This collection of revised and new essays argues that biology is an autonomous science rather than a branch of the physical sciences. Ernst Mayr, widely considered the most eminent evolutionary biologist of the 20th century, offers insights on the history of evolutionary thought, critiques the conditions of philosophy to the science of biology, and comments on several of the major developments in evolutionary theory. Notably, Mayr explains that Darwin's theory of evolution is actually five separate theories, each with its (...) own history, trajectory and impact. Ernst Mayr, commonly referred to as the "Darwin of the 20th century" and listed as one of the top 100 scientists of all-time, is Professor Emeritus at Harvard University. What Makes Biology Unique is the 25th book he has written during his long and prolific career. His recent books include This is Biology: The Science of the Living World (Belknap Press, 1997) and What Evolution Is (Basic Books, 2002). (shrink)

Provides a philosophical analysis of such biological concepts as natural selection, adaptation, speciation, and evolution.

Die geschichtliche Entwicklung des Philosophieunterrichts am Gymnasium verlief in Deutschland bis in die heutige Zeit sehr different. Auf diesem Hintergrund erfolgt die Darstellung, Analyse und Kommentierung der Lehrplane und Curricula zum Philosophie- und Ethikunterricht in den Bundeslandern und vermittelt Informationen uber den Verlauf und aktuellen Stand der Curriculumstrategien.".

In the autumn of 1851, on the occasion of the American Institute of New York's annual fair, the Boston chemist and geologist Charles Jackson chose as the subject of his address the ‘Encouragement and Cultivation of the Sciences in the United States’. Playing on popular enthusiasm for science and technology, Jackson rehearsed the wondrous progress of the arts and the role of science in that progress. Science was the ‘Hand-maiden of the Arts’, and most assuredly the ‘maid of honor’, he (...) declared, for science was the ‘progressive power’ which inspired new inventions. These were commonplace assumptions of the time, and surely no one in his audience would have disputed them. (shrink)

The aim of this book is to reflect on the complex practice of responsibility within the context of a globalised world and contemporary means of action. Levinas' exploration of the ethical serves as point of entry and is shown to be seeking inter-cultural political relevance through engagement with the issues of postcoloniality and humanism. Yet, Levinas fails to realise the ethical implications of the inevitable instrumental mediation between ethical meaning and political practice. With recourse to Weber, Apel and Ricoeur, (...) class='Hi'>Ernst Wolff proposes a theory of strategic co-responsibility for the uncertain global context of practice. (shrink)

This is an important book for students, biologists, and general readers interested in the history of ideas--especially ideas that have radically altered our ...

Neuere Ästhetiken wenden sich verstärkt der Aufklärungsepoche zu. Mit ihren Ästhetiken soll statt der Kunst aisthesis, statt des Schönen das Erhabene, statt der Vernunft das je ne sais quoi rehabilitiert werden. Dabei wird ein zentrales Moment im historischen Selbstverständnis sowohl der Aufklärung wie ihrer Gegner zum blinden Fleck: ihr Verhältnis zu Theologie und Religion. Der Autor schreibt eine Geschichte der Ästhetik von der Entstehung der Ästhetik bis zum Ende der Kunstperiode, die den Gegensatz zwischen theologisch motivierten ästhetischen Denken und der (...) Lösung der Ästhetik von der Religion als zentrales, dialektisches Motiv des umstrittenen Ästhetikbegriffs in seiner gesellschaftlichen Dimension herausarbeitet. Begriffs- und problemgeschichtlich rekonstruiert er die Ästhetikgeschichte entlang einer das 18. Jahrhundert durchziehenden Bruchlinie, die mit dem Gegensatz zwischen Nachahmungsästhetik und Aisthetisierung von Offenbarungswahrheiten beginnt. (shrink)

Bd. 1. Indien, China, Griechenland, Rom -- Bd. 2. Mittelalter, Neuzeit, Gegenwart.

“Art is necessary in order that man should be able to recognize and change the world. But art is also necessary by virtue of the magic inherent in it.”—Ernst Fischer Reissued with an introduction by John Berger, The Necessity of Art is a beautifully written meditation on art’s importance in viewing the world in which we live. In this wide-ranging and erudite exploration of literary and fine art, Fischer looks at the relationship between the creative imagination and social reality, (...) arguing that truthful art must both reflect existence in all its flaws and imperfections, and help show how change and improvement might be brought about. With his emphasis on the individual’s need to engage with society, his rejection of rampant consumerism and hypertechnology, and his indomitable optimism, this radical, affirmative and humane vision of the artistic endeavor remains as timely today as when it was first published sixty years ago. (shrink)

Egocentricity and Mysticism is a philosophical milestone that clarifies our relationship to language, social interaction, and mortality. Ernst Tugendhat casts mysticism as an innate facet of what it means to be human--a response to an existential need for peace of mind.

Les modifications profondes de notre système socio-culturel font émerger des questions éthiques nouvelles, à l'intérieur de toutes les disciplines qui ont l'homme pour objet, telles l'esthétique, la philosophie, la politique, le droit, la médecine.Pour comprendre ces questions, par-delà leur « actualité ponctuelle », dans le flux vivant de leur constitution, leur approche doit être patiente, complexe, parfois aussi éprouvante qu'une initiation au parcours du labyrinthe. C'est cette tâche difficile que les auteurs de ce livre ont tenté d'amorcer.Leurs contributions sont issues (...) du cycle de leçons publiques qui ont été organisées durant l'année académique 1984-1985, par l'École des sciences philosophiques et religieuses des Facultés universitaires Saint-Louis à Bruxelles. (shrink)

Published just after the Second World War, European Literature and the Latin Middle Ages is a sweeping exploration of the remarkable continuity of European literature across time and place, from the classical era up to the early nineteenth century, and from the Italian peninsula to the British Isles. In what T. S. Eliot called a "magnificent" book, Ernst Robert Curtius establishes medieval Latin literature as the vital transition between the literature of antiquity and the vernacular literatures of later centuries. (...) The result is nothing less than a masterful synthesis of European literature from Homer to Goethe. European Literature and the Latin Middle Ages is a monumental work of literary scholarship. In a new introduction, Colin Burrow provides critical insights into Curtius's life and ideas and highlights the distinctive importance of this wonderful book. (shrink)