Ideas surrounding mechanicism and materialism are so prevalent and fundamental in early modern and modern philosophy and critical theory that almost all key intellectual, political, and theological questions have been cast in their terms. From the 1730s onward, such questions were increasingly connected to the idea of the "man-machine" – the mechanical android. This was not least due to Jacques de Vaucanson's work from the 1730s, and the work of other artisans in the following decades, whose mechanical androids quickly became (...) well-known and provided actual manifestations of man-machines. Eighteenth-century mechanical androids were more sophisticated in regard to mechanical complexity and craftsmanship than those of... (shrink)

Using the famous android automata made by the Swiss clockmakers Jaquet-Droz as an example, this essay examines the relationship between the production of automata and the production of texts about them against the background of economic and cultural conditions of artisan production and of the emerging ‘media industry’ in the public sphere of the late eighteenth century on the European continent. It explores the artisan environment in which the automata came into being and develops readings of various types of texts (...) on the automata, including analyses of the contexts and print media of which they were a part. The essay concludes by explaining two interrelated peculiarities about eighteenth-century texts on the Jaquet-Droz automata: the fact that none of the texts displayed any interest in the metaphysical or ethical consequences of artificial or mechanical humans, and that they were, on the contrary, often simply copied from each other and thus adhered to the customs and exigencies of the emerging media industry of the time. The pre-industrial, traditional, non-mass produced construction of the automata thus coincided with the emerging contemporary mass production of texts and media, and it makes these texts and their objects bring into focus a key paradox underlying the history of modernity, the mass production of individuals and of individuality.Keywords: Automata; Material culture; Eighteenth century; Media industry; Public sphere; Intertextuality. (shrink)