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  1.  36
    On the Musically Beautiful: A Contribution towards the Revision of the Aesthetics of Music.Eduard Hanslick & Geoffrey Payzant - 1987 - Journal of Aesthetics and Art Criticism 46 (1):85-86.
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  2.  8
    Intention and the Achievement of the Artist.Geoffrey Payzant - 1964 - Dialogue 3 (2):153-159.
    There are three kinds of aesthetical theory in which it would have to be admitted that the intentions of the artist are of almost no significance.
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  3.  88
    Books reviews.Geoffrey Payzant - 1965 - British Journal of Aesthetics 5 (1):99-100.
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  4.  18
    Canada.Geoffrey Payzant - 1965 - British Journal of Aesthetics 5 (4):390-392.
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  5.  5
    Glenn Gould, Music and Mind.Geoffrey Payzant - 1979 - Journal of Aesthetics and Art Criticism 37 (4):513-514.
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  6.  26
    Glenn Gould: Music & Mind.Geoffrey Payzant - 1986 - James Lorimer & Company.
    Glenn Gould was Canada's greatest musician. From his home in Toronto, he rose to be a world-famous concert pianist and recording artist of the very top rank. Gould's eccentric attitudes and behaviours were well known, but the musical world was astonished when, in his mid-20s, he announced that he had permanently retired from the concert hall. Instead, Gould focused on the recording studio, on radio and television, and on exploring his fascination with the relation between audience and performer. Through wide (...)
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  7.  27
    Hanslick, Sams, gay, and "tönend bewegte formen".Geoffrey Payzant - 1981 - Journal of Aesthetics and Art Criticism 40 (1):41-48.
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  8.  16
    The New Immortality: “Readings” in Aesthetics.Geoffrey Payzant - 1965 - Dialogue 4 (2):243-251.
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  9. "Mozart the Dramatist": Brigid Brophy. [REVIEW]Geoffrey Payzant - 1965 - British Journal of Aesthetics 5 (1):99.
     
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  10.  33
    Philosophy of Art, by Virgil C. Aldrich. Englewood Cliffs, N.J., Prentice-Hall Foundations of Philosophy Series, 1963. Pp. 116. [REVIEW]Geoffrey Payzant - 1965 - Dialogue 4 (1):130-132.
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