Intention and the Achievement of the Artist

Dialogue 3 (2):153-159 (1964)
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Abstract

There are three kinds of aesthetical theory in which it would have to be admitted that the intentions of the artist are of almost no significance.

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10.1017/s0012217300044681

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Citations of this work

Der 'intentionale fehlschluß' — ein dogma?Lutz Danneberg & Hans-Harald Müller - 1983 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie 14 (1):103-137.
Der ‚intentionale Fehlschluß‘ — ein Dogma?Lutz Danneberg & Hans-Harald Müller - 1983 - Zeitschrift Für Allgemeine Wissenschaftstheorie 14 (2):376-411.

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References found in this work

The aesthetic relevance of artists' intentions.Henry David Aiken - 1955 - Journal of Philosophy 52 (24):742-753.

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