under the Workers’ Party. This forum brings together six leading intellectuals from different traditions on the left and introduces their reflections on the contradictions and complexities of the Workers’ Party, the 2008 crisis, the June 2013 protests, the weakness of the (...) Brazilian left, corruption, and on how to characterise Bolsonaro’s regime. Their interventions offer crucial insights that are relevant today not just to Brazil, or even Latin America, but to the politics of the left worldwide. (shrink)

O objetivo deste artigo é mostrar como Kant aplicou uma estrutura cognitiva mais abstrata aos objetos da experiência. É possível observar, a partir de um exemplo _in concreto,_ a aplicação dos princípios do entendimento puro, desenvolvidos e estruturados na_ Crítica da Razão Pura_, aos objetos da experiência, neste caso, as proposições empíricas da mecânica newtoniana. Assim, apresentamos a configuração dos argumentos kantianos, sustentando que há uma relação explícita entre os princípios do entendimento puro, e os princípios metafísicos da ciência da (...) natureza, estes desenvolvidos na obra de mesmo nome – _Princípios Metafísicos de Ciência da Natureza_ – e mostramos que essa relação se dá por meio de uma estrutura argumentativa em que os princípios gerais e abstratos da primeira _Crítica_ são premissas para os princípios metafísicos aplicados dos PMCN. Buscamos, assim, provar que a estrutura da filosofia da ciência kantiana é dada, principalmente, por meio das duas obras supracitadas, e é uma teoria que tem como principal objetivo, fundamentar filosoficamente a mecânica newtoniana, a fim de explicar como um conhecimento objetivamente válido dos fenômenos do mundo é possível. (shrink)

This paper introduces the logic of evidence and truth \ as an extension of the Belnap–Dunn four-valued logic \. \ is a slightly modified version of the logic \, presented in Carnielli and Rodrigues. While \ is equipped only with a classicality operator \, \ is equipped with a non-classicality operator \ as well, dual to \. Both \ and \ are logics of formal inconsistency and undeterminedness in which the operator \ recovers classical logic for propositions in its scope. (...) Evidence is a notion weaker than truth in the sense that there may be evidence for a proposition \ even if \ is not true. As well as \, \ is able to express preservation of evidence and preservation of truth. The primary aim of this paper is to propose a probabilistic semantics for \ where statements \\) and \\) express, respectively, the amount of evidence available for \ and the degree to which the evidence for \ is expected to behave classically—or non-classically for \ \). A probabilistic scenario is paracomplete when \ + P 1\), and in both cases, \ < 1\). If \ = 1\), or \ = 0\), classical probability is recovered for \. The proposition \, a theorem of \, partitions what we call the information space, and thus allows us to obtain some new versions of known results of standard probability theory. (shrink)

The aim of this text is to reply to criticisms of the logics of evidence and truth and the epistemic approach to paraconsistency advanced by Barrio [2018], and Lo Guercio and Szmuc [2018]. We also clarify the notion of evidence that underlies the intended interpretation of these logics and is a central point of Barrio’s and Lo Guercio & Szmuc’s criticisms.

This paper examines the issue of Islamic political philosophy in terms of prophecy, revelation and divine law. It is important to note that philosophy, and Islamic politics are in a good relation with religion. In the present study I have developed this connection through the philosophical theories of the medieval philosopher Al-Farabi. What are the differences and similarities between philosophy and divine law, or between a philosopher and prophet? What are Al-Farabi’s most important political theories and what are the concepts (...) of virtuous city and democratic city? What is the philosophy of the Quran? Our study seeks to answer all this questions. The divine law sets the beliefs and actions of the Islamic community, while the theoretical aspects which relate to it are entrusted to the philosophers. Theology is a discipline which protects divine law and establishes the truth of a special revelation, political theology being complementary to political philosophy. Theology tries to develop a rational and coherent understanding of the divine law, to find out what is the prophecy and to differentiate the true prophets from the false ones. (shrink)

ABSTRACT Many studies have focused on the contributions and/or convergences among the ideas of Bakhtin, Vološinov and Medvedev, and other authors. Brazilian and foreign researchers have shown convergences between the thought of the German philosopher Ernst Cassirer and the aforementioned Russian thinkers. Cassirer problematizes what would give unity to culture, and this is a problem with which Bakhtin, Vološinov and Medvedev are also concerned. Thus, this article analyzes how this question (“what gives unity to culture?”) was answered, seeking convergences among (...) thoughts. We have gone through some of Cassirer’s writings to show how the philosopher has analyzed culture from a unity constituted by symbolization. Next, we see how this issue was addressed by Medvedev and Vološinov. Finally, we seek the way in which Bakhtin sought to understand cultural unity in the essay “The problem of content, material and form”. (shrink)

The main aim of this paper is to introduce first-order versions of logics of evidence and truth, together with corresponding sound and complete Kripke semantics with variable and constant domains. According to the intuitive interpretation proposed here, these logics intend to represent possibly inconsistent and incomplete information bases over time. The paper also discusses the connections between Belnap-Dunn’s and da Costa’s approaches to paraconsistency, and argues that the logics of evidence and truth combine them in a very natural way.

Experiencia, cuerpo y montaje: una lectura sobre la subjetividad como problema semejante entre la filosofía de Walter Benjamin y el teatro-danza de Pina Bausch. Resumen de Tesis de doctorado en Filosofía de Ludmila Hlebovich.

Dans les cours italiennes du xve siècle, la danse et le combat, essentiels dans l’éducation du noble, participent à la définition de la place et du comportement des femmes et des hommes. Les maîtres à danser du Quattrocento, construisent et définissent la théorie et la pratique d’une danse savante et produisent un discours conforme à des normes politiques, sociales et genrées. Guillaume le Juif, définit précisément le rôle et la place de la femme qui danse. Antonio Corazzino, également homme d’armes, (...) poète et humaniste, exprime une vision de la bienséance, qui participe d'une conception plus générale des rôles attribués au genre. Les valeurs viriles assument une prééminence évidente dans l’évolution de la vie des cours. Les techniques du corps incarnent une réalité et un discours politique. Dans l'ensemble de son œuvre, le masculin et le féminin s’incarnent notamment dans les modèles de Mars et de Vénus, les deux faces de la Concordia discors, dans la femme qui danse et l’homme qui combat. (shrink)

Peirce’s sign model is introduced as incompatible with structural semiology in the majority of semiotics textbooks. In this paper, I would like to argue against this general polarization of the semiotic discipline. I focus on compatibilities between Lucien Tesnière’s syntactic theory (verbal valency) and Peirce’s logic of relatives. My main argument is that structural linguistics is not necessarily dyadic, and that Peirce’s sign doctrine is perfectly structural. To define the structural approach in Peirce, I analyze the notions of form (structure) (...) and substance in Hjelmslev and Peirce. The aim of my argument is to contribute to attempts to introduce Peirce’s theory to the field of linguistics in the hope that such an integration will be beneficiary for general linguistics. To extend and support my argument, I provide some examples from biology where Peirce’s theory has been applied. I demonstrate an analogy between the biological structures of proteins and the structure of a sentence with Peirce’s own writings. I consequently introduce Peirce as the first structural semiologist and as the first biolinguist. (shrink)

New discoveries in the life sciences have affirmed that the virtual script as well as its context-dependent reading and interpretation determine the final living creature. An extended understanding of Darwinian Theory is crucial for understanding life as semiosis in terms of Peirce and Eco’s semiotic models. The semiosis of living systems is potentially unlimited. Genes are not static and unchangeable scripts, but can always be reinterpreted by new interpretants that illuminate them from different points of view, depending on which properties (...) are relevant in a particular context. The encyclopedia is a term, in Umberto Eco’s semiotics, which represents the multidimensional space of semiosis that is governed by a self-sustaining production of interpretants. The paper will present the idea of understanding the Extended Synthesis in terms of a biosemiotic enyclopedia. (shrink)

The present paper attempts to demonstrate semiotic arguments against the sequence → structure → function paradigm in protein studies. The unidirectional deterministic thinking in biological processes has been challenged by several disciplines of life sciences (epigenetics, proteomics, etc.) and philosophy (process philosophy). Biosemiotics comprehends living organisms as actively participating in their present and somehow creating or shaping their future, having a plurality of options for acting. Determinism and unidirectionality are in contradiction with a biosemiotic approach towards life, mostly when considering (...) Peirce’s triadic concept of semiosis. In this paper, a Peircean biosemiotic approach is applied to proteins and to the process of protein folding. Two main concepts are presented to support the arguments against the SSF paradigm in protein studies: the NonReduction Theorem and the notion of folded continuum. A processual approach is proposed as the most suitable for descriptions of proteins and their functions. (shrink)

The present paper attempts to demonstrate semiotic arguments against the sequence → structure → function paradigm in protein studies. The unidirectional deterministic thinking in biological processes has been challenged by several disciplines of life sciences and philosophy. Biosemiotics comprehends living organisms as actively participating in their present and somehow creating or shaping their future, having a plurality of options for acting. Determinism and unidirectionality are in contradiction with a biosemiotic approach towards life, mostly when considering Peirce’s triadic concept of semiosis. (...) In this paper, a Peircean biosemiotic approach is applied to proteins and to the process of protein folding. Two main concepts are presented to support the arguments against the SSF paradigm in protein studies: the NonReduction Theorem and the notion of folded continuum. A processual approach is proposed as the most suitable for descriptions of proteins and their functions. (shrink)

The present paper attempts to demonstrate semiotic arguments against the sequence → structure → function paradigm in protein studies. The unidirectional deterministic thinking in biological processes has been challenged by several disciplines of life sciences and philosophy. Biosemiotics comprehends living organisms as actively participating in their present and somehow creating or shaping their future, having a plurality of options for acting. Determinism and unidirectionality are in contradiction with a biosemiotic approach towards life, mostly when considering Peirce’s triadic concept of semiosis. (...) In this paper, a Peircean biosemiotic approach is applied to proteins and to the process of protein folding. Two main concepts are presented to support the arguments against the SSF paradigm in protein studies: the NonReduction Theorem and the notion of folded continuum. A processual approach is proposed as the most suitable for descriptions of proteins and their functions. (shrink)

Contributed paper concerns the misleading ways of argumentation caused by ambiguity of natural language as Aristotle describes them in his writing On Sophistical Refutations. It will be shown that traditional and generally accepted interpretation of these paralogisms is inappropriate and new solution will be proposed.

The aim of this paper is to present and analyze the truthmaker monism , a result according to which any truthmaker makes true any true proposition. Truthmaker monism depends on the characterization of the truthmaking relation in terms of strict implication, the principle of excluded middle and the so called disjunction thesis. I will restrict the discussion to a theory of truthmakers of empirical truths and I will argue that, in the scope of such a theory, the problem does not (...) lie in the use of strict implication neither in the excluded middle but, rather, in the disjunction thesis, that must be rejected. (shrink)

У статті досліджено принципово важливу для сучасної філософії ідею про сутнісний зв’язок справедливості, визнання та ідентичності.Доведено, що справедливість соціальних взаємин зумовлена не так способом розподілу матеріальних благ, як процесами суспільного та індивідуального визнання. Із цієї точки зору, яку обстоюють Ю.Габермас, А.Гонет, Ч.Тейлор, З.Форс, випливає, що саме люди,яким властива гідність, можуть стати не лише об’єктами, а й суб’єктами справедливості, тобто громадянами. Завдяки подоланнюполітичного патерналізму та існуванню індивіда як суб’єкта політичної дії відбувається глибинне переакцентування ідентичності із завузького поля міжособистісного спілкування і формування (...) нової, заснованої на людській гідності та чесності, моделі соціальної справедливості та постконвенційної ідентичності. Таким чином, автор доходить висновку, що саме визнання є тією найширшою нормативною категорією, яка обіймає і справедливість, і ідентичність, а їх економічні і культурно-символічні виміри мають бути пов’язані між собою. У такий спосіб можна вибудувати адекватну сьогоденню справедливу теорію ідентичності, а також уникнути репресивного комунітаризму, який акцентує увагу на цінностях своєї спільноти та нехтує можливістю для кожного індивіда бути рівноправним учасником соціального простору загалом. (shrink)

This special issue addresses question about the place of quantitative methods in the field of biosemiotics. Many standpoints have been taken by contributing authors to demonstrate that the answer to this question is not straightforward. Considering quantitative methods in biosemiotics is necessarily related to inclusion of other scientific fields and interdisciplinary dialogue.

In this paper I attempt to study the notion of “folding of a semiotic continuum” in a direction of a possible application to the biological processes. More specifically, the process of obtaining protein structures is compared in this paper to the folding of a semiotic continuum. Consequently, peptide chain is presented as a continuous line potential to be formed in order to create functional units. The functional units are protein structures having certain function in the cell or organism. Moreover, protein (...) folding is analyzed in terms of tension between syntax and semantics. (shrink)

Among the various appropriations and discussions of M.M. Bakhtin’s work, his ‘philosophy of the everday’ has received increasing recognition in Western scholarship that has complemented his reputation as a literary theorist, aesthetician, and linguist. For example, some critics have suggested that Bakhtin’s work on literature springs from his understanding of the novel as a ‘transcendental metaphor’ for life. Others have attempted to adapt Bakhtin’s work on literature and its emancipatory practical orientation to critical social theory. Such interpretive endeavors might be (...) valid in their respective contexts. However, they in effect obscure the fact that Bakhtin starts his intellectual career as a phenomenologist intent on giving a non-aesthetic explanation of the world, i.e., as human beings experience it through cognition and practical action prior to the mediation of art. In one of his earliest pieces, Toward a Philosophy of the Act, Bakhtin sets out to advance the foundations of a prima philosophia, a philosophical ontology that would explain human existence through categories of being rather than through those of representation. No matter how much of Bakhtin’s early work draws on the legacy of other thinkers, such an intention, unequivocally expressed, testifies to his investment in the philosophy of the real, the practical, and the everyday. In Bakhtin’s early essays, the human being—the figure around which his whole philosophy of the 1920’s revolves—is explicitly portrayed as a living, breathing individual and is carefully distinguished from a literary ‘hero’. (shrink)

Among the various appropriations and discussions of M.M. Bakhtin’s work, his ‘philosophy of the everday’ has received increasing recognition in Western scholarship that has complemented his reputation as a literary theorist, aesthetician, and linguist. For example, some critics have suggested that Bakhtin’s work on literature springs from his understanding of the novel as a ‘transcendental metaphor’ for life. Others have attempted to adapt Bakhtin’s work on literature and its emancipatory practical orientation to critical social theory. Such interpretive endeavors might be (...) valid in their respective contexts. However, they in effect obscure the fact that Bakhtin starts his intellectual career as a phenomenologist intent on giving a non-aesthetic explanation of the world, i.e., as human beings experience it through cognition and practical action prior to the mediation of art. In one of his earliest pieces, Toward a Philosophy of the Act, Bakhtin sets out to advance the foundations of a prima philosophia, a philosophical ontology that would explain human existence through categories of being rather than through those of representation. No matter how much of Bakhtin’s early work draws on the legacy of other thinkers, such an intention, unequivocally expressed, testifies to his investment in the philosophy of the real, the practical, and the everyday. In Bakhtin’s early essays, the human being—the figure around which his whole philosophy of the 1920’s revolves—is explicitly portrayed as a living, breathing individual and is carefully distinguished from a literary ‘hero’. (shrink)

Among the various appropriations and discussions of M.M. Bakhtin’s work, his ‘philosophy of the everday’ has received increasing recognition in Western scholarship that has complemented his reputation as a literary theorist, aesthetician, and linguist. For example, some critics have suggested that Bakhtin’s work on literature springs from his understanding of the novel as a ‘transcendental metaphor’ for life. Others have attempted to adapt Bakhtin’s work on literature and its emancipatory practical orientation to critical social theory. Such interpretive endeavors might be (...) valid in their respective contexts. However, they in effect obscure the fact that Bakhtin starts his intellectual career as a phenomenologist intent on giving a non-aesthetic explanation of the world, i.e., as human beings experience it through cognition and practical action prior to the mediation of art. In one of his earliest pieces, Toward a Philosophy of the Act, Bakhtin sets out to advance the foundations of a prima philosophia, a philosophical ontology that would explain human existence through categories of being rather than through those of representation. No matter how much of Bakhtin’s early work draws on the legacy of other thinkers, such an intention, unequivocally expressed, testifies to his investment in the philosophy of the real, the practical, and the everyday. In Bakhtin’s early essays, the human being—the figure around which his whole philosophy of the 1920’s revolves—is explicitly portrayed as a living, breathing individual and is carefully distinguished from a literary ‘hero’. (shrink)

This article provides a methodological tool for studying central civil service management structures (CCSMS) and their role in de-politicizing the civil service, thereby contributing to evidence-based civil service management. This tool can be used in comparative studies of CCSMS across, but also within countries, since civil service management functions are often split between several central organizations in one country. The comparative study of CCSMS is particularly useful for contemporary policy makers in EU member states, who currently face the challenge of (...) reforming civil service systems due to EU pressure. There is therefore an urgent need to establish which type of central structure would effectively support the EU’s favored values of professionalizing and de-politicizing the civil service. Stemming from theory on organizational autonomy, our typology focuses on two key dimensions of the CCSMS that support these values: decision-making autonomy over individual civil servants and structural accountability. (shrink)

In this paper we present a philosophical motivation for the logics of formal inconsistency, a family of paraconsistent logics whose distinctive feature is that of having resources for expressing the notion of consistency within the object language in such a way that consistency may be logically independent of non-contradiction. We defend the view according to which logics of formal inconsistency may be interpreted as theories of logical consequence of an epistemological character. We also argue that in order to philosophically justify (...) paraconsistency there is no need to endorse dialetheism, the thesis that there are true contradictions. Furthermore, we show that mbC, a logic of formal inconsistency based on classical logic, may be enhanced in order to express the basic ideas of an intuitive interpretation of contradictions as conflicting evidence. (shrink)

Since the first degrees of musicality of mankind, the music became a sphere of investigation for naturalists (Darwin), economists (Karl Bücher), philosophers (Spencer, Schopenhauer, Cioran), who tried to explain, through their theories, the process of the beginning and settlement of this phenomenon as well as its influence on the human being.Schopenhauer will consider art, and especially music, as the only liberating form from delusion and suffering, from the omnipotence will to live. Making a strange parallelism between music and the will (...) to live, Schopenhauer will find between these two a report of identity: “the world is an incarnation of music as well as an incarnation of Will: There is no art besides music that expresses an ideal aspect of Will, the Will itself in its purest essence”.If at Schopenhauer the music expresses the Will itself in its purest essence, at Emil Cioran “the metaphysical madness of the musical experience… weakens the will to live and the vital main springs”.Through music Emil Cioran found the way to himself, to his ego and his profound musical nature.The moments of separating of the delusions world are for the human being moments in which the entire existence feels like a melody and all of the being’s sufferings assemble and melt into “a convergence of sounds, into a musical enthusiasm and into a warm and resonant universal community”, into a “sweet and rhythmic immateriality”. (shrink)

The Russian icon was always related to the soul of the Russian painter, his anxiety and his emotions. Through the icon the russian has always expressed his faith and mentained the bundle with God. The icon has been considered by the russian people a bridge between human and divinity. The Russian people belive into an russian Christ. The Russian icon embodys the russian nature, his strength of creation and of adaption, but especially the russian soul. It is been capitalized the (...) icon painting of the greatest painters: Andrei Rubliov, Teofan Grecul Dionisie, as well as icon painting, starting from the novgorodiana school (the 11th century) till the 20th century, when big names of icon artists appared, such as Kondrafiev, Filatov, Zubov, A. Ivanov. (shrink)

The Russian icon was always related to the soul of the Russian painter, his anxiety and his emotions. Through the icon the russian has always expressed his faith and mentained the bundle with God. The icon has been considered by the russian people a bridge between human and divinity. The Russian people belive into an russian Christ. The Russian icon embodys the russian nature, his strength of creation and of adaption, but especially the russian soul. It is been capitalized the (...) icon painting of the greatest painters: Andrei Rubliov, Teofan Grecul Dionisie, as well as icon painting, starting from the novgorodiana school (the 11th century) till the 20th century, when big names of icon artists appared, such as Kondrafiev, Filatov, Zubov, A. Ivanov. (shrink)

Since the first degrees of musicality of mankind, the music became a sphere of investigation for naturalists (Darwin), economists (Karl Bücher), philosophers (Spencer, Schopenhauer, Cioran), who tried to explain, through their theories, the process of the beginning and settlement of this phenomenon as well as its influence on the human being.Schopenhauer will consider art, and especially music, as the only liberating form from delusion and suffering, from the omnipotence will to live. Making a strange parallelism between music and the will (...) to live, Schopenhauer will find between these two a report of identity: “the world is an incarnation of music as well as an incarnation of Will: There is no art besides music that expresses an ideal aspect of Will, the Will itself in its purest essence”.If at Schopenhauer the music expresses the Will itself in its purest essence, at Emil Cioran “the metaphysical madness of the musical experience… weakens the will to live and the vital main springs”.Through music Emil Cioran found the way to himself, to his ego and his profound musical nature.The moments of separating of the delusions world are for the human being moments in which the entire existence feels like a melody and all of the being’s sufferings assemble and melt into “a convergence of sounds, into a musical enthusiasm and into a warm and resonant universal community”, into a “sweet and rhythmic immateriality”. (shrink)