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  1.  19
    Stripping the Roman ladies: Ovid's rites and readers.Ioannis Ziogas - 2014 - Classical Quarterly 64 (2):735-744.
    Ovid's disclaimers in the Ars Amatoria need to be read in this context. My main argument is that, in his disclaimers, Ovid is rendering his female readership socially unrecognizable, rather than excluding respectable virgins and matronae from his audience. Ars 1.31–4, Ovid's programmatic statement about his work's target audience, is a case in point. A closer look at the passage shows that he does not necessarily warn off Roman wives and marriageable girls:este procul, uittae tenues, insigne pudoris,quaeque tegis medios instita (...)
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  2.  37
    Ovid in Rushdie, Rushdie in Ovid: A Nexus of Artistic Webs.Ioannis Ziogas - 2011 - Arion 19 (1):23-50.
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  3.  34
    Virgilian fama. A. Syson fama and fiction in Vergil's aeneid. Pp. VIII + 240. Columbus: The ohio state university press, 2013. Cased, us$66.95. Isbn: 978-0-8142-1234-9. [REVIEW]Ioannis Ziogas - 2015 - The Classical Review 65 (2):450-452.
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