Ruth Leys raises a number of important questions about the conceptual and empirical underpinnings of the affect theories that have emerged in the critical humanities, sciences, and social sciences in the last decade. There are a variety of frameworks for thinking about what constitutes the affective realm , and there are different preferences for how such frameworks could be deployed. We would like to engage with just one part of that debate: the contributions of Silvan Tomkins's affect theory. We take (...) issue with Leys's formulation that Tomkins's work along with that of Brian Massumi, William Connolly, and Paul Ekman form a group of like-minded theorists. We do not believe this represents an accurate account of the conceptual and empirical commitments of these various authors. By bundling their work together, Leys misses much of what is compellingly critical in each of these writers, and she overlooks what is most invigorating in the debates amongst them. In addition, the specificities of Tomkins's work have been badly served in Leys's essay. In four volumes stretching from 1962 to 1992 Tomkins laid out a complex and captivating theory of the human affect system, in which mechanisms of neurological feedback, social scripts, and facial behavior coassemble as affective events. Our response to Leys's essay is motivated by a wish to see more detailed engagements with this theory—the distinctiveness of which we believe has yet to be fully explored in this new affective turn. (shrink)

ArgumentThis essay offers a reading of Gertrude Stein's lecture “Plays” (1934) alongside the work of several thinkers on emotion, William James, Silvan Tomkins, and Wilfred Bion. The problem of what Stein calls “emotional syncopation” at the theater is understood in the context of James’ theory of emotion. The essay proceeds to unfold Stein's emphasis on varieties of excitement by way of Silvan Tomkins’ writing. It then turns to Wilfred Bion's theory of thinking to argue that the main problem with theater, (...) for Stein, is the difficulty it poses to learning or arriving at genuinely new knowledge. The essay concludes with the suggestion that Stein's plays address the further difficulties of analyzing group dynamics or numbers of individuals, especially in the context of modernist mass media. (shrink)

An argument for the inclusion of the human perspective within science and how it makes science possible.

Eloquent, urgent, and inspiring, _The Constant Fire_ tackles the acrimonious debate between science and religion, taking us beyond its stagnant parameters into the wider domain of human spiritual experience. From a Neolithic archaeological site in Ireland to modern theories of star formation, Adam Frank traverses a wide terrain, broadening our sights and allowing us to imagine an alternative perspective. Drawing from his experience as a practicing astrophysicist and from the writings of the great scholars of religion, philosophy, and mythology, Frank (...) locates the connective tissue linking science and religion—their commonality as sacred pursuits—and finds their shared aspiration in pursuit of "the True and the Real." Taking us from the burning of Giordano Bruno in 1600 to Einstein and on to today's pressing issues of global warming and resource depletion, _The Constant Fire_ shows us how to move beyond this stale debate into a more profound experience of the world as sacred—a world that embraces science without renouncing human spirituality. (shrink)

Eloquent, urgent, and inspiring, _The Constant Fire_ tackles the acrimonious debate between science and religion, taking us beyond its stagnant parameters into the wider domain of human spiritual experience. From a Neolithic archaeological site in Ireland to modern theories of star formation, Adam Frank traverses a wide terrain, broadening our sights and allowing us to imagine an alternative perspective. Drawing from his experience as a practicing astrophysicist and from the writings of the great scholars of religion, philosophy, and mythology, Frank (...) locates the connective tissue linking science and religion—their commonality as sacred pursuits—and finds their shared aspiration in pursuit of "the True and the Real." Taking us from the burning of Giordano Bruno in 1600 to Einstein and on to today's pressing issues of global warming and resource depletion, _The Constant Fire_ shows us how to move beyond this stale debate into a more profound experience of the world as sacred—a world that embraces science without renouncing human spirituality. (shrink)