Results for 'Kenʾichi Futaki'

1000+ found
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  1. Chūsei buke no sahō.Kenʾichi Futaki - 1999 - Tōkyō: Yoshikawa kōbunkan.
  2.  10
    21-seiki no hō fukushi iryō: sono kadai to tenbō: Yamagami Kenʾichi Hakushi koki kinen ronbunshū.Kenʾichi Yamagami (ed.) - 2002 - Tōkyō: Chūō Keizaisha.
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  3. "Okinawa kaku mitsuyaku" o seotte: Wakaizumi Kei no shōgai.Kenʼichi Gotō - 2010 - Tōkyō: Iwanami Shoten.
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  4. Sōtairon.Ken'ichi Gotō - 1972
     
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  5.  8
    Nihon dōtoku kyōiku no rekishi: kindai kara gendai made.Ken'ichi Eshima - 2016 - Kyōto-shi: Mineruva Shobō.
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  6.  9
    Detection of surface orientation and motion from texture by a stereological technique.Ken-Ichi Kanatani - 1984 - Artificial Intelligence 23 (2):213-237.
  7.  13
    Masukomi wa nani o tsutaenai ka: media shakai no kashikoi ikikata.Kenʼichi Shimomura - 2010 - Tōkyō: Iwanami Shoten.
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  8. Nīche.Ken'ichi Mishima - 1987 - Tōkyō: Iwanami Shoten.
     
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  9.  3
    Nīche to sono kage: geijutsu to hihan no aida.Ken'ichi Mishima - 1990 - Tōkyō: Miraisha.
    近代の哲学的思潮の中でニーチェへの再評価は目覚ましい。本書はドイツ現代思想の第一人者による本格的ニーチェ論であり、その影響力を今日に問い直す。.
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  10.  8
    Rekishi ishiki no dansō: risei hihan to hihanteki risei no aida.Ken'ichi Mishima - 2014 - Tōkyō-to Chiyoda-ku: Iwanami Shoten.
    歴史的人文学の来歴を剔抉し、その現場を問う。西欧人文学における歴史意識の諸側面を反省的に捉え、現代の知を挑発する著者の主要な思想史的論考を集成。.
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  11.  8
    CLIP: concept learning from inference patterns.Ken'ichi Yoshida & Hiroshi Motoda - 1995 - Artificial Intelligence 75 (1):63-92.
  12.  6
    Shiryō ni miru songenshi mondai.Ken'ichi Nakayama & Akira Ishihara (eds.) - 1993 - Tōkyō: Nihon Hyōronsha.
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  13. A Viewpoint of Painting? On a Problematic Theory of Computational Psychology.Ken'ichi Iwaki - 2007 - Filozofski Vestnik 28 (2):217 - +.
    The general understanding of pictorial representation as constructed through the viewpoint of the artist outside the picture space is mediated through our present-day familiarity with geometric perspective and photography. This presumes the existence of an external viewpoint. This understanding of painting has become common sense. In this way a 'historical product' has been taken as an 'a-historical essence' of our understanding. Even now, many theories on painting seem to remain caught in such a essentialist thinking. In this paper I discuss (...)
     
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  14.  9
    Shape from texture: General principle.Ken-Ichi Kanatani & Tsai-Chia Chou - 1989 - Artificial Intelligence 38 (1):1-48.
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  15. Jikan, kūkan, busshitsu.Kenʼichi Ono - 1967
     
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  16.  10
    On the Origin of Indeterminancy.Ken-Ichi Ono - 1975 - In J. T. Fraser & Nathaniel M. Lawrence (eds.), The Study of Time Ii. Springer Verlag. pp. 249--257.
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  17.  14
    "Mōshi" no kakumei shisō to Nihon: tennō-ke ni wa naze sei ga nai no ka.Ken'ichi Matsumoto - 2014 - Iwaki-shi: Shōheikō Shuppankai.
    日本国家の成り立ち、天皇制のかたちに「孟子」はどのように関わっているのか。古代より現代に至る政治思想史を“革命”の視点から読み解く驚異の書!
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  18.  6
    L'« Esprit » en japonais ancien.Ken-Ichi Sasaki - 2010 - Diogène 3:3-25.
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  19.  36
    SBSOM: Self-Organizing Map For Visualizing Structure In The Time Series Of Hot Topics.Ken-Ichi Fukui, Kazumi Saito, Masahiro Kimura & Masayuki Numao - forthcoming - Joint Workshop of Vietnamese Society of Ai, Sigkbs-Jsai, Ics-Ipsj, and Ieice-Sigai on Active Mining.
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  20.  38
    LTP plays a distinct role in various brain structures.Ken-Ichi Hara & Tatsuo Kitajima - 1997 - Behavioral and Brain Sciences 20 (4):620-620.
    LTP is thought to be an experimental model for studying the cellular mechanism of learning and memory. Shors & Matzel review some contradictory data concerning the linkage between LTP and memory and suggest that LTP does not underlie learning and memory. LTP is a cellular and synaptic process and cannot be a memory mechanism. In fact, it is a cellular information storage mechanism.
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  21. Proceedings of the KEK Summer Institute on High Energy Phenomenology: KEK, Tsukuba, Japan, August 21-25, 1990.Kenʾichi Hikasa (ed.) - 1990 - Tsukuba-shi, Ibaraki-ken, Japan: National Laboratory for High Energy Physics.
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  22.  8
    Landscape as atmosphere. An aspect of japanese sensibility.Ken-Ichi Sasaki - 2006 - Rivista di Estetica 33 (33):85-94.
    0 From Sansui to Keshiki My subject here is the nature of landscape. The word “landscape” is to be understood in what follows in the aesthetic sense: I wish to clarify what we experience in landscape as a typical scene of natural beauty. For most people, the nature of this experience may be so transparent that its analysis is superfluous. I don’t, however, find the matter so straightforward. The fact that “a landscape” can also signify a landscape painting would seem (...)
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  23.  75
    Browsing Alone: The Differential Impact of Internet Platforms on Political Participation.Ken'ichi Ikeda, Sean Richey & Holly Teresi - 2013 - Japanese Journal of Political Science 14 (3):305-319.
    We research the political impact of how users access the Internet. Recent research suggests that Internet usage may promote political participation. Internet usage is proposed to be beneficial because it increases activity in diverse politicized social networks and through greater access to information. Even though Internet usage may begin as a non-political activity, we outline several reasons to believe that it may spark later political participation. This impact, however, is likely to be non-existent in new forms of Internet browsing such (...)
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  24.  24
    Ellis S. Krauss Broadcasting Politics in Japan: NHK and Television News, Ithaca, NY: Cornell University Press, 2000.Ken'ichi Ikeda - 2001 - Japanese Journal of Political Science 2 (2):257-271.
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  25. Jitsuzon tetsugaku no ayumi.Kenʾichi Ikeo - 1983 - Tōkyō: Hanawa Shobō.
     
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  26. Kyōiku to rinri.Kenʾichi Ikeo - 1965
     
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  27. Sean Richey.Ken'ichi Ikeda - 2006 - Japanese Journal of Political Science 7 (1-3):273.
     
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  28. Tetsugaku no ayumi.Kenʾichi Ikeo - 1968 - Hanawa Shobo.
  29.  10
    Living the Ageing.Ken-Ichi Sasaki - 2023 - Espes 12 (2):24-32.
    Ageing is basically a natural or physical phenomenon. For a human being, it belongs to the body. When this fact is noticed, a drama of oldness and life/death begins: ageing is a problem of experience. There are losses and gains in this experience. Indeed, a particular respect was paid to a rhapsodist/bard and a hermit because of their memory power and deep wisdom respectively. Since we recognize in these cases accumulation and maturation, the core subject in the experience of ageing (...)
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  30.  7
    Aesthetics of Urban Design.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):63-72.
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  31.  6
    The Sense of Earthiness: Everyday Aesthetics.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):138-147.
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  32.  10
    Art and Aesthetics: From Modern to Contemporary.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):148-157.
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  33.  11
    Aesthetic Life in Anti-Urban Culture of Japan.Ken-Ichi Sasaki - 1997 - Dialogue and Universalism 7 (3):67-72.
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  34.  61
    A Silent Rhetoric: The Mechanism of Propaganda as Persuasion.Ken-Ichi Sasaki - 2008 - Contemporary Aesthetics 6.
  35.  19
    Aesthetics Tomorrow: Re-Contextualizations?Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):118-126.
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  36.  9
    Body and the Arts: The Need for Somaesthetics.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):7-20.
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  37.  11
    Body, Brain, and Beauty: The Place of Aesthetics in the World of the Mind.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):41-51.
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  38. Bigaku jiten =.Ken'ichi Sasaki - 1995 - Tōkyō: Tōkyō Daigaku Shuppankai.
     
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  39.  17
    Contemporary Meaning of European Landscape.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):73-83.
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  40.  14
    Éditorial.Ken-Ichi Sasaki & France Grenaudier-Klijn - 2011 - Diogène 233 (1):3.
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  41.  18
    Detective Novel as a Modernism.Ken-Ichi Sasaki - 2019 - Sztuka I Filozofia (Art and Philosophy) 55 (2).
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  42.  55
    Eros, Beauty, and Ugliness.Ken-Ichi Sasaki - 2008 - Nordic Journal of Aesthetics 19 (35).
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  43.  6
    エスニックの次元: 『日本哲学』創始のために.Ken'ichi Sasaki - 1998 - Tōkyō: Keisō Shobō.
    「西欧」と「近代」を相対化し、今、エスニックの次元から『日本哲学』を創始すること=「われわれの問題に発して思索する」スタイルを提唱。.
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  44.  3
    Esunikku no jigen: sōshi no tame ni.Ken'ichi Sasaki - 1998 - Tōkyō: Keisō Shobō.
    「西欧」と「近代」を相対化し、今、エスニックの次元から『日本哲学』を創始すること=「われわれの問題に発して思索する」スタイルを提唱。.
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  45.  12
    Głębsza retoryka - mechanizm propagandy jako perswazji (tł. M. Bokiniec).Ken-Ichi Saski - 2003 - Estetyka I Krytyka 4 (4):115-134.
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  46.  12
    La beauté embellissante.Ken-Ichi Sasaki - 2015 - Nouvelle Revue d'Esthétique 14 (2):101-113.
    Il s’agit ici de mettre en évidence une propriété de la beauté, à la fois subtile et évidente, mais largement ignorée de l’esthétique occidentale : la capacité du beau à embellir ce qui l’entoure. L’analyse s’appuie sur le commentaire d’un waka d’Akiko Yosano et étudie les proximités et les différences de cette beauté embellissante et de concepts philosophiques européens qui s’en rapprochent : l’éclat selon Platon, l’aura selon W. Benjamin, et le cérémonial, selon H. Kuhn.
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  47.  21
    Le feeling, ou la faculté de sentir.Ken-Ichi Sasaki & Brigitte Rollet - 2011 - Diogène 233 (1):30.
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  48.  43
    “Mind” in ancient Japanese: The primitive perception of its existence.Ken-Ichi Sasaki - 2010 - Diogenes 57 (3):3-19.
  49.  4
    Philosophy and Art: Changing Landscapes for Aesthetics.Ken-Ichi Sasaki - 2012 - Diogenes 59 (1-2):84-100.
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  50.  51
    Principes modernes de la valorisation de l'art : Mise en question de la valeur esthétique.Ken-Ichi Sasaki - 1993 - Horizons Philosophiques 3 (2):89-101.
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