With the emergence of service provisioning environments and new networking capabilities, antagonistic businesses have been able to collaborate securely by sharing information in order to have a beneficial result for all. This collaboration has sometimes been imposed by state legislation and sometimes been desirable by the firms themselves so as to resolve frequently occurring abnormalities. In any case, as information exchange takes place between antagonistic firms, security and privacy issues arise. In the context of this paper, a collaborative environment has (...) been analyzed for enterprises that set out in the banking sector. A Grid-based Anti-Money Laundering (AML) system has been developed in an effort to take advantage of the Grid infrastructure, supporting the secure and trustful exchange of information between financial institutions and ensuring the confidentiality of the data transferred and the authentication of the users to whom they are available. Special emphasis is put on security mechanisms for supporting identity and privacy management as well as in Service Level Agreements (SLA) enforcement for enabling a trust enforcement platform in a collaboration business model. (shrink)

'Bedeutung' ist ein Grundbegriff literaturwissenschaftlichen Arbeitens. Jede interpretierende Aussage über einen literarischen Text setzt Annahmen darüber voraus, auf welche Weise literarische Texte Bedeutung erzeugen, vermitteln oder veranlassen können. In der Literaturtheorie und Ästhetik der letzten Jahrzehnte wurden verschiedene Bedeutungskonzeptionen entwickelt. Eine allgemein akzeptierte Klärung des Begriffs steht bislang aus. Der Band soll zu einer solchen Klärung führen. Seine internationalen Beiträger nehmen die ältere Diskussion auf und suchen nach interdisziplinären Integrationsmöglichkeiten für eine Präzisierung des Begriffs. Ansätze zur Bestimmung des Bedeutungsbegriffs aus (...) Psychologie und Linguistik, Philosophie und Soziologie sowie aus musikwissenschaftlicher, filmhermeneutischer und medientheoretischer Sicht werden mit verschiedenen literaturwissenschaftlichen Perspektiven verbunden. Aus dem Inhalt: I. Sprachliche und sprachanalytische Aspekte der 'Bedeutung' II. Literatur- und kulturwissenschaftliche Konzepte von 'Bedeutung' III. Mediale Konstitution von 'Bedeutung' IV. Historische Aspekte literarischer 'Bedeutung'. (shrink)

In den letzten zehn Jahren sind die digitalen Geisteswissenschaften von einem Randphänomen zu einem der sichtbareren Felder kultur- und geisteswissenschaftlicher Forschung geworden. Dieser Erfolg ist von Kritik begleitet und Fotis Jannidis identifiziert drei Topoi der Kritik an den Digital Humanities, die oft vorgebracht und wiederholt werden: 1. ›Das wussten wir schon vorher‹ 2. ›Die Themen der Digital Humanities sind veraltet‹ 3. Es handle sich bei den Digital Humanities um eine neue Form des Positivismus, der geisteswissenschaftliche Gegenstände nicht adäquat beschreibt. Diese (...) drei Vorwürfe gegen die Digital Humanities werden von Jannidis aufgegriffen und auf ihren argumentativen und wissenschaftspolitischen Gehalt befragt und hinterfragt. Der Beitrag schließt mit einem Plädoyer für das Ausprobieren, Basteln und für die Neugierde auf die neu entstehenden Datensammlungen in den Bibliotheken und Archiven. Markus Krajewski hält die Erwartungen an das Innovationspotenzial der Digital Humanities dagegen für überzogen, die aus seiner Perspektive bisher über den Status einer Hilfswissenschaft nicht hinausgekommen sind. So wie die Diplomatik um die Analyse von Urkunden oder die Numismatik um die Einordnung von Münzen oder die Paläographie um die Analyse von Handschriften besorgt ist, so kümmern sich die Digital Humanities bisher lediglich um die Nahtstelle von geisteswissenschaftlichen Forschungsfragen mit computergestützten Methoden. Die eigentliche Aufgabe der Digital Humanities bestünde aber darin, die Kulturtechnik Codieren in den Vordergrund zu rücken. Denn Programmcodes lesen und schreiben zu können, seien auch für Geisteswissenschaftler eine Schlüsselkompetenz, damit die Schrift der Zukunft – die von Softwareentwicklern, Computeringenieuren und selbstlernenden Maschinen entworfenen Algorithmen – weiterhin kritisch kommentiert und interpretiert (und nicht bloß passiv angewandt) werden kann. During the last ten years, the so-called digital humanities have developed from a footnote to being a major player in the academic field of cultural studies and humanities alike. However, success goes hand in hand with increasing criticism, and Fotis Jannidis identifies three topoi of critique digital humanities repeatedly have to face. 1. ›We already knew that‹ 2. ›The topics of digital humanities are outdated‹ 3. Digital humanities are said to be a new form of positivism not adequately describing humanities related issues. Jannides takes up these accusations against digital humanities by scrutinizing and questioning their argumentative and scientific- political substance. The article closes with a speech promoting of a phase of trial and error, of tinkering and of curiosity for the subject at hand while analyzing newly originated data collections from libraries or archives. In Markus Krajewski’s opinion, however, the expectations placed in the potential of innovation of digital humanities are exaggerated which subsequently leads him to label them an ancillary discipline. The usefulness of digital humanities is entirely limited to providing the link between humanities-related research questions and computer-based methods in the same way diplomatics relies on the analysis of records, numismatics on the process of categorizing coins or paleography on the analysis of historical manuscripts. Krajewski sees the real task of digital humanities in bringing the cultural technology of coding into the spotlight. He describes the ability to write and read source code as a key competence every modern humanities scholar needs in order to be able to critically comment and interpret the script of the future: algorithms designed by software developers, computer engineers, and auto-didactic machines. (shrink)

The French philosopher Renaud Barbaras remarked that late in Maurice Merleau-Ponty’s career, “The phenomenology of perception fulfills itself as a philosophy of expression.” In _Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology, _Véronique M. Fóti_ _addresses the guiding yet neglected theme of expression in Merleau-Ponty’s thought. She traces Merleau-Ponty’s ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and the “new biology” in the second of his lecture courses (...) on nature of 1957–58, and in his late ontology, articulated in 1964 in the fragmentary text of _Le visible et l’invisible _. With the exception of a discussion of Merleau-Ponty’s 1945 essay “Cezanne’s Doubt,” Fóti engages with Merleau-Ponty’s late and final thought, with close attention to both his scientific and philosophical interlocutors, especially the continental rationalists. Expression shows itself, in Merleau-Ponty’s thought, to be primordial, and this innate and fundamental nature of expression has implications for his understanding of artistic creation, science, and philosophy. (shrink)

John Moschos includes the story of a female filicide in his Spiritual Meadow. After exploring the authorial self of Moschos, this article discusses the relation between this beneficial story and the biblical book of Jonah on the one hand, and Euripides’ Iphigenia at Aulis and Medea on the other. Finally, the story is examined in the wider framework of the seventh century, in an attempt to understand John Moschos’ viewpoint on his own time.

Background Over the last decade, the return of results (ROR) in precision medicine research (PMR) has become increasingly routine. Calls for individual rights to research results have extended the “duty to report” from clinically useful genetic information to traits and ancestry results. ROR has thus been reframed as inherently beneficial to research participants, without a needed focus on who benefits and how. This paper addresses this gap, particularly in the context of PMR aimed at increasing participant diversity, by providing investigator (...) and researcher perspectives on and questions about the assumed value of ROR in PMR.Methods Semi-structured interviews with a purposive sample of investigators and researchers across federally funded PMR studies in three national consortia, as well as observations of study activities, focused on how PM researchers conceptualize diversity and implement inclusive practices across research stages, including navigating ROR.Results Interviewees (1) validated the value of ROR as a benefit of PMR, while others (2) questioned the benefit of clinically actionable results to individuals in the absence of sufficient resources for translating findings into health care for diverse and disadvantaged populations; (3) expressed uncertainties in applying the presumed value of ROR as a benefit for non-clinical results; and (4) and debated when the promise of the value of ROR may undermine trust in PMR, and divert efforts to return value beyond ROR.Conclusions Conceptualizations of diversity and inclusion among PM researchers and investigators raise unique ethical questions where unexamined assumptions of the value of ROR inform study recruitment efforts to enroll minoritized and under-represented populations. A lack of consideration for resources and infrastructure necessary to translate ROR into actionable information may hinder trustworthy community-research relationships. Thus, we argue for a more intentional interrogation of ROR practices as an offer of benefit and for whom. (shrink)

Veronique Foti delves into the full range of Heideggerian texts to elaborate the problematics of historicity, language, and the structure of disclosure or "manifestation" in connection with the Herman poets whom Heidegger invoked along his path of thinking. Foti's reading of these ports is a probing inquiry into the aesthetic, ethical, and political implications of Heidegger's thought. She knows how technicity and poetizing are opposed yet brought together in Heidegger's hermeneutic phenomenology, how they are both politicized and linked (...) with ethical praxis, and how technicity, poetizing, and praxis cannot be dissevered from Heidegger's essential thinking. (shrink)

Background In the wake of mandates for biomedical research to increase participation by members of historically underrepresented populations, community engagement (CE) has emerged as a key intervention to help achieve this goal.Methods Using interviews, observations, and document analysis, we examine how stakeholders in precision medicine research understand and seek to put into practice ideas about who to engage, how engagement should be conducted, and what engagement is for.Results We find that ad hoc, opportunistic, and instrumental approaches to CE exacted significant (...) consequences for the time and resources devoted to engagement and the ultimate impacts it has on research. Critical differences emerged when engagement and research decisionmaking were integrated with each other versus occurring in parallel, separate parts of the study organization, and whether community members had the ability to determine which issues would be brought to them for consideration or to revise or even veto proposals made upstream based on criteria that mattered to them. CE was understood to have a range of purposes, from instrumentally facilitating recruitment and data collection, to advancing community priorities and concerns, to furthering long-term investments in relationships with and changes in communities. These choices about who to engage, what engagement activities to support, how to solicit and integrate community input into the workflow of the study, and what CE was for were often conditioned upon preexisting perceptions and upstream decisions about study goals, competing priorities, and resource availability.Conclusions Upstream choices about CE and constraints of time and resources cascade into tradeoffs that often culminated in “pantomime community engagement.” This approach can create downstream costs when engagement is experienced as improvised and sporadic. Transformations are needed for CE to be seen as a necessary scientific investment and part of the scientific process. (shrink)

In _Buddhists, Brahmins, and Belief_, Dan Arnold examines how the Brahmanical tradition of Purva Mimamsa and the writings of the seventh-century Buddhist Madhyamika philosopher Candrakirti challenged dominant Indian Buddhist views of epistemology. Arnold retrieves these two very different but equally important voices of philosophical dissent, showing them to have developed highly sophisticated and cogent critiques of influential Buddhist epistemologists such as Dignaga and Dharmakirti. His analysis--developed in conversation with modern Western philosophers like William Alston and J. L. Austin--offers an innovative (...) reinterpretation of the Indian philosophical tradition, while suggesting that pre-modern Indian thinkers have much to contribute to contemporary philosophical debates. In logically distinct ways, Purva Mimamsa and Candrakirti's Madhyamaka opposed the influential Buddhist school of thought that emphasized the foundational character of perception. Arnold argues that Mimamsaka arguments concerning the "intrinsic validity" of the earliest Vedic scriptures are best understood as a critique of the tradition of Buddhist philosophy stemming from Dignaga. Though often dismissed as antithetical to "real philosophy," Mimamsaka thought has affinities with the reformed epistemology that has recently influenced contemporary philosophy of religion. Candrakirti's arguments, in contrast, amount to a principled refusal of epistemology. Arnold contends that Candrakirti marshals against Buddhist foundationalism an approach that resembles twentieth-century ordinary language philosophy--and does so by employing what are finally best understood as transcendental arguments. The conclusion that Candrakirti's arguments thus support a metaphysical claim represents a bold new understanding of Madhyamaka. (shrink)

It is commonly believed that Edmund Husserl (1859-1938), well known as the founder of phenomenology and as the teacher of Heidegger, was unable to free himself from the framework of a classical metaphysics of subjectivity. Supposedly, he never abandoned the view that the world and the Other are constituted by a pure transcendental subject, and his thinking in consequence remains Cartesian, idealistic, and solipsistic. The continuing publication of Husserl’s manuscripts has made it necessary to revise such an interpretation. Drawing upon (...) both Husserl’s published works and posthumous material, Husserl’s Phenomenology incorporates the results of the most recent Husserl research. It is divided into three parts, roughly following the chronological development of Husserl’s thought, from his early analyses of logic and intentionality, through his mature transcendental-philosophical analyses of reduction and constitution, to his late analyses of intersubjectivity and lifeworld. It can consequently serve as a concise and updated introduction to his thinking. (shrink)

Examines the construction of vision in the works of Heraclitus, Plato, Descartes, Heidegger, Merleau-Ponty, Foucault, Nancy, and Derrida.

Although fictional characters have long dominated the reception of literature, films, television programs, comics, and other media products, only recently have they begun to attract their due attention in literary and media theory. The book systematically surveys todays diverse and at times conflicting theoretical perspectives on fictional character, spanning research on topics such as the differences between fictional characters and real persons, the ontological status of characters, the strategies of their representation and characterization, the psychology of their reception, as well (...) as their specific forms and constellations in - and across - different media, from the book to the internet.". (shrink)

Veronique Foti delves into the full range of Heideggerian texts to elaborate the problematics of historicity, language, and the structure of disclosure or "manifestation" in connection with the Herman poets whom Heidegger invoked along his path of thinking. Foti’s reading of these ports (Morike, Trakl, Rilke, Holderlin, and Celan) is a probing inquiry into the aesthetic, ethical, and political implications of Heidegger’s thought. She knows how technicity (techne) and poetizing (poiesis) are opposed yet brought together in Heidegger’s hermeneutic (...) phenomenology, how they are both politicized and linked with ethical praxis, and how technicity, poetizing, and praxis cannot be dissevered from Heidegger’s essential thinking. (shrink)

... Let me start my investigation by taking a brief look at the way in which self-awareness is expressed linguistically, as in the sentences "I am tired" or ...

Examines the German poet Hölderlin’s philosophical insights into tragedy.

_Examines the German poet Hölderlin’s philosophical insights into tragedy._.

In Le théatre des philosophes, Taminiaux suggests that both German Idealism and Heidegger understand Greek tragedy as ontological in its import. So does Plato who, however, censures it for the inadequacy of its ontological vision, which he seeks to correct by means of the aesthetic education of the guardians of the ideal city. Taminiaux stresses that Aristotle understands tragedy as a mimēsis of action which is pluralistic, willing to engage with appearances, and oriented toward phronēsis. A key question concerns his (...) understanding of the katharsis or purification of powerful passions, treated here as a cognitive clarification requiring the intense passional engagement that Plato censors. In response to Taminiaux’s claim that Hölderlin’s tragic inspiration is Aristotelian, this essay explores his understanding of tragic purification. In separating the hybristic union of god and man, such purification restores the possibility of interlocutory praxis. (shrink)

The current study is conducted to examine the following research questions: - Examine how knowledge acquisition and knowledge dissemination are associated with academic staff’s job satisfaction and teaching motivation - Examine whether job satisfaction mediates the relationship between knowledge acquisition, knowledge dissemination and teaching motivation.

This article develops a theory of simulation as a nation building mechanism by exploring the production of national belonging in Massad, a Jewish-American summer camp that operated in the Pocono Mountains, Pennsylvania, between 1941 and 1981. Trying to inspire campers to Zionism, the camp organizers shaped Massad as a “mini Israel.” This simulation engendered national attachments by lending credence to the belief that others, in Israel, experience more authentic national belonging. Rather than tempting campers to imagine the nation as a (...) “horizontal camaraderie” (Anderson 1991), national simulations allow members to account for their distinct and often ambivalent position from within the nation. From this perspective, nation building is not simply a matter of relativizing internal differences and dramatizing differences between the groups that make up the nation and “outsiders.” Instead, nation building also is centrally a matter of creating institutional routines and practices that allow members to account for their differential position from within the nation. (shrink)

In this entry, I tackle the phenomenon known as "faultless disagreement", considered by many authors to pose a challenge to the main views on the semantics of subjective expressions. I first present the phenomenon and the challenge, then review the main answers given by contextualist, absolutist and relativist approaches to the expressions in question. I end with signaling two issues that might shape future discussions about the role played by faultless disagreement in semantics.

Merleau-Ponty’s abiding interest in the art and the enigmatic person of Paul Cézanne focuses importantly on both the pictorial expression of space, and on the freedom of artistic creation in the face of adversity. Examining these issues in relation to the art of Claude Monet (whom Merleau-Ponty neglected), together with Monet’s status as a precursor of painterly abstraction, one can follow the Merleau-Pontyan “indirect logic of institution” to confront the work of Joan Mitchell, within the parameters of gestural abstraction, so (...) as to consider both her perspective on spatiality and horizon and her artistic trans-substantiation of adversity, focusing on the almost ecstatic intensity of her 1983-1985 series, La grande vallée. (shrink)

Merleau-Ponty’s abiding interest in the art and the enigmatic person of Paul Cézanne focuses importantly on both the pictorial expression of space, and on the freedom of artistic creation in the face of adversity. Examining these issues in relation to the art of Claude Monet, together with Monet’s status as a precursor of painterly abstraction, one can follow the Merleau-Pontyan “indirect logic of institution” to confront the work of Joan Mitchell, within the parameters of gestural abstraction, so as to consider (...) both her perspective on spatiality and horizon and her artistic trans-substantiation of adversity, focusing on the almost ecstatic intensity of her 1983-1985 series, La grande vallée. (shrink)