What is intellectual humility? In this essay, we aim to answer this question by assessing several contemporary accounts of intellectual humility, developing our own account, offering two reasons for our account, and meeting two objections and solving one puzzle.

This paper extends several themes from recent work on norms of assertion. It does as much by applying those themes to the speech act of asking. In particular, it argues for the view that there is a species of asking which is governed by a certain norm, a norm to the effect that one should ask a question only if one doesn’t know its answer.

The compatibility of evolution with Aristotelian-Thomistic metaphysics is defended in response to Fr. Michal Chaberek’s thesis of incompatibility. The motivation and structure of Darwin’s theory are reviewed, including the roles of secondary causality, randomness and necessity. “Randomness” is an analogous term whose evolutionary use, while challenging, is fully compatible with theism. Evolution’s necessity derives from the laws of nature, which are intentional realities, the vehicle of divine providence. Methodological analysis shows that metaphysics lacks the evidentiary basis to judge biological theories. (...) Species are entia rationis whose immutability does not conflict with the evolutionary succession of biological populations. While Darwin’s theory was unknown to Aquinas, he endorses the possibility of new species immanent in the initial state of the universe, nor does his understanding of exemplar ideas offer ground for objection. Finally, five arguments given by Fr. Chaberek are answered. (shrink)

This paper argues that questions can be bullshit. First it explores some shallowly interrogative ways in which that can happen. Then it shows how questions can also be bullshit in a way that’s more deeply interrogative.

The central task of this dissertation is to develop a new interpretation of Leibniz's famous claim that there are no purely extrinsic denominations . Though Leibniz regarded NPE as one of his most important doctrines, he nowhere offers an explicit statement as to what he meant by it. One interpretation of NPE, which enjoys a modest consensus among interpreters, is that all extrinsic denominations reduce to intrinsic denominations. According to the reductionist view, things only have intrinsic denominations as properties; extrinsic (...) denominations are not genuine properties of things. Critics of reductionism have argued that the textual case for it is inconclusive at best, and I share this assessment with them. However, in my opinion, a satisfactory non-reductionist understanding of NPE has not been offered. The goal of my dissertation is to provide such a non-reductionist account. I contend that NPE, far from being a claim of the reducibility of extrinsic denominations, is actually an assertion that extrinsic denominations are genuine properties of the things they denominate. ;To establish my reading of NPE, I examine a line of textual evidence to which interpreters have paid little attention: the way Leibniz argues for NPE. In some passages Leibniz derives NPE from his predicate-in-subject principle of truth. In others, he employs his doctrine of the interconnection of all things to reach NPE. Elsewhere, he bases NPE on the principle of the identity of indiscernibles. Though, as mentioned, Leibniz never explicitly defines NPE, he does have much to say by way of explicit definition of each of these three principles. A consideration of what version of NPE could plausibly be drawn from them is thus a revealing way to proceed. In the case of each argument, I show that my interpretation of NPE is the conclusion naturally suggested by the given principle, while the reductionist version of NPE forms only an awkward, textually implausible fit with it. The result of the examination is an original and serious critique of the reductionist reading of NPE, as well as the development of a far more plausible understanding of that claim. (shrink)

One of the most striking features of speculative theology (kalaam) as it developed within the Ash'arite tradition of Islam is its denial of causal power to creatures. Much like Malebranche in the seventeenth century, the Ash'arites saw this denial as a natural extension of monotheism and were led as a result to embrace an occasionalist account of causality. According to their analysis, causal power is identical with creative power, and since God is the sole and sovereign creator, God is the (...) only causal agent. To assert anything else is to compromise monotheism. This position, of course, was in direct opposition to the prevailing accounts of causality within the philosophical tradition of Islam at the time. The philosophers (falaasifa) had by and large taken over accounts of causality from Aristotle and the Neoplatonists and adapted them in accordance with their own set of concerns. In such accounts, while God stands as the first cause, secondary causationis unambiguously affirmed, even if variously understood. Thus, as they offered a sophisticated account of causal action in direct opposition to the occasionalist thesis, thefalaasifa posed something of challenge to the theologians. (shrink)

Michael Tomasello ( 2016 ) prominently defends the view that there are uniquely human capacities required for shared intentions, therefore great apes do not share intentions. I show that these uniquely human capacities for abstraction are not necessary for shared intentionality. Excluding great apes from shared intentions because they lack certain capacities for abstraction assumes a specific interpretation of shared intentionality, which I call the Roleplaying Model. I undermine the necessity of abstraction for shared intentionality by presenting an alternative model (...) of shared intentionality, which I call the Normative Model. It is a modification of Margaret Gilbert’s ( 2013 ) Plural Subject theory, which I modify such that it is, in principle, compatible with nonhuman shared intentionality. To do this, I substitute Gilbert’s account of obligation for Kristin Andrews’ ( 2020 ) account of animal social norms. In this Normative Model, uniquely human capacities for abstraction are not required for shared intentionality. By undermining the necessity of uniquely human abstraction, I make cases of prima-facie cooperation in chimpanzees plausible instances of shared intentionality. The Roleplaying Model’s denial of nonhuman shared intentionality creates a problem insofar as apparent shared intentional activity cannot be fully analyzed. The Normative Model resolves this problem. (shrink)

ABSTRACT David Hume’s attacks on causality and induction along with his celebrated is-ought dichotomy dealt a blow to the human mind from which Western civilization has never fully recovered. Centuries after his death, Hume remains immensely popular among academic philosophers, which only bolsters the myth that his skeptical arguments are unanswerable. In fact, his arguments are seriously flawed. The first part of this paper clarifies the basics of Hume’s philosophy, focusing on the epistemology in the Treatise and Enquiry. The second (...) part exposes the mistaken premises and assumptions in Hume’s arguments, demonstrating how Objectivism redeems the validity of human knowledge. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 40.1 (2002) 118-119 [Access article in PDF] Book Review The Cambridge Companion to Augustine Eleonore Stump and Norman Kretzmann, editors. The Cambridge Companion to Augustine. Cambridge: Cambridge University Press, 2001. Pp. xv + 307. Cloth, $59.95. Paper, $21.95. Given the immeasurable influence of Augustine upon the Western tradition, a volume devoted to him in the Cambridge Companion Series has been long overdue. Fortunately, (...) the lacuna has been filled by a work that exhibits the quality of scholarship and clarity of presentation that has become a hallmark of this series. Ably edited by Eleonore Stump and Norman Kretzmann, it will serve admirably as a guide for students and professionals alike, with much that is of interest to seasoned Augustine scholars.As Stump tells us in her introduction, the eighteen essays of the volume are loosely grouped according to eight topics. These are philosophy of religion, metaphysics and theology, philosophy of mind, theory of knowledge, philosophy of language, ethics, political philosophy, and Augustine's influence. As is apparent from this list, the essays cut a vast swath through Augustine's corpus, though they focus on what is of greatest interest to philosophers. In addition, since Augustine did not recognize a clean division between philosophy and theology, much that we now classify as theology gets attention as well.In keeping with the aim of the series, the character of the essays is, for the most part, expository. Each author takes pains to explain the outlines of Augustine's position on the particular topic under consideration, and most do so with considerable attention to the evolution of his thought and the context in which he wrote. Christopher Kirwan's essay, for example, not only traces the development of Augustine's philosophy of language from his early De magistro and De dialectica through his mature De doctrina Christiana, but highlights those areas in which the influence of Stoic dialectic can be detected. Similarly, John Rist's essay on faith and reason includes a discussion of the relation of Augustine's views on credibilia to the Platonic tradition, and Paul Weithman's essay on political theory examines Augustine's critique of Ciceronian ideals of political society. Thus, while systematic in their exposition, the essays give due recognition to the fact that Augustine's views evolved through continual reassessment of the antique heritage in light of changing concerns and circumstances, particularly an increasing concern to articulate the foundations of a new, scripturally inspired, vision of God, humanity, and society. [End Page 118]In addition to exposition and historical analysis, many of the authors use their essays as occasions for constructive philosophical engagement. Perhaps the best of these is Stump's essay. Noting the pervasive disagreement among interpreters over Augustine's doctrine of free will, she distinguishes three positions available to defenders of free will--compatiblism, common libertarianism, and modified libertarianism--in order to bring greater conceptual clarity to the interpretive task. She then shows that in his early work, De libero arbitrio, Augustine develops an essentially libertarian position (though which form he is committed to remains ambiguous), but that this account comes into tension with his views concerning the action of grace on the will as they were later developed in opposition to the Pelagians. In itself this is not a startling claim, but Stump's analytical skills enable her to identify precisely where the tension lies, and she suggests a way that Augustine could have resolved this tension without compromising his basic commitments.If there is any quibble to be had with the volume, it is that several of the essays are too compressed. Roland Teske's essay on the soul and William Mann's essay on evil, for example, run a mere seven and nine pages each. Though informative, given the centrality of these topics to Augustine's thought, they would have been more useful had they been expanded. Because of this, the most satisfying essays are those in which the authors stretch out. Scott MacDonald's piece on the divine nature is particularly good in this regard. In... (shrink)

Philosophical naturalists claim macroevolution shows order emerging by pure chance. This claim is incompatible with accepted physical and biological principles. The present state of the universe is implicit in its initial state and the laws ofnature. Logical principles essential to science require these laws to be maintained by a self-conserving reality identifiable as God. Further, the laws share a common dynamic with human committed intentions. Both are logical propagators seen to the intentional by theists and naturalists alike. Mechanism and teleology (...) project a single reality into different conceptual spaces. Statistically, evolution is only possible given predefined goals. For fitness to be explanatory, it must be prior to survival events, entailing immanent goals verified by convergent evolution, toolkit genes, and evolutionary stasis. Aristotle's falsifiable claims for teleology are confirmed by evolution. Evolution is not random, but fully intentional, evidencing mind in nature. (shrink)

The present study examined the effects of gender on the emotional responses (physiology, self-reports of emotion, and emotional facial behaviour) of European Americans (EA) and Hmong Americans (HA) while they relived past emotional events. Women were more emotionally reactive than men: They demonstrated greater changes in electrodermal reactivity overall, reported experiencing more intense emotion while reliving anger and love, and smiled more while reliving happiness and love. The pattern and magnitude of these differences were similar for EA and HA, suggesting (...) that to some degree, the effects of gender on emotional response may hold across ethnic groups. (shrink)

Is it possible to measure psychological attributes like intelligence, personality and attitudes and if so, how does that work? What does the term 'measurement' mean in a psychological context? This fascinating and timely book discusses these questions and investigates the possible answers that can be given response. Denny Borsboom provides an in-depth treatment of the philosophical foundations of widely used measurement models in psychology. The theoretical status of classical test theory, latent variable theory and positioned in terms of the underlying (...) philosophy of science. Special attention is devoted to the central concept of test validity and future directions to improve the theory and practice of psychological measurement are outlined. (shrink)

In the past decades, reductionism has dominated both research directions and funding policies in clinical psychology and psychiatry. The intense search for the biological basis of mental disorders, however, has not resulted in conclusive reductionist explanations of psychopathology. Recently, network models have been proposed as an alternative framework for the analysis of mental disorders, in which mental disorders arise from the causal interplay between symptoms. In this target article, we show that this conceptualization can help explain why reductionist approaches in (...) psychiatry and clinical psychology are on the wrong track. First, symptom networks preclude the identification of a common cause of symptomatology with a neurobiological condition; in symptom networks, there is no such common cause. Second, symptom network relations depend on the content of mental states and, as such, feature intentionality. Third, the strength of network relations is highly likely to depend partially on cultural and historical contexts as well as external mechanisms in the environment. Taken together, these properties suggest that, if mental disorders are indeed networks of causally related symptoms, reductionist accounts cannot achieve the level of success associated with reductionist disease models in modern medicine. As an alternative strategy, we propose to interpret network structures in terms of D. C. Dennett's (1987) notion ofreal patterns, and suggest that, instead of being reducible to a biological basis, mental disorders feature biological and psychological factors that are deeply intertwined in feedback loops. This suggests that neither psychological nor biological levels can claim causal or explanatory priority, and that a holistic research strategy is necessary for progress in the study of mental disorders. (shrink)

Shared intentions supporting cooperation and other social practices are often used to describe human social life but not the social lives of nonhuman animals. This difference in description is supported by a lack of evidence for rebuke or stakeholding during collaboration in nonhuman animals. We suggest that rebuke and stakeholding are just two examples of the many and varied forms of social maintenance that can support shared intentions. Drawing on insights about mindshaping in social cognition, we show how apes can (...) be stakeholders of a different sort in joint action. Drawing on pluralistic social maintenance methods of behavior enforcement, we show ape joint action can be supported by different forms of positive and negative social pressures, and not just protest. We explain how diverse relationships, contexts, social structures, and forms of communication may play a role in forming and successfully fulfilling joint commitments for humans, great apes, and other animals. (shrink)

The current research investigates how religiosity can influence unethicality in a consumption context. In particular, considering the link between extrinsic religious orientations and unethicality, this research clarifies why and when extrinsic religiosity leads to unethical decisions. Across two studies, findings show that ethnocentrism is both a mediator and a moderator of the effects of extrinsic religiosity on consumers’ ethical judgments. This is because extrinsic religiosity leads to ethnocentrism, and in-group loyalty manifested through ethnocentrism increases support for unethical consumer actions, thus (...) establishing ethnocentrism as a mediator. At the same time, different levels of ethnocentrism can also influence how extrinsic religiosity leads to supporting unethical consumption via self-righteousness, thus establishing ethnocentrism as a moderator. The findings from this research have significant implications for diverse stakeholders who have an interest in religiosity and consumer behavior. (shrink)

Various studies on the impact of religiousness on consumer ethics have produced mixed results and suggested further clarification on the issue. Therefore, this article examines the effect of religiousness, materialism, and long-term orientation on consumer ethics in Indonesia. The results from 356 respondents in Indonesia, the largest Muslim population in the world, showed that intrinsic religiousness positively affected consumer ethics, while extrinsic social religiousness negatively affected consumer ethics. However, extrinsic personal religiousness did not affect consumer ethical beliefs dimensions. Unlike other (...) studies in developed countries, materialism and long-term orientation influenced only a few of the consumer ethical beliefs dimensions in this study. To date, the study is one of the first empirical studies to explore the impact of religiousness on consumer ethics in Indonesia. The study contributes to the debate on the impact of religiousness on consumer ethics and can assist managers and public policymakers in their effort to mitigate unethical consumer activities in Indonesia. (shrink)

The story of the greatest of all philosophical friendships—and how it influenced modern thought David Hume is widely regarded as the most important philosopher ever to write in English, but during his lifetime he was attacked as “the Great Infidel” for his skeptical religious views and deemed unfit to teach the young. In contrast, Adam Smith was a revered professor of moral philosophy, and is now often hailed as the founding father of capitalism. Remarkably, the two were best friends for (...) most of their adult lives, sharing what Dennis Rasmussen calls the greatest of all philosophical friendships. The Infidel and the Professor is the first book to tell the fascinating story of the friendship of these towering Enlightenment thinkers—and how it influenced their world-changing ideas. The book follows Hume and Smith’s relationship from their first meeting in 1749 until Hume’s death in 1776. It describes how they commented on each other’s writings, supported each other’s careers and literary ambitions, and advised each other on personal matters, most notably after Hume’s quarrel with Jean-Jacques Rousseau. Members of a vibrant intellectual scene in Enlightenment Scotland, Hume and Smith made many of the same friends, joined the same clubs, and were interested in many of the same subjects well beyond philosophy and economics—from psychology and history to politics and Britain’s conflict with the American colonies. The book reveals that Smith’s private religious views were considerably closer to Hume’s public ones than is usually believed. It also shows that Hume contributed more to economics—and Smith contributed more to philosophy—than is generally recognized. Vividly written, The Infidel and the Professor is a compelling account of a great friendship that had great consequences for modern thought. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Pleasures of FictionDenis DuttonHuman Beings Expend staggering amounts of time and resources on creating and experiencing art and entertainment—music, dancing, and static visual arts. Of all of the arts, however, it is the category of fictional story-telling that across the globe today is the most intense focus of what amounts to a virtual human addiction. A recent government study in Britain showed that if you add together annual (...) attendances in plays and cinema with hours watching television drama, the average Briton spends roughly 6% of all waking life watching dramatic performances. And that figure does not even include books and magazines: further vast numbers of hours spent reading short stories, bodice-rippers, mysteries, and thrillers, as well as so-called serious fictions, old and new.The origins of this obsession with comic and dramatic fictions are lost in remote prehistory, as lost as the origins of language itself. But like language, we know the obsession with fiction is universal: stories told, read, and dramatically or poetically performed are independently invented in all known cultures, literate or not, having advanced technologies or not. Wherever printing arrives, it is used to reproduce fictions. Whenever television appears in the world, soap operas soon show up on the schedule. Both the forms that fiction takes and the ideas, types of characters, and kinds of conflict that make up its content can be shown to be strikingly similar across cultures. It has specialist practitioners—rhapsodes, novelists, playwrights, actors—and is governed both informally with stylistic conventions and sometimes formally—for example, by censorship laws. A love of fiction is as universal as governance, marriage, jokes, religion, and the incest taboo. [End Page 453]The question for any general aesthetics is: Why? Joseph Carroll is a literary theorist who has applied his probing mind over the last decade to the origins, nature, and functions of literary experience. His new collection of essays and reviews, Literary Darwinism: Evolution, Human Nature, and Literature (Routledge, $85.00 boards, $23.95 paper) looks at literature and literary theory through the lens of evolutionary psychology. At the same time, Carroll's eye is that of an extremely perceptive literary critic. In fact, I would judge him to be one of the most acute and knowledgeable readers of fiction I've ever encountered. It should not come as a surprise, therefore, that he is sometimes dubious, or even scathing, about evolutionary explanations of literature that have been offered up by writers whose grasp of psychology exceeds, in his opinion, their command of high literature. His complaints, however, are not to the fundamental notion that evolution by natural and sexual selection have made human beings into the story-loving animals they have become: his adjustments are intended to increase the accuracy and usefulness of Darwin's revolution. However critical he is of evolutionary psychologists, Carroll remains a Darwinian through and through.Carroll holds that the only way to attain a general theory of literature is through an account of human nature that builds from the ground up, from the most basic conditions for the evolution of the human species. A Darwinian literary theory first needs a Darwinian psychology. Once we have a basic Darwinian psychology in place, we can see that the narrative proclivities of human beings, far from being an incidental by-product of the evolved mind, are central to some of its most human functions. The structures of basic motives and dispositions are what would be appropriate for a species, as Carroll describes it, that "is highly social and mildly polygynous, that displays concealed ovulation, continuous female receptivity, and postmenopausal life expectancy corresponding to a uniquely extended period of childhood development, that has extraordinary aptitudes for technology, that has developed language and the capacity for peering into the minds of its conspecifics, and that displays a unique disposition for fabricating and consuming aesthetic and imaginative artifacts." Such a list alone, he contends, would make it impossible to imagine a blank-slate view of the mind, in which the mind evolves in a vacuum, goes onto produce culture, which then gives back to the mind all content and structure.Some of the mental processes that grow from... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.1 (2002) 224-238 [Access article in PDF] Bookmarks A Hanging Judge Denis Dutton "CORNERING THE MARKET ON CHUTZPAH," blared the headline on one review, and in tone it wasn't alone. It's not often that a book by a public intellectual has received as much media attention—mostly vilification and scorn—as Richard A. Posner's Public Intellectuals: A Study of Decline (Harvard University Press, $29.95). Three reasons for (...) this stand out. First, there's the sheer audacity of including a list of the top hundred public intellectuals, drawn from a larger list of 546 names. This invites endless dispute over how the list was generated, who is on it, who is left off, where each one stands, and why. Second, there is the fact that Posner has managed in the book to offend half of the public intellectuals you'd expect to be called on to review it—almost as though he made a list of potential reviewers and worked in a swipe at each. Finally, he has tapped into the deep antipathy humanist intellectuals have to seeing a beloved topic treated quantitatively, with statistics and applications of social and economic theory, replete with graphs and algebraic formulae. And after all, what topic is more beloved by the intellectuals than they themselves? That Posner would actually treat such important people as a demographic type, sorting them in terms of race, age, field, politics, sex—why, he even asks why so many are Jews. It's outrageous... and delicious.Definitions first. The idea of an intellectual, Posner says, should not be identified merely with having highbrow, cultivated tastes, being especially creative, or having high intelligence. All of these things are possible without being an intellectual, which Posner thinks ought to denote the application of the mind to "political matters in the broadest sense of that word, a sense that includes cultural matters when they are [End Page 224] viewed under the aspect of ideology, ethics, or politics (which may all be the same thing)." There is therefore a vague redundancy in the term "public intellectual," since the placing of ideas in a larger public context, acting as social critic, is what the intellectual most essentially does. In our age of vast communication media, it is also done con-spicuously in public, through op-eds, public radio interviews, and on TV clips with the regulation public-intellectual bookcase as a backdrop. This concern with larger moral issues means that for Posner paradigm individuals would therefore include the likes of John Dewey, Bertrand Russell, Hannah Arendt, Arthur Koestler, Edmund Wilson, Susan Sontag, and most powerfully in Posner's mind, George Orwell: people who write about literature, art, science, and so forth from a broadly political or ideological perspective. For example, when Allan Bloom writes about rock and roll, he is not doing so as a music critic but as a philosopher who sees it as a symptom and source of social degradation. That's echte public intellectual work (and rather bad work in this particular case, Posner believes). That it is done for a broader public is also a crux for Posner, who leaves omits John Rawls from his list, because as influential as Rawls is as a philosopher, he does not address a larger public in the way that Richard Rorty and Martha Nussbaum do.The decline referred to in Posner's title is a decline in the actual worth of public intellectuals' work, not in their media celebrity, which has grown roughly inversely to the value of what they do. This invidious situation has followed, in Posner's view, the proliferation of academics in the ranks of public intellectuals. From the nineteenth century, with such names as Thoreau, J. S. Mill, Herbert Spencer, Matthew Arnold, and Tocqueville, to well into the twentieth, with the likes of Max Eastman, Edmund Wilson, H. G. Wells, and Dwight Macdonald, the great tradition of public intellectuals had its life outside of universities. Although there remain nonacademic public intellectuals today—Susan Sontag, Roger Kimball, Tom Wolfe, Gore Vidal—they are a severely diminished species. Universities, which have expanded... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.2 (2003) 485-494 [Access article in PDF] Art of the Piano Denis Dutton CHARLES ROSEN is so familiar to readers as an acute music theorist and historian of European ideas and literature that it is easy to forget that he is one of most stimulating and compelling pianists of the last fifty years. In Piano Notes: The World of the Pianist (Free Press, $25.00), he (...) combines his intellectual and musical gifts to take stock of his profession as concert pianist. The result is engaging, insightful, and for lovers of piano artistry, not a little disturbing.The piano, in case no one has noticed, is in steep, serious decline. My piano tuner, Adam Linning, began his career in Glasgow. He worked for the largest piano retailer in the city: it had seventeen tuners on the road in 1954, the year Glaswegians first got television. By 1959, when he left for New Zealand, there were three other tuners working with him. Adam explains the decline in terms of Glasgow apartment space. The piano and the TV had to share the living room, and so long as the room flickered with gray-blue light, the piano had to remain silent.People used to gather around and sing together at the piano—in my childhood experience, any group of a dozen middle-class adults would contain at least one competent sight-reader who could play, if not Beethoven, then Christmas carols, reductions of Your Hit Parade songs, or scraps of boogie-woogie. This meant that there was abroad in the land a critical mass of amateur pianists who knew enough about music literature, notation, and performance to constitute a core audience for the piano masters of the day—Horowitz, Rubinstein, Arrau, Cherkassky, and the like—and who also had an appreciation of jazz greats such as Art Tatum.The decline in the number of amateur pianists, people with knowledgeable admiration of piano playing, has tracked the decline of the [End Page 485] piano virtuoso as classical star. Recording too has played a role in these changes. I doubt that there was a greater love of classical music fifty years ago than now. But attendance at live performances of anything is no longer required in order to attain familiarity with repertoire. Recording, particularly from the LP era on, enormously enlarged general knowledge of the musical literature: people who a hundred years earlier would have been lucky to hear three Haydn symphonies or two Handel operas in a lifetime can now, no matter where they live, listen to them all. Recording did to music something like what the Roman alphabet and moveable type did for news and literature: it enabled the universal dispersal of all of music's products, the worst to the best. For years professional musicians tended not to appreciate this. While it is true that there are fewer people about who can actually play Scarlatti sonatas, that has to be balanced against the agreeable fact that knowledge of these small masterpieces is no longer limited to the fifty or sixty included in early editions, from which was derived the same two dozen that we would hear from pianists over and over. Now we can hear all 550+, and learn about them for ourselves (Arts & Letters Daily even links to a website where you can find any Scarlatti sonata in seconds, click on it, and listen.)This is a big change. Keyboard virtuosity goes back a long time, even before Bach, although it was Liszt, as inspired by Paganini, who gave the piano its first real idol. Enter Edison a few decades later, and with his appearance it became possible for people to joke, "The only instrument I play is the phonograph." If there are fewer pianists able to make a living performing the classical repertoire today, it is because a world of mostly non-pianists that is oversupplied with CDs just doesn't need them all, either to hear the playing or enjoy the music.A notable aspect of Charles Rosen's regard for piano playing is that he conveys no dewy-eyed nostalgia about... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.1 (2003) 241-254 [Access article in PDF] Darwin and Political Theory Denis Dutton [Erratum]IN THE 1970s, during the oil crisis, B. F. Skinner suggested a way that the United States's energy shortage could be alleviated. People should be rewarded, he argued, for coming together to eat in large communal dining halls, rather than cooking and eating at home with their families. His reasoning was irresistible: (...) large cooking pots have a lower ratio of surface area to volume. There would be therefore a considerable saving in energy in massive public kitchens, compared with numberless small individual pots cooking in private kitchen stoves across the nation.Of course, Skinner must have known his idea would have to overcome objections based on ingrained middle-class prejudices. Some parents would feel aggrieved: placing children before big communal pots would rob mothers of the pleasures of preparing foods and feeding their own offspring. Others might object that the only foods adequate to a big, round energy-efficient vessels are stews or soups; they might complain about endless boiled fare. Families of one ethnic background or another might dislike the relatively uniform diet, despite the hearty, nutritious goodness of stew. I can imagine Skinner's frustration: Why are people so stubborn? Why can't they look beyond minor details and see the sheer reasonableness of the proposal?The story is cited by Steven Pinker in The Blank Slate as yet another dream of a better-engineered world shattered by the ornery persistence of human nature. Based on his work with rats and pigeons, Skinner was sure that the proper conditioning applied to human beings could eliminate aggression, overpopulation, pollution, and inequality. In Skinner's utopia, Pinker wisecracks, "The noble savage became the noble pigeon." [End Page 241]B. F. Skinner was just another daft step on a long utopian road that stretches back through Marx, Rousseau, Hobbes, and St. Thomas to Plato. These political philosophers, as well as those who, like Aristotle, are skeptical of utopianism, base their visions on some understanding, argued or merely implied, of human nature. All political systems—free or totalitarian, monarchist or republican—tend to posit some notion of the natural human being. In recent generations many thinkers have been inclined to regard competing conceptions of human nature as stuck in eternal conflict, embodying basic commitments about the human condition that are independent of evidence, originating instead in the religion, culture, or individual temperament of the political philosopher.Evolutionary psychology gives hope against this pessimism. Political philosophers are right to posit a natural background that underlies construction of political systems, evolutionary psychologists say, but it required Darwin finally to explain that background to us. A lucid attempt to spell out the implications evolution for politics has now been published by Paul H. Rubin, a professor of economics and law at Emory University, in the form of Darwinian Politics: The Evolutionary Origin of Freedom (Rutgers University Press, $25.00, paperback). Some of his conclusions are what anyone familiar with evolutionary psychology might suppose even without picking up the book. Others come as a surprise, and were unexpected even by Rubin himself. The book is both fascinating and unpredictable.The scene of evolution is the Environment of Evolutionary Adaptedness, the EEA, essentially the Pleistocene, the whole, long period lasting from 1.6 million years ago up until the shift to the Holocene with the invention of agriculture and large settlements 10,000 years ago. Our present intellectual constitution was achieved by about 50,000 years ago, or 40,000 before the Holocene. Keep in mind the immensity of this time scale: calculating at twenty years for a generation, there were 800,000 generations of humans and proto-humans in the Pleistocene, while there have been a mere 500 generations since agriculture and the first cities. It was in the earlier, much longer period that selective pressures created genetically modern humans. These pressures might have pushed only very slightly in one direction over another. But a slight pressure over hundreds of thousands of generations—toward a taste for sweet, say, or a wariness of snakes—... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.1 (2001) 181-196 [Access article in PDF] Bookmarks What is Genius? Denis Dutton There's a school of thought which holds that there's nothing much of interest that can be said about genius. The root idea is older than Kant, but it was well summarized by him: genius is a natural endowment, deep, strange, and mysterious, at least with respect to putative explanations. Schubert can get (...) up in the morning and before lunch knock off five songs that captivate us hundreds of years later. There's no way for us to account for this, and we ought not to expect, Kant claims, that genius can explain itself either: Schubert doesn't have a clue how he does it.Yet trying to figure out how creative geniuses do it remains a permanent source of fascination, most of it fairly naïve. When the ingénue reporter is sent out by the City Editor to interview the famous, crusty old novelist, the first question is normally, "Where do you get your ideas?" Of course, if the novelist knew that, he'd not be likely to blab it in the press. Kant's point is that he cannot really know; no one can. Monroe Beardsley relays a story about Picasso, who claimed to suffer from "an indigestion of greenness" from walking in the woods on a summer's day: "I must empty this sensation into a picture," Picasso said. "Green dominates it. The painter paints as if in urgent need to discharge himself of his sensations and his visions." Beardsley observes that green indigestion could have been even more plausibly used to "explain" a red painting ("I needed an antidote to all that green"), or a pen-and-ink drawing ("I needed to get away from color"), or anything else. There is in this a general point about why we are so often disappointed by interviews with artists. The artist can do; the artist can't explain how. [End Page 181]It does not follow, however, that nothing of interest can be learned, at least at a descriptive level, about genius. Dean Keith Simonton has spent most of a career looking at the subject as a psychologist, and his Origins of Genius: Darwinian Perspectives on Creativity (Oxford University Press, $27.50) ties together much of his research and that of others in a way that extends thinking on genius far beyond armchair meditations or mere platitudes. At the heart of Simonton's project are two very different ideas: first, he argues that evolution and processes of natural selection provide illuminating models to explain the existence and operation of creative genius in the sciences and the arts. Second, he propounds a rather more dubious thesis, that the process of natural selection itself is an adequate model for understanding genius at work, that the history of human ideas demonstrates a kind of secondary evolution. To these hypotheses, Simonton adds a further Darwinian overlay: he returns repeatedly to the personality and biography of Charles Darwin himself as the paradigm of a life of creative genius. While this has the advantage of anchoring the discussion, giving it a kind of ostinato ground, it diverts Simonton from the manifestations of genius, especially artistic genius, which do not resemble Darwin's personal example.Creative genius is defined by Simonton as the capacity to originate scientific discoveries, artistic works, technical inventions, or engage in political leadership, in a manner that achieves what is conventionally termed eminence. The eminent person creates, discovers, or invents something that passes the test of time and, like the similar test devised by Hume to mark out artistic greatness, appeals to cultures beyond that of the original act of creation. It is not hard for the philosophically trained reader to devise counter-examples to Simonton's general theses, but the value of his book does not require a rigorous definition at the outset. Whatever genius is, and however we might dispute it, there is no doubting that Leonardo Da Vinci, Shakespeare, Newton, and Einstein count as creative geniuses in Simonton's sense. High raw IQ is frequently associated with genius... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.1 (2002) iii-iv [Access article in PDF] Editorial War of the Worldviews With this issue, PHILOSOPHY AND LITERATURE enters its second quarter century. For many of the past twenty-five years it has enjoyed the sponsorship of Whitman College and the extraordinarily capable coeditorship of Patrick Henry. Bard College now assumes sponsorship, and the journal will be edited jointly by us, with Pat Henry ascending to the (...) empyrean to look down upon us as Editor Emeritus.From its first issue (a mere 124-page wisp of a journal, but with robust essays by Hazel Barnes, Monroe Beardsley, and a smart young thinker named Martha Nussbaum), PHILOSOPHY AND LITERATURE has provided a home for anyone convinced by the initially counterintuitive notion that a close study of fiction can play an irreplaceable role in epistemology, ethics, philosophy of language, and even metaphysics. Philosophy is about life from the broadest possible human perspective, and so is literature. But how different the perspectives! Plato saw fiction, poetry, drama, and passion dug in on one side of the battle lines, with science, philosophy, and reason on the other. Not for the first time, nor the last, he was right. At this journal, we're on no peace mission, and we don't relish vapid compromises. Both sides in Plato's War of the Worldviews will be discomfited and annoyed to learn that they have features in common. Would-be peacemakers will be disappointed to see fresh hostilities breaking out just when they thought differences were being at last reconciled. We're interested more in the facts, arguments, and the healthy entertainment of battle than we are in making anybody comfortable. And let's admit it: the kinds of scholarly disputes we encourage in this journal can be exciting and fun.Watch these pages, therefore, not only for fresh news of ancient disputes, but also for exciting studies that break old boundaries, exploring the myriad linkages between traditional aesthetics and such empirical disciplines as psychology, anthropology, and biology. The [End Page iii] symposium on jazz in this issue marks as well our intention to publish engaging work on the arts and culture in general, not limiting ourselves to the areas named in our title. All the articles in PHILOSOPHY AND LITERATURE are, as always, offered in the spirit of expanding the reach and depth of humanistic scholarship. But one thing will stay the same around here: our constant concern to offer prose that is characterized by exactitude, insight, refinement, rigor, and above all, clarity.Heartfelt thanks to the many individual readers and writers who have brought PHILOSOPHY AND LITERATURE to this stage of its evolution. We welcome your suggestions about future directions. And so we roll up our sleeves and plunge into the next twenty-five years. Denis Dutton University of Canterbury Garry Hagberg Bard College... (shrink)

Recent decades have seen a revived interest in super-substantivalism, the idea that spacetime is the only fundamental substance and matter some kind of aspect, property or consequence of spacetime structure. However, the metaphysical debate so far has misidentified a particular variant of super-substantivalism with the position per se. I distinguish between a super-substantival core commitment and different ways of fleshing it out. I then investigate how general relativity and alternative spacetime theories square with the different variants of super-substantivalism.

In The Elm and the Expert, Jerry Fodor tries to reconcile three philosophical positions he is presently committed to: a computational theory of mind, intentional realism and a denotational theory of meaning. One problem he faces is this: a denotational semantics, according to which the meaning of a singular term like a name is exhausted by its referent, seems to rule out there being true intentional generalizations, or generalizations which advert to the contents of a subject's mental states. That there (...) are such true generalizations is a major element in Fodor's intentional realism. Accordingly, Fodor is forced to find a way of dissolving this apparent incompatibility. This paper looks at his attempts to do so and concludes that they fail. (shrink)

Seventeen philosophical thinkers ask: What is creativity? What are the criteria of creativity? Should we assign logical priority to creative persons, processes, or products? How do various forms of creativity relate to different domains of human activity?

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Descartes and the Last ScholasticsBlake D. DuttonRoger Ariew. Descartes and the Last Scholastics. Ithaca: Cornell University Press, 1999. Pp. xi + 230. Cloth, $42.50.The attempt to understand Descartes vis-à-vis the scholastic tradition dates back to the studies of Etienne Gilson early in this century. Though Descartes saw himself as a revolutionary who would overthrow the Aristotelianism entrenched in the universities, Gilson was able to demonstrate his reliance upon (...) a variety of scholastic sources for important terminology, distinctions, and arguments which permeate his writings. Unfortunately, this line of investigation was largely ignored among Anglo-American scholars who were generally hostile to Scholasticism and uninterested in contextualizing Descartes's thought. However, since the mid-eighties there has been a distinct shift in attitude as scholars have increasingly turned their attention to the place of Scholasticism within Descartes's intellectual environment. Among these, Roger Ariew has to be counted as one of the most sophisticated, and his new book, Descartes and the Late Scholastics, marks an important contribution to the growing literature on the topic.Ariew's book is actually a collection of essays published over the last decade, including two which he co-authored with Marjorie Grene. Many of these have been substantially expanded to include fresh material and reworked so as to give the whole a greater sense of continuity. After a marvelous opening chapter in which he lays out his overall account of Descartes's attitude towards Scholasticism, Ariew presents the remaining essays in two large groups: those dealing with the immediate context of Descartes's thought and those dealing with its reception through the early part of the eighteenth century.Among the more interesting results of the first group of studies is Ariew's claim that the scholastic climate in and around Paris during Descartes's lifetime was predominately Scotistic rather than Thomistic. He shows this by looking at positions taken by a number of Parisian schoolmen on important issues which typically divided Scotists and Thomists. Ariew goes on to argue that not only was the Parisian environment Scotistic, but that Descartes aligned himself with the Scotists on many key issues in both physics (e.g., that time is independent of motion) and metaphysics (e.g., that the principle of individuation is a form). This is certainly an intriguing claim since most studies of this type have viewed Descartes in relation to Aquinas and those Jesuit thinkers who were broadly Thomistic in outlook. In bringing to light this Scotistic background, Ariew has opened up an important new line of inquiry.Other topics included in this first section are the literary and philosophical background [End Page 275] to the "new way of ideas" of which Descartes is a founder, the place of Descartes's doctrine of matter and form in seventeenth century debates over hylomorphism, and the reaction of Scholastics to the observational results of the new astronomy. What emerges in these essays is not only a highly nuanced view of Descartes's relation to Scholasticism, but an important corrective to still prevalent views of the Scholastics as reactionary and blindly opposed to developments within the new science. This last point is made with particular force in the fifth essay entitled "Scholastics and the New Astronomy." There Ariew argues that the astronomical observations of Galileo et alia were not in themselves decisive for overthrowing the Aristotelian cosmology as it had been articulated in the seventeenth century. This is because scholastic astronomers were generally accepting of such findings (e.g., sunspots) and were able to accommodate them within their own systems by making relatively minor adjustments. Although these systems ultimately proved themselves inadequate, Ariew makes a strong case that the Aristotelianism of the seventeenth century was sufficiently fluid to accommodate most of what the astronomers offered up. Thus the necessity for a radical overhaul of basic philosophical and scientific assumptions was by no means as evident as standard histories of this period would have us believe.The second section of the book is dedicated to debates over Cartesianism and its fate in the generations immediately following Descartes's death. Here Ariew provides a wealth of detail about various condemnations of Cartesianism, a comparative study of... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.1 (2003) 130-131 [Access article in PDF] Steven Nadler. Spinoza's Heresy: Immortality and the Jewish Mind. New York: Oxford University Press, Clarendon Press, 2001. Pp. xvi + 225. Cloth, $35.00. Steven Nadler's Spinoza's Heresy opens with the following declaration: "It is a splendid mystery" (1). The mystery, of course, is how a gifted son of the Jewish community of Amsterdam, a young man (...) whom one might have expected to grow naturally into the role of a respected rabbi, came to be expelled from that community. What Nadler finds so mysterious is not the simple fact of Spinoza's expulsion—itself a common form of discipline among the Jews of Amsterdam—but the vehemence and finality with which he was expelled. The writ of expulsion accuses Spinoza of "abominable heresies" and "monstrous deeds" and goes on to heap layer after layer of curse upon him. It is, in Nadler's judgment, the harshest writ ever to be pronounced against a member of that community. What, then, were the views so abominable and the deeds so monstrous that account for this? What had Spinoza said and done to raise such ire among his fellow Jews? That is the mystery Nadler's book attempts to solve.Needless to say, Nadler is not the first to take up this challenge. The question of what lay behind Spinoza's expulsion has been of perennial interest to scholars, and what keeps it alive, in part, is its resistance to definitive resolution. Most importantly, Spinoza had not yet begun to write at the time of his expulsion, and his surviving correspondence is silent on the matter. Nevertheless, it is tempting to look to his Ethics and Theological-Political Treatise for clues. But if we are to do so, as Nadler encourages us to, we must not only determine which of the views they contain can be attributed to the young Spinoza, but show how his holding of them explains the events that transpired.Nadler begins with the documentary evidence. Although sparse, the sources point to three views at the root of Spinoza's troubles: that God exists only philosophically; that the Law is not true; and that the soul is not immortal. Acknowledging that each of these may have played a role in the expulsion, Nadler singles out the last for special scrutiny and concludes that it was decisive. His reasons for doing so emerge in the last chapter of the book. Despite broad latitude within the Jewish tradition as a whole, the Jews of Amsterdam were particularly sensitive on the issue of immortality and did not take kindly those who denied it. Indeed, they had a history of confrontation with "heretics" on this issue. This was partly a function of a general concern not to arouse unwanted attention from the politically powerful Calvinists within Dutch society. But it also stemmed from an intense interest in the afterlife among the Sephardim, who, being of Marrano heritage, were naturally concerned about the postmortem fate of Jewish converts to Catholicism. Though the community was divided on what that fate would be, the entire debate on the question was carried out on the shared assumption of personal immortality. This, together with a deep commitment to immortality on the part of each of its leading rabbis, conspired to make Jewish Amsterdam an inhospitable place for anyone holding views like those Spinoza was to express. In Nadler's words, immortality "was simply the wrong issue to pick on in Jewish Amsterdam in the 1650's" (156).Nadler's thesis is intriguing, and the light that he throws on the Spinoza affair in the course of developing it is considerable. However, a question remains. Although Nadler does an impressive job of clarifying why Spinoza's views on the afterlife would have been so volatile within the Amsterdam community, we might still wonder why the other two theses he is reported to have held do not merit equal consideration. This is particularly true of his denial of the authority of the Law. Whatever... (shrink)

As clinical-psychological scientists and practitioners increasingly work with diverse populations of traumatized people, it becomes increasingly important to attend to cultural models that influence the ways in which people understand and describe their responses to trauma. This paper focuses on potential uses of the concept of cultural script in this domain. Originally described by cognitive psychologists in the 1980s, scripts refer to specific behavioral and experiential sequences of elements such as thoughts, memories, attention patterns, bodily sensations, sleep abnormalities, emotions and (...) affective expressions, motivation, coping attempts and ritualized behaviors that are relevant to posttraumatic adjustment. We differentiate between experiences of traumatic stress that are scripted (e.g., cultural explanations are available) versus unscripted. Further characteristics such as script tracks, the effect of script interruptions, and contextual fit of scripts with other cultural models are also described. We consider examples of traumatic stress associated with war and organized, sexualized violence from ‘Western’ and ‘non-Western’ world regions. The concluding part of this review describes a number of possibilities for methodological approaches to assessment of cultural scripts. Capturing central elements of the script(s) of trauma would aid psychological researchers and clinicians in understanding the experiences of trauma in cultural context, which could ultimately lead to better clinical service opportunities worldwide. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Astrology, Computers, and the VolksgeistDenis DuttonCarroll Righter is not a name you will recognize, unless, perhaps, you’re old enough and you grew up reading the Los Angeles Times. Righter was the Times’s astrologer, and encountering his name recently brought back a couple of memories from the early 1950s. I remember finding it strange that a man (he was pictured alongside his column) was called Carroll, though he didn’t spell (...) it like the girl who lived across the street. But especially I recall the fun we had when my father would read the horoscopes out loud and we’d compare them with the day’s events. Ours was a tough family for an astrologer to please, with rather different things happening to too many Aquarians, and a robust skepticism about anything of the sort later to be called “New Age.”How could I know that while we laughed and debated, somewhere else out there in the urban sprawl, Righter’s prognostications were being subjected to subtle and portentous analysis by that kingpin of the Frankfurt School, Theodor W. Adorno? Mirabile dictu, Adorno was living in L.A. at the time, and we now have his examination of Righter in The Stars Down to Earth, and Other Essays on the Irrational in Culture, edited with an excellent introduction by Stephen Crook (Routledge, $16.95). The result seems, now in the fullness of time, of mixed value and relevance. Adorno has produced an admirably accessible rhetoric of astrology, what he terms “content analysis.” In this, he is finding out for himself about the so-called cold-reading techniques of psychic consultation, practices long known to magicians and astrologers and only really understood by psychologists since Bertram Forer’s work in the 1940s. But beyond that, Adorno uses astrology to support and exemplify his theory of authoritarian irrationalism. As you might expect, this is more questionable. [End Page 424]To be sure, there are many intriguing observations throughout this mostly readable essay. In a passage perhaps even more true today than when it was written, Adorno says that a “climate of semi-erudition is the fertile breeding ground for astrology.” He refers to people who have gone just beyond the naive acceptance of the authority of science, but who don’t know enough, or who have not sufficiently developed “the power of thinking,” that they can replace such acceptance with anything better: “The semi-erudite vaguely wants to understand and is also driven by the narcissistic wish to prove superior to the plain people but he is not in a position to carry through complicated and detached intellectual operations.” In other words, quantum mechanics is pretty tough, but astrology offers sophisticated understanding of all reality in a few easy steps. Besides, astronomy is about those remote stars and planets out there—rather cold and impersonal. In Adorno’s apt title phrase, astrology brings it all down to earth, because it’s about the single most important thing in the universe: me. In an analogy that isn’t too far-fetched, he says that to the semi-erudite individual “astrology, just as other irrational creeds like racism, provides a short-cut by bringing the complex to a handy formula and offering at the same time the pleasant gratification that he who feels excluded from educational privileges nevertheless belongs to the minority of those who are ‘in the know.’” Someone once remarked that Scientology boosts self-esteem largely by giving semi-educated, degreeless persons impressive certificates to hang on their walls, and Adorno is right that there’s a similar syndrome at work with most New Age esoterica, including astrology. (In literary theory, there are no certificates, of course—you just have to learn the jargon.)Much to his credit, Adorno independently identifies many of the features of cold reading described by Forer and later writers, such as the persistent tendency of the client to personalize the general message. Of Righter’s “Follow up that intuition of yours,” or “Display that keen mind of yours,” Adorno says, “People who have any affinity at all to occultism are usually prepared to react to the information they are craving in such a way... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Heavy TrafficDenis DuttonIt was the Reverend Sidney Smith who said, “I never read a book before reviewing it; it prejudices a man so.” Thirty years ago that remark was still a joke. These days, it’s a downright plausible idea, one with a distinctly postmodern ring. If the objects of experience are nothing but constructions, inventions of our cultures and mind-sets, that must go as well for all the books (...) we read—including those books which urge this fact on us. To read them is to construct them, to write them for yourself. But wait—that can’t be a fact, because facts are just prejudices too. Takes your breath away to realize how far scholarship has come.These thoughts drifted through my mind reading The Traffic in Culture: Refiguring Art and Anthropology, edited by George E. Marcus and Fred R. Myers (University of California Press, $48.00 cloth, $17.95 paper). It comprises a long introduction plus eleven chapters which “explore the boundaries and affinities between art, anthropology, representation, and culture, casting a critical, ethnographic light on the art worlds of the contemporary West and the ways they give value to cultural form—in short, a “‘traffic’ in culture.” It is not easy to make out a consistent thread in the essays themselves. Carol Vance offers a fine discussion in the form of four small essays on censorship, the NEA, Jesse Helms, and so forth. There is no discernible connection with anthropology, and I cannot see why these pieces are included. Nancy Sullivan, described as a Ph.D. candidate in Fred R. Myers’s NYU anthropology department, struggles with her cumbersome account of the artworld in the last generation. Again, I can detect no hint of how anthropology has helped her understand the artworld. Hal Foster makes a cameo appearance of only a few pages, a kind of postmodern arabesque with lots of big words. Christopher B. Steiner revisits material [End Page 283] presented in his book, African Art in Transit, which is squarely in the field, and Steven Feld agonizes about appropriation of world music into commercial music business while telling some interesting tales about a radio program he produced of music from Papua New Guinea. The feminist Judith L. Goldstein does a late-capitalist, “late-postmodernist” job on women’s makeup, with much reliance on Fredric Jameson but no anthropology I can discern, despite the fact that she gave a version of it at an American Anthropological Association conference. If we really have reached “late-postmodernism” we can only be thankful. Molly H. Mullin’s account of the nineteenth- and early twentieth-century enthusiasm for American Indian artifacts, on the other hand, may begin with clichés about “élite responses to the rise of consumer capitalism,” but it soon settles down to a solid account of the people and problems of trying to achieve recognition of Indian handicrafts as art. This was made possible, we learn, by much devoted work from people who were multiculturalists before the word existed, white Americans whose actions were based on a love of Indian cultures and arts, rather than postcolonial theory and the school of resentment. All the issues of art vs. craft, the relation of tourism to artistic development, authenticity, and so on, were raised in the 1920s and 30s, with sophistication not often seen today.But to figure out how it all is supposed to tie together, we have to turn to the book’s explanatory introduction. This is so turgidly vague that when I was done I felt like invoicing the authors for my time. These pages are peppered with half-assertions I’d half want to dispute if their meaning were plainer, and a few that are plain enough to be flat-out wrong. Among many examples: “Ironically, the very category of ‘art’—as opposed to ‘the arts’—goes unexamined in its own hierarchies of sense, so that various forms of popular performance, in which disinterested contemplation does not necessarily reign supreme, are excluded.” Excluded? Notice that irritating passive voice: who, I’d like to know, has left popular performance unexamined and excluded? What are “hierarchies of sense”? The sentence carries no reference. In... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Empire Writes Back, With A VengeanceDenis DuttonOne of the more uplifting aspects of the turn toward theory in recent years has been the growth of postcolonial cultural studies. Postcolonial studies are in actuality constituted by counterdiscoursive, decolonizing practices which acknowledge the recognition of minority discourses, deconstructing hegemonic texts and imperialist metanarratives, opposing unduly overprivileging Western canonical paradigms of “literature,” and—well, you know what I mean. As Benita Parry (...) so lucidly explains, “The labor of producing a counter-discourse displacing imperialism’s dominative system of knowledge rests with those engaged in developing a critique from outside its cultural hegemony.” And what an awesome labor it is. The noted postcolonial theorist Georg M. Gugelberger sums things up by saying (I’m not inventing this) “postcolonialism can be conceptualized as the last bulwark against an encroaching total capitalism.”But what of the struggling masses of oppressed peoples whose interests and cultural sensitivities are so caringly looked after by practitioners of postcolonial studies? How do they feel about the fact that the only thing standing between them and “total capitalism” is resistance being mounted in a comparative literature department in Idaho, or someplace? This is a question seldom asked, let alone answered. Fortunately, new light has been thrown on the matter with the arrival of a booklet at this journal. Indian History from Above and Below, by Rukun Advani, is published by Ram Advani, probably a member of the family, in Lucknow. It is dedicated to “all Bengali intellectuals and those whose dollar salaries rise in proportion with obscurity and jargon.” Advani notes in his preface that although Bengali intellectuals talk torrents in their native tongue, when they [End Page 198] disseminate their thoughts abroad, they translate into a “clogged, colonial, unfluid flow,” with footnotes such as: “Derrida; ibid.; see my recent essay on the modes and moods of Foucault in JPS, III.iii, 3–333; on Lacan, see Lacan, On Lacan; Barthes, how many times a day do you have one in summer; idem., do you really?; differentiated peasantry; undifferentiated peasantry; for a feminist, though partially anthropologized, hermeneutic-critical discourse on the post-colonial subversive dimensions of the undifferentiated middle peasant in Midnapore district in June 1959, see the provocative controversy between Ranajit da and Amiya da in Gayatri di, ed., Gendered, Gendered, O Most Gendered: Epistemology and the Male Menopause in Bengal between June 1959 and July 1959 (Oxford University Press, forty years later).”The first of the booklet’s two essays, “Indian History from Below: a Swiftian Consideration,” discusses a neglected but “important arena of subaltern existence, namely the history of belching, wind-breaking and defecation.” Just to name these three functions posits “a bourgeois hierarchy of disgust with what Marx, in one of his most decisively Derridesque reflections, termed ‘The Asiatic Commode of Production.’” Beginning with the Foucauldian notion of “the peasant’s overdetermined relative autonomy from the olfactory,” Advani describes “the Barthesian notion of the impossibility of critical transcendence by the historian into either the symbiotic acculturation of the pastness, and indeed the presentness, of the present-subject, or indeed the even greater epistemological and hermeneutic problems posed by attempting a recreation of the ontological presuppositions of the peasant.” Much of this is elaborated in the classic essay by Professor Lavatri Lavatory Spewhack, “The Post-Colonial Lavatory and Its Radical Implications for Nomenclaturing Among Gendered and Subalternized Third World Expatriate-Marxist-Feminists in the First and Second Worlds: A Derivative Discourse Decoded.”The debt that Rukun Advani owes to Professor Spewhack is clear from the sheer number of his references to books and articles by her. These include, on the subject of toileting, Master Disgusted, Native Disgusting: a Perspective on Peasants from 250,000 Dollars per Annum, “On the Symbolic Hegemony of Subsection Numbers in a Gendered and Subalternized Post-Colonial Context: A Derivative Discourse Decoded” (in The Phenomenology of Praxis and the Praxis of Phenomenology in a Postmodern Residential Colony), “The Violence of Steam and the Episteme of Violence: Foucault’s Views on Hot Air Balloons” (in Obscurata), and even parts of her autobiography: The Larger than Life of Lavatri Lavatory [End Page 199] Spewhack (chapter titled “My Collected Phonecalls and Faxes”). While some... (shrink)

I argue that, contrary to folklore, Einstein never really cared for geometrizing the gravitational or the electromagnetic field; indeed, he thought that the very statement that General Relativity geometrizes gravity "is not saying anything at all". Instead, I shall show that Einstein saw the "unification" of inertia and gravity as one of the major achievements of General Relativity. Interestingly, Einstein did not locate this unification in the field equations but in his interpretation of the geodesic equation, the law of motion (...) of test particles. (shrink)