Results for 'Elke Kania'

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  1.  4
    Image und Imagination.Doris Schuhmacher-Chilla, Nadia Ismail & Elke Kania (eds.) - 2011 - Oberhausen: Athena.
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  2. The philosophy of music.Andrew Kania - 2008 - Stanford Encyclopedia of Philosophy.
    This is an overview of analytic philosophy of music. It is in five sections, as follows: 1. What Is Music? 2. Musical Ontology 3. Music and the Emotions 4. Understanding Music 5. Music and Value.
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  3. Musical Works and Performances: A Philosophical Exploration.Andrew Kania - 2003 - Mind 112 (447):513-518.
    A review of Stephen Davies's book, Musical Works and Performances.
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  4. Piece for the end of time: In defence of musical ontology.Andrew Kania - 2008 - British Journal of Aesthetics 48 (1):65-79.
    Aaron Ridley has recently attacked the study of musical ontology—an apparently fertile area in the philosophy of music. I argue here that Ridley's arguments are unsound. There are genuinely puzzling ontological questions about music, many of which are closely related to questions of musical value. While it is true that musical ontology must be descriptive of pre-existing musical practices and that some debates, such as that over the creatability of musical works, have little consequence for questions of musical value, none (...)
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  5.  42
    Intuition pumps and the proper use of thought experiments.Elke Brendel - 2004 - Dialectica 58 (1):89-108.
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  6.  22
    Piece for the End of Time: In Defence of Musical Ontology: Articles.Andrew Kania - 2008 - British Journal of Aesthetics 48 (1):65-79.
    Aaron Ridley has recently attacked the study of musical ontology—an apparently fertile area in the philosophy of music. I argue here that Ridley's arguments are unsound. There are genuinely puzzling ontological questions about music, many of which are closely related to questions of musical value. While it is true that musical ontology must be descriptive of pre-existing musical practices and that some debates, such as that over the creatability of musical works, have little consequence for questions of musical value, none (...)
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  7.  16
    Bilateral Trade By Products Between the V4 Countries and China in Years 2009–2019.Sylwia Pangsy-Kania - 2021 - Studies in Logic, Grammar and Rhetoric 66 (4):463-482.
    Subject and purpose: Using annual data for the periods 2009–2019, this paper examines trade flows between China and the Visegrad Group countries. The aim of this article is to assess real changes taking place in international trade in the Visegrad Group countries over the last eleven years. The starting point for the analysis was 2009 – the time after the 2008 economic crisis, and it was compared especially to 2018 – a year marked by a significant improvement in the economy. (...)
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  8. Making tracks: The ontology of rock music.Andrew Kania - 2006 - Journal of Aesthetics and Art Criticism 64 (4):401–414.
    I argue that the work of art in rock music is a track constructed in the studio, that tracks usually manifest songs, which can be performed live, and that a cover version is a track (successfully) intended to manifest the same song as some other track. This ontology reflects the way informed audiences talk about rock. It recognizes not only the centrality of recorded tracks to the tradition, as discussed by Theodore Gracyk, but also the value accorded to live performance (...)
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  9.  39
    Intuition Pumps and the Proper Use of Thought Experiments.Elke Brendel - 2004 - Dialectica 58 (1):89-108.
    I begin with an explication of “thought experiment”. I then clarify the role that intuitions play in thought experiments by addressing two important issues: the informativeness of thought experiments and the legitimacy of the method of thought experiments in philosophy and the natural sciences. I defend a naturalistic account of intuitions that provides a plausible explanation of the informativeness of thought experiments, which, in turn, allows thought experiments to be reconstructed as arguments. I also specify criteria for distinguishing bad “intuition (...)
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  10. Musical recordings.Andrew Kania - 2009 - Philosophy Compass 4 (1):22-38.
    In this article, I first consider the metaphysics of musical recordings: their variety, repeatability, and transparency. I then turn to evaluative or aesthetic issues, such as the relative virtues of recordings and live performances, in light of the metaphysical discussion.
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  11.  19
    Art as Performance. [REVIEW]A. Kania - 2005 - Mind 114 (453):137-141.
    A review of David Davies, _Art as Performance_ (Blackwell, 2004).
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  12.  75
    Should we tell the police to say “yes” to gratuities?Richard R. E. Kania - 1988 - Criminal Justice Ethics 7 (2):37-49.
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  13.  73
    Definition.Kania Andrew - 2011 - In Theodore Gracyk & Andrew Kania (eds.), Routledge Companion to Philosophy and Music. New York, USA: Routledge. pp. 3-13.
    An overview of attempts to define music in the Western philosophical tradition.
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  14. The methodology of musical ontology: Descriptivism and its implications.Andrew Kania - 2008 - British Journal of Aesthetics 48 (4):426-444.
    I investigate the widely held view that fundamental musical ontology should be descriptivist rather than revisionary, that is, that it should describe how we think about musical works, rather than how they are independently of our thought about them. I argue that if we take descriptivism seriously then, first, we should be sceptical of art-ontological arguments that appeal to independent metaphysical respectability; and, second, we should give ‘fictionalism’ about musical works—the theory that they do not exist—more serious consideration than it (...)
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  15.  38
    The Heart of Classical Work-Performance.Andrew Kania - 2022 - British Journal of Aesthetics 62 (1):125-141.
    In this critical study of Julian Dodd’s Being True to Works of Music, I argue that the three-tier normative profile of the work-performance tradition in classical music that Dodd defends should be rejected in favour of a two-tier version. I also argue that the theory of work-performance defended in the book fits much more naturally with a contextualist ontology of musical works than with the Platonist ontology Dodd defends in Works of Music, despite his arguments to the contrary in the (...)
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  16.  10
    National Identity in Eu Law.Elke Cloots - 2015 - Oxford University Press.
    With a focus on how national identity impacts the decision-making of the European Court of Justice, Elke Cloots provides an innovative adjudication scheme that purports to assist the ECJ in its search for a proper balance between respect for national identity and European integration.
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  17.  11
    7 Kant on Trolleys and Autonomous Driving.Elke Elisabeth Schmidt - 2022 - In Hyeongjoo Kim & Dieter Schönecker (eds.), Kant and Artificial Intelligence. De Gruyter. pp. 189-222.
  18.  17
    Predicting Risk Sensitivity in Humans and Lower Animals: Risk as Variance or Coefficient of Variation.Elke U. Weber, Sharoni Shafir & Ann-Renée Blais - 2004 - Psychological Review 111 (2):430-445.
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  19.  94
    Why Gamers Are Not Performers.Andrew Kania - 2018 - Journal of Aesthetics and Art Criticism 76 (2):187-199.
    I argue that even if video games are interactive artworks, typical video games are not works for performance and players of video games do not perform these games in the sense in which a musician performs a musical composition (or actors a play, dancers a ballet, and so on). Even expert playings of video games for an audience fail to qualify as performances of those works. Some exemplary playings may qualify as independent “performance-works,” but this tells us nothing about the (...)
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  20.  17
    Microsaccade-rate indicates absorption by music listening.Elke B. Lange, Fabian Zweck & Petra Sinn - 2017 - Consciousness and Cognition 55:59-78.
  21.  11
    Zeichnung und Fotografie - Statusfragen. Universitäres Zeichnen und naturwissenschaftliche Bildfindung.Elke Schulze - 2005 - Berichte Zur Wissenschafts-Geschichte 28 (2):151-159.
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  22.  5
    Figuren des Messianischen in Schriften Deutsch-Jüdischer Intellektueller, 1900-1933.Elke Dubbels - 2011 - De Gruyter.
    This study investigates the function of the recourse to the messianic tradition of Judaism among German-Jewish intellectuals between 1900 and 1933. Messianic figures of thought play an important role in the Jewish discourse of identity. Moreover, they are used productively in the creation of general theories in the realm of cultural studies. The messianic figures of speech include not only figures of thought but also rhetorical figures of speech or tropes that reflect various constellations of sacrality and secularity in the (...)
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  23.  29
    Feministisch von Gott reden?: Eine Auseinandersetzung mit Rosemary Radford Ruethers Buch »Sexismus und die Rede von Gott«.Elke Axmacher - 1991 - Zeitschrift Für Evangelische Ethik 35 (1):5-20.
    The study attempts to conduct a fundamental theological discussion with Feminist Theology, a new variety ofLiberation Theology. The basis for this discussion is R. R. Ruether's book Sexism and God- Talk, which can be viewed as the first attempt at a feminist dogmatic theology. The study concludes that the theological foundation of this Christian Feminism is a monistic-pantheistic understanding of God which results in an ethic with distinct totalitarian tendencies.
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  24.  17
    Mathematical (Dis)abilities Within the Opportunity-Propensity Model: The Choice of Math Test Matters.Elke Baten & Annemie Desoete - 2018 - Frontiers in Psychology 9:302439.
    This study examined individual differences in mathematics learning by combining antecedent (A), opportunity (O), and propensity (P) indicators within the Opportunity-Propensity model. Although there is already some evidence for this model based on secondary datasets, there currently is no primary data available that simultaneously takes into account A,O and P factors in children with and without Mathematical Learning Disabilities (MLD). Therefore the mathematical abilities of 114 school-aged children (grade 3 till 6) with and without MLD were analyzed and combined with (...)
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  25.  7
    Identität der Person: sozialphilosophische Studien zu Kierkegaard, Adorno und Habermas.Elke Beck - 1991 - Würzburg: Königshausen & Neumann.
  26. Kimon und die Athenische Demokratie.Elke S. Hölkeskamp - 1999 - Hermes 127 (2):145-164.
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  27.  67
    Concepts of Pornography: Aesthetics, Feminism, and Methodology.Kania Andrew - 2012 - In Jerrold Levinson & Hans Maes (eds.), Art and Pornography: Philosophical Essays. New York, USA: Oxford University Press. pp. 254-276.
    I discuss a recent notable attempt to sharply distinguish pornography from erotic art, and argue that the attempt fails. I then turn to methodological questions about how we ought to go about defining ‘pornography’, questions which lead quickly to others about why we want such a definition. I believe that philosophers of art can make important contributions to this definitional project, but only if their contributions are informed by recent work in feminism, philosophical analysis, and art history.
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  28.  58
    Paranormal believers are more prone to illusory agency detection than skeptics.Michiel van Elk - 2013 - Consciousness and Cognition 22 (3):1041-1046.
    It has been hypothesized that illusory agency detection is at the basis of belief in supernatural agents and paranormal beliefs. In the present study a biological motion perception task was used to study illusory agency detection in a group of skeptics and a group of paranormal believers. Participants were required to detect the presence or absence of a human agent in a point-light display. It was found that paranormal believers had a lower perceptual sensitivity than skeptics, which was due to (...)
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  29.  58
    The ethical acceptability of gratuities: Still saying “yes” after all these years.Richard R. E. Kania - 2004 - Criminal Justice Ethics 23 (1):54-63.
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  30.  27
    All Hearts and Minds on Deck: Hope Motivates Climate Action by Linking the Present and the Future.Elke U. Weber & Sara M. Constantino - 2023 - Emotion Review 15 (4):293-297.
    Emotions shape judgments and decisions, including actions in response to climate change. Despite growing interest in the cognitive, social, and political determinants of climate (in)action, the role of emotions has received limited attention. This review discusses the role of hope in climate action. While many emotional states are oriented to the past or present, hope offers a positive vision of the future. In exploratory analyses of a nationally representative survey of US residents, we identify the most important predictors of hope, (...)
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  31. Phasmagraphy: A potential future for artistic imaging.Elke Reinhuber - 2017 - Technoetic Arts 15 (3):261-273.
    In recent years, a rising interest in scientific imaging has become apparent, in art production and in thematic exhibitions, as well as in popular media and advertising. Images captured by, and supposedly read through, machines open up a new era – not only for an as-yet-undefined aesthetic journey, but also to reveal insight into a normally invisible layer of reality. A wide range of techniques is already well established – not only in science, but also in an artistic context. Based (...)
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  32.  41
    Meta-analyses are no substitute for registered replications: a skeptical perspective on religious priming.Michiel van Elk, Dora Matzke, Quentin F. Gronau, Maime Guan, Joachim Vandekerckhove & Eric-Jan Wagenmakers - 2015 - Frontiers in Psychology 6.
  33.  35
    Form – A Matter of Generation: The Relation of Generation, Form, and Function in the Epigenetic Theory of Caspar F. Wolff.Elke Witt - 2008 - Science in Context 21 (4):649-664.
    ArgumentThe question, how organisms obtain their specific complex and functional forms, was widely discussed during the eighteenth century. The theory of preformation, which was the dominant theory of generation, was challenged by different alternative epigenetic theories. By the end of the century it was the vitalist approach most famously advocated by Johann Friedrich Blumenbach that prevailed. Yet the alternative theory of generation brought forward by Caspar Friedrich Wolff was an important contribution to the treatment of this question. He turned his (...)
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  34.  12
    Mystik und Askese: Unterschiedliche Tendenzen in der jüdischen Mystik und deren Korrespondenzen im Sufismus und in der arabischen Philosophie.Elke Morlok & Frederek Musall - 2010 - Das Mittelalter 15 (1):95-110.
    This article deals with the incompatibility of Christian and Jewish stereotypes in asceticism and tries to establish new models for approaching ascetic tendencies within the latter. In the context of halachic regulations we examine different ascetic aspects within Judaism, with a special focus on medieval Spain. In this area we observe a certain interaction between Jewish and Sufi trends, esp. in the works of Bachja ibn Paquda, Abraham bar Chijja and Abraham Maimonides. In the works of these authors we find (...)
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  35.  28
    Shallow Water at China’s Coast: Depicting Dangers on Early Modern Chinese Maps.Elke Papelitzky - 2021 - Isis 112 (1):111-121.
  36.  22
    Absolute Poverty and Global Justice. Empirical Data – Moral Theories – Initiatives.Elke Mack, Michael Schramm, Stephan Klasen & Thomas Pogge (eds.) - 2009 - Routledge.
    It is held that absolute poverty causes approximately one third of all human deaths, some 18 million annually, and blights billions of lives with hunger and disease. This book develops universalizable norms aimed at tackling absolute poverty and the complex and multilayered problems associated with it.
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  37.  37
    Technology and moral vacuums in just war theorising.Elke Schwarz - 2018 - Journal of International Political Theory 14 (3):280-298.
    Our contemporary condition is deeply infused with scientific-technological rationales. These influence and shape our ethical reasoning on war, including the moral status of civilians and the moral choices available to us. In this article, I discuss how technology shapes and directs the moral choices available to us by setting parameters for moral deliberation. I argue that technology has moral significance for just war thinking, yet this is often overlooked in attempts to assess who is liable to harm in war and (...)
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  38.  3
    Symbolic Communication in Multidisciplinary Cooperations.Elke Duncker - 2001 - Science, Technology, and Human Values 26 (3):349-386.
    With the advent of strategic science, multidisciplinary and cross-institutional research is more and more becoming the rule. The problems encountered by such multidisciplinary research and development cooperations are highly varied. They derive from multiple differences in the backgrounds of the participants and are often perceived as cultural gaps that need to be bridged for cooperation. The main argument of the article is that multidisciplinary collaborations have mechanisms at their disposal to cooperate despite multiple problems counteracting such a cooperation. Since symbolic (...)
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  39.  11
    Counterfactualism in fine arts.Elke Reinhuber - 2022 - New York, NY: Routledge, Taylor & Francis Group.
    Counterfactual thinking has become an established method to evaluate decisions in a range of disciplines, including history, psychology and literature. Elke Reinhuber argues it also has valuable applications in the Fine Arts and popular media. A fascination with the path not taken is a logical consequence of a world saturated with choices. Art which provokes and explores these tendencies can help to recognise and contextualise the impulse to avoid or endlessly revisit individual or collective decisions. Reinhuber describes the term (...)
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  40.  42
    Are Lovers Ever One? Reconstructing the Union Theory of Love.Elke Elisabeth Schmidt - 2018 - Philosophia 46 (3):705-719.
    Current analytical philosophies of romantic love tend to identify the essence of such love with one specific element, such as concern for the beloved person, valuing the beloved person or the union between the lovers. This paper will deal with different forms of the union theory of love which takes love to be the physical, psychic or ontological union of two persons. Prima facie, this theory might appear to be implausible because it has several contra-intuitive implications, and yet, I submit, (...)
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  41.  76
    The Twisted Femmes Fatales of Christopher Nolan.Kania Andrew - 2014 - Aesthetics for Birds.
    Philosophical reflections on the trope of the femme fatale in the films of Christopher Nolan.
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  42.  44
    Fantasy proneness, but not self-reported trauma is related to DRM performance of women reporting recovered memories of childhood sexual abuse.Elke Geraerts, Elke Smeets, Marko Jelicic, Jaap van Heerden & Harald Merckelbach - 2005 - Consciousness and Cognition 14 (3):602-612.
    Extending a strategy previously used by Clancy, Schacter, McNally, and Pitman , we administered a neutral and a trauma-related version of the Deese–Roediger–McDermott paradigm to a sample of women reporting recovered or repressed memories of childhood sexual abuse , women reporting having always remembered their abuse , and women reporting no history of abuse . We found that individuals reporting recovered memories of CSA are more prone than other participants to falsely recalling and recognizing neutral words that were never presented. (...)
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  43.  67
    A Horny Dilemma: Sex and Friendship Between Students and Professors.Kania Andrew - 2010 - In M. Bruce & R. M. Stewart (eds.), College Sex – Philosophy for Everyone: Philosophers with Benefits. Chichester, UK: Wiley-Blackwell. pp. 117-130.
    I argue that if we want to condemn sexual relationships between professors and students we must also condemn friendships between them. On the other hand, if we want to allow such friendships, we must condone (some) professor-student sexual relationships. My main reasons for this conclusion are, first, that the differences between close friendships and sexual relationships are more subtle than most people think — there is no clear boundary between the two — and, second, anything that would concern us about (...)
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  44.  53
    Music.Kania Andrew - 2013 - In Berys Gaut & Dominic McIver Lopes (eds.), The Routledge Companion to Aesthetics. New York, USA: Routledge. pp. 639-648.
    An overview of analytic philosophy of music.
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  45.  4
    Erich Auerbach and the DVjs: A History of a Relationship (1925–1951).Elke Dubbels - 2023 - Deutsche Vierteljahrsschrift für Literaturwissenschaft Und Geistesgeschichte 97 (3):735-757.
    This article examines the history of Erich Auerbach’s relationship with the DVjs, in which science and politics intersect. In the early phase of his career, Auerbach attributed great importance to the DVjs and developed a special relationship with Rothacker in particular. This is evident from his letters to the journal’s editors, which are the focus of this study. When Rothacker began to take sides with National Socialism, Auerbach turned his back on the DVjs. After the Second World War, he was (...)
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  46.  18
    What, where, and how “big” is a word?Elke Kalbe & Alexander Thiel - 1999 - Behavioral and Brain Sciences 22 (2):295-296.
    Hebb's theory of cell assemblies is a precursor of the neural network approach used as an implicit hypothesis by most contemporary neuroscientists. Applying this model to language representation leads to demanding predictions about the organization of semantic categories. Other implications of a Hebbian approach to language representation, however, may prove problematic with respect to both neurolinguistic concepts and the results of neuroimaging studies.
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  47.  22
    Der lokale Bezugsrahmen von Dingen und ihre Funktion als Akteur, Handlungsträger und Vermittler: Eine Projektskizze aus der Provinz.Elke-Vera Kotowski - 2015 - Zeitschrift für Religions- Und Geistesgeschichte 67 (3-4):287-295.
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  48. Engel im Feuer : Zur Rezeptionsgeschichte einer Zohar-Stelle zwischen jüdischer Mystik, moderner Esoterik und kritischer Theorie.Elke Morlok & Ansgar Martins - 2019 - In Giulia Agostini & Michael Schulz (eds.), Mystik und Literatur: Interdisziplinäre Perspektiven. Heidelberg: Universitätsverlag Winter.
     
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  49.  15
    Was können wir von der Welt wissen?Elke Brendel - 2018 - In Carsten Könneker (ed.), Fake Oder Fakt?: Wissenschaft, Wahrheit Und Vertrauen. Berlin: Springer Berlin Heidelberg. pp. 53-64.
    Leben wir in einer simulierten Scheinrealität statt in einer Welt tatsächlich existierender Dinge? Diese These der so genannten Skeptiker lässt sich zwar nicht grundsätzlich widerlegen, erscheint aber ziemlich unwahrscheinlich.Im Kultfilm »Matrix« der Wachowski-Brüder von 1999 arbeitet Thomas A. Anderson tagsüber als Programmierer in einer Softwarefirma. Nachts schlüpft er in die Rolle eines berüchtigten Computerhackers, der unter dem Pseudonym Neo sein Gehalt aufbessert. In Wirklichkeit ist jedoch sein ganzes Leben, wie Neo im Lauf der Geschichte schmerzlich erfahren muss, bloß Teil einer (...)
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  50. The illusion of realism in film.Andrew Kania - 2002 - British Journal of Aesthetics 42 (3):243-258.
    Gregory Currie, arguing against recent psychoanalytic and semiotic film theory, has defended various realist theses about film. The strongest of these is that ‘weak illusionism’—the view that the motion of film images is an illusion—is false. That is, Currie believes film images really do move. In this paper I defend the common-sense position of weak illusionism, firstly by showing that Currie underestimates the power of some arguments for it, especially one based on the mechanics of projection, and secondly by showing (...)
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