In the context of a critique of James Conant’s (2016) important new reading of the main argument of the Deduction, I present my current, most detailed interpretation of the well-known Leitfaden passage at A79, which in my view has been misinterpreted by a host of prominent readers. The Leitfaden passage is crucial to understanding the argument of, not just the so-called Metaphysical Deduction, but also the Transcendental Deduction. This new account expands and improves upon the account of the Leitfaden I (...) gave in Chap. 5 of Kant’s Deduction From Apperception. While I agree with the core of Conant’s critique of what he calls the ‘layer-cake’ reading of the Deduction argument, in this new account I make clearer my position on why the unity of judgement, in which concepts and intuitions are a priori synthetically unified, is wholly determined in virtue of the unity of apperception as the unitary function of the understanding, without this leading to a strong form of conceptualism such as that of Conant and others. (shrink)

In his argument for the possibility of knowledge of spatial objects, in the Transcendental Deduction of the B-version of the Critique of Pure Reason, Kant makes a crucial distinction between space as “form of intuition” and space as “formal intuition.” The traditional interpretation regards the distinction between the two notions as reflecting a distinction between indeterminate space and determinations of space by the understanding, respectively. By contrast, a recent influential reading has argued that the two notions can be (...) fused into one and that space as such is first generated by the understanding through an act of synthesis of the imagination. Against this reading, this article argues that a key characteristic of space as a form of intuition is its nonconceptual unity, which defines the properties of space and is as such necessarily independent of determination by the understanding through the transcendental synthesis of the imagination. The conceptual unity that the understanding prescribes to the manifold in intuition, by means of the categories, defines the formal intuition. Furthermore, this article argues that it is the sui generis, nonconceptual unity of space, when takenas a unity for the understanding by means of conceptual determination, that first enables geometric knowledge and knowledge of spatially located particulars. (shrink)

1) Gaukroger estimates that there exist two irreconcilable theses in the Cartesian method in the Rules. The first thesis concerns the problem of the cognitive grasp of inference, the other the problem of the method of discovery. Descartes, by integrating deduction as a simple object of intuition, rejects the psychologicalinterpretation of inference, and elevates deduction to the status of a necessary condition of knowledge. On the other hand, the problem of the method of discovery requires that inference produces a (...) new truth as its conclusion. Descartes takes the algebraic solution of equations as the model of this method. But this orientation leads Descartes to deny all cognitive function operating in the inference of synthetic form. Thus, according to Gaukroger, these two theses tendto be opposed, calling into question the unity of the method. 2) We admit the cognitive analysis of Gaukroger on the Cartesian inference. However, Gaukroger does not see the importance of “the natural power of the mind” in the Rules. Indeed, the cognitive role of inference is always understood by Descartes, in light of this natural power. Thus, the main role of the method is to teach ways of increasing this power. Descartes tries to pose, by the algebraic treatment of questions, an analogy between the mathematical order and the order of the operations of the mind, enabling him to discover pure schemes of these operations. And, It is by theses schemes that the mind exercise itself in order to increase its natural power. For this reason, we must reconsider Gaukroger’s thesis that Descartesassimilates literally the method of discovery and algebraic solution, as well as his thesis of the inconsistency of the Cartesian method. (shrink)

In the Transcendental Aesthetic, Kant famously characterizes space as a unity, understood as an essentially singular whole. He further develops his account of the unity of space in the B-Deduction, where he relates the unity of space to the original synthetic unity of apperception, and draws an infamous distinction between form of intuition and formal intuition. Kant ’s cryptic remarks in this part of the Critique have given rise to two widespread and diametrically opposed (...) readings, which I call the Synthesis and Brute Given Readings. I argue for an entirely new reading, which I call the Part-Whole Reading, in part by considering the development of Kant ’s views on the unity of space from his earliest works up through crucial reflections written during the silent decade. (shrink)

This paper offers a noncognitivist characterization of moral attitudes, according to which moral attitudes count as such because of their inclusion of moral concepts. Moral concepts are distinguished by their contribution to the functional roles of some of the attitudes in which they can occur. They have no particular functional role in other attitudes, and should instead be viewed as evolutionary spandrels. In order to make the counter-intuitive implications of the view more palatable, the paper ends with an account of (...) the evolution of normative judgments as exaptations of the cognitive structures that underlie beliefs. (shrink)

Kant and the Unity of Reason is a comprehensive reconstruction and a detailed analysis of Kant's Critique of Judgment. In the light of the third Critique, the book offers a final inter­pretation of the critical project as a whole. It proposes a new reading of Kant's notion of human experience in which domains, as different as knowledge, morality, and the experience of beauty and life, are finally viewed in a unified perspective. The book proposes a reading of Kant's critical (...) project as one of the most sophisticated attempts in the history of philosophy to articulate a complex notion of human "sensi­bility" as an alternative to both eighteenth-century empiricism and rationalism. The fun­damental contribution of rationality to human experience cannot be fully appreciated if the sensuous component of experience is not adequately taken into account. For Kant, "sensibility" includes functions as different as sensation, intuition, perception, emotion, passion, drive, moral feeling, and feeling of pleasure and displeasure. Kant's idea of "reflective" judgment is the peculiar discovery of the third Critique. Re­flective judgment articulates the interplay between sensibility and rationality, the world of nature and the human mind, in order to constitute human experience and the sphere of human intersubjective relationships. In the act of reflection, Kant's philosophy fi­nally comes to reflect upon itself and the meaning of its critical endeavor. (shrink)

In this paper, I present a conception of individual religiousness in terms of religious experience. Using ideas of the early Friedrich Schleiermacher, I will claim that religious experiences are contemplative experiences of the totality of being. This understanding of religious experiences presents an alternative to how religious experience is often epistemologically thought about in the more contemporary analytic philosophy of religion. Furthermore, it has systematic advantages: It can construe religious plurality in terms of different ways to experience the totality of (...) being, it stays neutral to metaphysical and moral debates such as whether there is a God whose laws we should obey, and it allows for an explanation of how religious intuitions and religious emotions relate to one another as well as of why religiousness and art often go hand in hand. Even though understanding religiousness in terms of contemplative experience also bears revisionary potential, I will discuss how more doxastic elements of religious people’s lives can be reintegrated into this picture. (shrink)

The article proposes an interpretation of Kant’s notions of form of, and formal intuition of space to explain and justify the claim that representing space as object requires a synthesis. This involves identifying the transcendental conditions of the analytic unity of consciousness of this formal intuition and distinguishing between it and its content. On this reading which builds upon recent proposals, footnote B160–1n. involves no revision of the Transcendental Aesthetic: space is essentially characterized by non-conceptual features. The (...) article also addresses worries about the infinite magnitude and the unicity of space, by considering the characteristics and requirements of geometric constructions. (shrink)

In the Critique of Fure Reason Kant distinguishes two sorts of conditions of knowledge. First, there are the space and time of pure intuition, introduced in the Transcendental Aesthetic. They are grounded in our dependence on a special sort of perceptual field for the location of objects. Second, there are pure concepts of the understanding, or categories, introduced in the Analytic. In one respect these are grounded in the logical function of the understanding in judgements, introduced in the first (...) chapter of the analytic of concepts: Clue to the Discovery of All Pure Concepts of the Understanding; in another respect, they are grounded in transcendental unity of apperception, which is introduced in the second chapter: Deduction of the Pure Concepts of the Understanding, or Transcendental Deduction. I shall be concerned with the latter and its contribution to the overall strategy of argument in the analytic. Within the Analytic, Kant distinguishes between an Analytic of Concepts and an Analytic of Principles. This corresponds to a traditional distinction between a doctrine of concepts and judgement. It is arguable that Kant's theory of concepts undermines this distinction. However, I shall not deal with that general issue, but with a more specific issue related to the first two chapters of the Analytic of Principles: the Schematism and the System of Principles. (shrink)

In the early modern period one can find unity of consciousness arguments in the writings of Rene Descartes and G. W. Leibniz, and in the recent literature they have been defended by David Barnett, William Hasker, and Richard Swinburne (among others). Descartes's unity of consciousness argument for dualism is to be found in the sixth of his Meditations on First Philosophy. Descartes claims that his unity of consciousness argument was itself sufficient to establish substance dualism. Swinburne's central (...) line of argument involves deploying a number of puzzle cases. He argues that our intuitions about these cases can be accommodated only by adopting a “further fact” view of the self, according to which the continued existence of a person over time consists in the continued existence of a mental substance, and “it is metaphysically possible that the substance acquires a totally new body, totally new apparent memories, and character”. (shrink)

The article focuses on re-evaluating Kant’s Transcendental Dialectic by initially highlighting its seemingly negative function within the Critique of Pure Reason as a mere regulative form for cognition and experience. The Dialectic, however, does not only have such a negative-regulative function but also its very own positive and founding character for cognition that even is present in the supposedly most immediate forms of intuition. In exploring this positive side of the Transcendental Dialectic it becomes clear that it manifests itself (...) as a bridge between the so-called theoretical and practical reason inasmuch as it fills in their gap within Kant’s philosophy. From the practical side, the Dialectic is manifest as an action full of purposiveness, maxims, and imperatives within cognition, from a theoretical side it assumes the form of syllogistic inference, which is the adequate and acting theoretical form of practical reason. Therefore, the unity of reason is shown in presenting its inner gap as a dialectical misunderstanding that Kant not only highlights in the Transcendental Dialectic but also tends to leave unsolved mostly. Nevertheless, the Dialectic can be shown as the a priori synthetic act of unifying reason, if investigated in the context of Kant’s complete critical endeavour. (shrink)

In this paper, I focus on the concept of intuition in Schelling’s philosophy. More specifically, I show how Schelling attributes to intuition an ontological value by essentially relating it to freedom and primal Being. Indeed, for Schelling intuition is both the main instrument of philosophy and the highest product of freedom, by which we attain the so-called “God’s-eye point of view” and concretely grasp things in their immediate existence. That is, through intuition it is possible to (...) grasp the absolute and original unity of the principles, namely of being and thought, subject and object and freedom and necessity. Accordingly, I argue that Schelling’s conception of intuition, rather being a merely theoretical speculation, is aimed at demonstrating the immanent nature of Being, which is one of the key points in Schelling’s philosophy. (shrink)

In this paper, I focus on the concept of intuition (Anschauung) in Schelling’s philosophy. More specifically, I show how Schelling attributes to intuition an ontological value by essentially relating it to freedom and primal Being (Ursein). Indeed, for Schelling intuition is both the main instrument of philosophy and the highest product of freedom, by which we attain the so-called “God’s-eye point of view” and concretely grasp things in their immediate existence. That is, through intuition it is (...) possible to grasp the absolute and original unity of the principles, namely of being and thought, subject and object and freedom and necessity. Accordingly, I argue that Schelling’s conception of intuition, rather being a merely theoretical speculation, is aimed at demonstrating the immanent nature of Being, which is one of the key points in Schelling’s philosophy. (shrink)

This paper addresses a number of closely related questions concerning Kant's model of intentionality, and his conceptions of unity and of magnitude [Gröβe]. These questions are important because they shed light on three issues which are central to the Critical system, and which connect directly to the recent analytic literature on perception: the issues are conceptualism, the status of the imagination, and perceptual atomism. In Section 1, I provide a sketch of the exegetical and philosophical problems raised by Kant's (...) views on these issues. I then develop, in Section 2, a detailed analysis of Kant's theory of perception as elaborated in both the Critique of Pure Reason and the Critique of Judgment; I show how this analysis provides a preliminary framework for resolving the difficulties raised in Section 1. In Section 3, I extend my analysis of Kant's position by considering a specific test case: the Axioms of Intuition. I contend that one way to make sense of Kant's argument is by juxtaposing it with Russell's response to Bradley's regress; I focus in particular on the concept of ‘unity’. Finally, I offer, in Section 4, a philosophical assessment of the position attributed to Kant in Sections 2 and 3. I argue that, while Kant's account has significant strengths, a number of key areas remain underdeveloped; I suggest that the phenomenological tradition may be read as attempting to fill precisely those gaps. (shrink)

Transcendental consciousness is described by Kant as 'the one single thing' in which 'as in the transcendental subject, our perceptions must be encountered.' The unity of that subject depends on intellectual functions. I argue that its singularity is just the same as that of Kant's pre-intellectual 'form' of spatiotemporal 'intuition.' This may seem excluded by Kant's claim that it is through intellect that 'space or time are first given as intuitions.' But while preintellectual form is insufficient for space (...) and time as distinct 'things,' it is sufficient for the constitution of a 'single thing' indifferently construable as both. Contrary to what are typically seen as the main differences between Kant and Hume on identity of 'self,' there is thus already a difference in play below the level of either's concern with the sorts of connections available for the combining, or illusion of combining, of manifolds of 'impressions' or 'ideas.'. (shrink)

It will be argued that a mode of consciousness which Jean Gebser introduced as 'acategoriality' in the 1950s was anticipated by Holderlin 150 years earlier. According to Gebser, acategoriality is an epistemic act oriented towards a primary experience of being, that is highly integrative and exceeds categorial knowledge. Holderlin shows in his novel 'Hyperion' how the individual subject can realize this experience. He proposes a comprehensive concept of integrative epistemic acts denoted as 'intellectual intuition' whose most differentiated form is (...) acategorial. The accurate de-scription of an acategorial state in 'Hyperion' will be related to an analytical framework formulated within the theory of complex dynamical systems. This framework provides a solution for an analytical problem that Holderlin's conception of acategoriality raises. Conversely, Holderlin's novel offers paradigmatic phenomenological examples for acategorial mental states that are useful for their detailed analytical understanding. (shrink)

Part 1 of this article exposed a tension between Poincaré’s views of arithmetic and geometry and argued that it could not be resolved by taking geometry to depend on arithmetic. Part 2 aims to resolve the tension by supposing not merely that intuition’s role is to justify induction on the natural numbers but rather that it also functions to acquaint us with the unity of orders and structures and show practices to fit or harmonize with experience. I argue (...) that in this manner, intuition serves the epistemological function of warranting generalizations and justifying practices. In particular, it justifies the application of group-theoretic notions in geometry but not the use of set-theoretic notions in arithmetic. (shrink)

Friedrich Hölderlin argued that consciousness requires division and unity. Consciousness emerges through the fundamental distancing of the subject from its surroundings, without which the subject-object distinction would collapse and both objectivity and consciousness would be lost. Nevertheless, insofar as conscious knowledge is unitary, division demands a ground for unity. Hölderlin calls this ground ‘Being [Seyn].’ However, once Being is affirmed, the question of how it is accessed arises. Hölderlin’s scholars disagreed on this issue. This disagreement gave rise to (...) two camps: those who deny that Hölderlin accepts the idea of direct access to Being and believe that he proves Being through an act of reflection (Henrich); and those who argue that for Hölderlin, ‘Being’ is directly accessed. Those who hold the latter position can be further divided into those who conceive of this direct access as knowledge (Frank) and those who argue that this access does not have a cognoscitive character, but rather an aesthetic one (Waibel). This article considers these positions and shows that the direct apprehension of ‘Being’ is part of Hölderlin’s argument aimed at solving a fundamental problem; an argument that differs both from the postulate of access to Being as knowledge of transcendence and from the affirmation of a purely aesthetic mode of access. (shrink)

In my original confrontation with Kant’s first Critique, although essentially sympathetic with its import, I found myself deploring his use of certain expressions such as “things in themselves,” “noumena,” “intuitive understanding,” “supersensible,” etc. It seemed to me that he could have made his basically positivistic point without calling up vestiges of absolute realities or eternal verities. When I turned to his second critical enterprise, it sometimes seemed as if he were letting God, freedom, and immortality step in the philosophical back (...) door, warranted by the rather vague argument of the transcendental deduction of the moral law which supposedly provided “practical reality” for the transcendental ideas of pure reason. My puzzlement was compounded by his need for a practical “typik” and the notion that practical reason somehow required the realization of unconditional moral ideals in the conditioned sensible world. Perhaps somewhat like Kant himself, I felt that something was missing. There was a kind of gap or void which needed filling in by something which would not only dispel any reservations about some of the language of the first two Critiques, but would also interrelate the two independent realms of nature and freedom in some intelligible way such that any suspicions of a philosophically irreducible dualism could be erased, while still recognizing theory and practice as autonomous functions of the single faculty of intelligence. But what kind of “unity” could we expect? Although the two analyses were logically compatible, each seemed to stand on its own and there was no mutual implication between them. It was as if each went wrong not in respect to its own foundation but in respect to what it said about the other. Kant presents a defensible theory of knowledge which says some very strange things about logically possible, nonempirical entities; and then this is followed by a systematic ethical theory which occasionally makes odd assertions about empirical nature. (shrink)

A contemporary analytic philosophy approach to science is discussed. It is pointed out that enthusiasm for language studies in philosophy has been recently grossly exaggerated. A role of experimental science as a source of "profound" questions about the essence of the world should be more appreciated. It is shown that the so-called common intuitions fail to capture the gist of current problems in science and can no longer lead us to faithful solutions. For instance, it is not easy to reconcile (...) with common intuitions a vision of the world as a set of latent potential possibilities which show up themselves only under certain conditions. Therefore, dynamic description of the world is proposed to treat both phenomena and various processes among them. In order to achieve this we ought to focus on fates of allegedly fundamental theories and on a strategy of making science. The latter is thoroughly discussed in this article. Furthermore, three types of reductionism are scrutinized and it leads us to the conclusion that our understanding of the world is more likely based on our ability to explain diversified phenomena than on our capacity to reduce them to the ostensibly fundamental models or theories. (shrink)

We deal with five aspects of the intrinsic connection of logic, ethics, and aesthetics in Wittgenstein's Tractatus: (a) the indication of what Wittgenstein called the "higher" of the world and language; (b) the conveyance of values through an intuition "sub specie aeternitatis"; (c) the discussion of internal properties of volitional totalities; (d) the reference to the metaphysical subject as the subject of volition (the will) (e) the indication of a "happy life". This intrinsic connection supplements the idea of the (...) transcendental unity of logic, ethics, and aesthetics, and goes beyond it. (shrink)

The text considers the possibility of studying the Freudian psychoanalysis as a certain form of transcendentalism. In particular, it analyses the relation of Freud’sproposition concerning the strangeness within the subject—a strangeness called unconsciousness—to Kant’s claim about the necessity of the synthetic unity ofapperception. The study commences with Ricoeur’s reading of Freud’s teachings in order to demonstrate how, by introducing the language of transcendental philosophy into the reading of Freud’s works, Ricoeur omits the issue of the subjective conditions for the (...) constitution of any possible meaning. Next, searching for the possibility to formulate these conditions on the grounds of Freudian psychoanalysis, the text investigates relevant Heidegger’s reading of Kant. It finds in it the model justification for such understanding of the unity of “I think” which makes it, already at its core, conditioned by diversity identified with temporality. By attempting to grasp the contradiction between such a temporal condition for subjectivity and Freud’s postulate on the timeless nature of unconsciousness, the text applies Derrida’s criticism of the metaphysical conception of time, which is directed exactly at Heidegger’s metaphysics of Dasein. In consequence, it turns out that a profound justification seems to exist for the seemingly paradoxical Freudian statement about unconsciousness as linked with, on the one hand, the most primal intuitions still grounded in animism, and on the other, with a continuation of Kant’s teachings. (shrink)

The article presents a comparative analysis of the philosophical and aesthetic perspectives of English poet and philosopher Samuel Taylor Coleridge and Russian philosopher Nikolai Onufrievich Lossky on the issues of the theory of art and cognition. The study highlights the synergies and differences in their conceptions of art, music, imagination, and the interconnectedness of phenomena in the world, demonstrating how the philosophy of art serves as a key component in achieving a holistic understanding of human nature. The article explores Coleridge’s (...) concept of the organic unity of art as a living, evolving entity that transcends individual artistic disciplines. It delves into the poet’s views on the creative process and the role of imagination in shaping artistic expression, emphasizing the significance of his ideas for understanding the role of art in the human experience. Focusing on the unique aspects of Lossky’s philosophical ideas on art, the article argues that Lossky’s views on music are intrinsically linked to his philosophical doctrine of intuitivism. Intuitivism enables direct perception of an object by the knowing subject in its original form, rather than through a copy, symbol, or construction. Lossky’s doctrine distinguishes three modes of intuition (sensual, intellectual, and mystical) and acknowledges two realms: the world and the Superworld (the Kingdom of God). Sensual and intellectual intuition function within the world, while mystical intuition paves the way for a breakthrough into the Superworld (the Kingdom of God). The article demonstrates that music, as a fundamental component of Lossky’s philosophical doctrine, plays a crucial role in enabling a clearer vision of the object by the cognizing subject in its original form, as well as in the complete fulfillment of the missions designated for all three types of intuition. Music is a fundamental element of Lossky’s philosophical doctrine, where the indivisible unity of a musical tone’s properties serves as a symbol of the organic integrity of phenomena in the world. In conclusion, the article emphasizes that a deeper understanding of Coleridge’s and Lossky’s philosophical and aesthetic concepts can provide a transformative outlook on the philosophy of art, fostering interconnectedness among various realms of human creativity and strengthening the continuity of human culture while counteracting destructive forces in the world. (shrink)

이 논문의 목표는 『순수이성비판』제2판 「선험적 감성론」의 공간론과 통각의 종합적 통일의 관계를 규명하는 것이다. 논문의 내용은 다음 테제들의 정당화이다. 1. 「선험적 감성론」에서 전개된 공간론은 세 단계로 이루어진 하나의 논증이다. 첫 단계는 공간의 근원적 표상은 아프리오리한 순수 직관임(1)을 증명하고, 둘째 단계는 공간은 우리의 외감 일반의 형식 혹은 외적 직관의 형식임(2)을 증명하고, 셋째 단계는 공간은 사물 자체도 사물들 자체의 관계도 아니며 오직 외적 현상의 형식일 뿐임(3)을 증명한다. 이 공간론 전체 논증은‘(1)이다, 그러므로 (2)이다, 그러므로 (3)이다’라는 추론 형식의 증명 구조를 갖는다. 2. 공간론 전체 논증의 (...) 대전제인 (1)을 증명하는 첫 단계는 다시금 네 개의 논증으로 이루어져 있다. 이 중 첫째와 둘째 논증은 공간 표상의 아프리오리함을 대상 인식에서 공간 표상이 갖는 역할을 분석하여 증명하고, 셋째와 넷째 논증은 공간 표상의 직관임을 공간 자체의 본성을 분석하여 증명한다. 3. 이 셋째와 넷째 논증의 증명은 ‘공간은 유일하고 무한히 큰 전체로 표상됨’을 전제한다. 4. 이 전제는 최종적으로 통각의 종합적 통일에 근거해서만 가능하다. 왜냐하면 공간의 통일(유일성과 무한성)은 공간의 형식적 직관의 통일과 같은 것으로서 하나의 종합적 통일이고, 이 통일은 형상적 종합에 의해 가능하고, 이 종합은 다시금 통각의 종합적 통일에 따라서만 가능하기 때문이다. 5. 그러므로 통각의 종합적 통일은 공간론 전체 논증의 최종근거이다. 왜냐하면 공간론 논증 첫 단계의 네 가지 논증은 모두 다 유일하고 무한히 큰 전체로 표상(생각)된 공간을 다루기 때문이다. (shrink)

In this piece I address the question of how the two parts of the *Metaphysics of Morals* are to be related to each other through invocation of the notion of practical schematism. In the process I argue that understanding the notion of moral teleology will help us address the relationship between Kant's principles of right, virtue and the categorical imperative.

Strict constructivist philosophers conclude that no truth claims can be verified on the basis of mystical exploration due to the thoroughly conditioned character of such experiences. In response, Bede Griffiths’s life of dialogue between Christianity and Hinduism suggests that mystical knowing incorporates both conditioned and unconditioned elements. In the cross-culturally identifiable experience of self-transcendence in meditation, the relationship between the conditioned subject and the unconditioned sacred “object” is transformed, resulting in an intuitive knowledge for which different criteria of verifiability are (...) both needed and available. Griffiths’s multireligious experience thus supports the identification of common ground for various religions in mystical knowing. (shrink)

An attempt is made in this paper to analyze the purely formal nature of information-theoretic concepts. The suggestion follows that such concepts, used to supplement the logical and mathematical structure of the language of science, represent an addition to this language of such a sort as to allow the use of a unitary language for the description of phenomena. (The alternative to this approach must be certain multi-linguistic and mutually untranslatable descriptions of related phenomena, as with the various versions of (...) Complementarity). This conception is tested for the specific case of Heisenberg's Uncertainty Principle, in order to show that, with the assumption of a suitable and intuitively satisfactory definition of the quantity of information contained in a measurement, the Heisenberg Principle becomes an informational restriction arising from the formal properties of the symbols of a given language rather than as a "law" of nature. (shrink)

Jeff McMahan has recently developed the embodied mind theory of identity in place of the other standing theories, which he examines and consequently rejects. This paper examines the performance of his theory on cases of commissurotomy or the split-brain syndrome. Available experimental data concerning these cases seem to suggest that a single mind can divide into two independent streams in ways that are incompatible with our intuitive notion of mind. This phenomenon poses unique problems for McMahan's theory that we are (...) essentially minds. I attempt to use his considered response to these cases as a weapon against his own embodied mind theory by highlighting some of the tensions in McMahan's response. In particular, I argue that in reaching his conclusion McMahan admits to something quite contrary to the very spirit of his own theory and that it is a powerful point in its support that one of the theories McMahan rejects can deal very well with these cases. (shrink)

I argue that Kant’s distinction between the cognitive roles of sensibility and understanding raises a question concerning the conditions necessary for objective representation. I distinguish two opposing interpretive positions—viz. Intellectualism and Sensibilism. According to Intellectualism all objective representation depends, at least in part, on the unifying synthetic activity of the mind. In contrast, Sensibilism argues that at least some forms of objective representation, specifically intuitions, do not require synthesis. I argue that there are deep reasons for thinking that Intellectualism is (...) incompatible with Kant's view as expressed in the Transcendental Aesthetic. We can better see how Kant’s arguments in the first Critique may be integrated, I suggest, by examining his notion of the 'unity' [Einheit] of a representation. I articulate two distinct ways in which a representation may possess unity and claim that we can use these notions to integrate Kant’s arguments in the Aesthetic and the Transcendental Deduction without compromising the core claims of either Sensibilism or Intellectualism—that intuition is a form of objective representation independent of synthesis, and that the kind of objective representations that ground scientific knowledge of the world require synthesis by the categories. (shrink)

The aim of this article is to consider Hegel's unity, which is "the Unity of Identity and Difference" Or to examine and explain the "unity of seemingly contradictory features in a single coherent whole" in the light of the main problem of Hegel's philosophy, that is, the overcoming of divisions or dualities, as the solution of her philosophy. Unity (Einheit) is an important ideal, goal and end for Hegel's philosophical system. Hence, in his entire philosophical system (...) and in different periods of his intellectual life, the traces of the search for unity are always obvious, from the beautiful artistic unity in Greece to his desired unity, which is a rational, speculative, philosophical, absolute and Mediated unity. For him, the whole of philosophy is nothing but the study of the definition of unity and its realization in society. A unity that, instead of eliminating or absorbing another, tries to preserve and eliminate pluralities and differences by accepting and recognizing another in a single coherent whole. A unity in which differences and dualities do not disappear but are preserved as necessary and inevitable moments. Unity that is not the result of direct intuition but the product and result of passing through different stages and an intersubjective matter. For Hegel, it is not atomism and excessive individualism in the modern world that lead to rupture, not mere mystical and abstract unions that wipe out all differences, but the unity of the whole in which All distinctions are preserved. (shrink)

In this paper I seek to answer two interrelated questions about pleasures and pains: (i) The question of unity: Do all pleasures share a single quality that accounts for why these, and only these, are pleasures, and do all pains share a single quality that accounts for why these, and only these, are pains? (ii) The question of commensurability: Are all pleasures and pains rankable on a single, quantitative hedonic scale? I argue that our intuitions draw us in opposing (...) directions: On the one hand, pleasures and pains seem unified and commensurable; on the other hand, they do not. I further argue that neither intuition can be abandoned, and examine three different paths to reconciliation. The first two are response theory and split experience theory. Both of these, I argue, are unsuccessful. A third path, however—which I label “dimensionalism” —succeeds. Dimensionalism is the theory that pleasure and pain have the ontological status as opposite sides of a hedonic dimension along which experiences vary. This view has earlier been suggested by C. D. Broad, Karl Duncker, Shelly Kagan, and John Searle, but it has not been worked out in detail. In this paper I work out the dimensionalist view in some detail, defend it, and explain how it solves the problem of the unity and commensurability of pleasures and pains. (shrink)

This paper concerns Hegel's early treatment of the productive imagination in his 1803–1804 Faith and Knowledge. I show how he articulates that activity in terms of a pair of speculative unities, which solve lingering problems of self-knowledge and self-constitution from Kant's B-deduction. On the one hand, I argue that the familiar unity of spontaneity and receptivity makes possible knowledge of the moment of self-positing. On the other hand, I contend that Hegel's talk of imagination as both an “organic idea” (...) and an “intuitive intellect” refers to a self-constituting capacity that intellects like ours possess. I show that self-constitution is possible, for Hegel, only in so far as intellects like ours possess a capacity to unify possibility and actuality in thought, or to think themselves into being. (shrink)

In this thesis, I examine the perceptibility of the Platonic Ideas in the thought of Arthur Schopenhauer. The work is divided into four chapters, each focusing and building upon a specific aspect related to this question. The first chapter (“"Plato and the Primacy of Intellect"”) deals with Schopenhauer’s interpretation specific to Platonic thought. I there address the question of why it is that Schopenhauer should consider Plato to have interpreted the Ideas as 'perceptible', particularly in view of evidence which seems (...) to testify to the contrary. Does Schopenhauer misinterpret Plato, or are there sufficient grounds for considering his interpretation consistent? This is important in light of Schopenhauer’s reinterpretation of the Platonic Idea on the basis of the primacy of the will in contradistinction to Plato’'s own emphasis upon the intelligible. In effect, for Schopenhauer, Plato confuses the nature of imperceptible concepts with the more perceptually grounded Ideas. In the second chapter (“"On the Direct Path to Knowledge"”), I explore Schopenhauer’'s methodological approach on the basis of the will. I there discuss the difference between Schopenhauer and Kant with respect to Transcendental Idealism, particularly in terms of their separate analysis and derivation of the thing-in-itself. From there, I turn to a consideration of Schopenhauer'’s discussion of the nature of formal and empirical intuitions, of abstraction and the nature of universal concepts, and finally of the intuitively grounded nature of mathematical demonstration which serves as an analogy for the manner in which Schopenhauer deals with knowledge of the Ideas. In the third chapter ("“The Perceptibility of the Ideas”"), I discuss the manner in which the Ideas become accessible as the manifestation of the Will, arising through the representation of perception. There a number of distinctions are made between Ideas and concepts, as well as the nature of contemplation through Genius. The Ideas are found to be perceptible as aesthetic intuitions which relate not only to the in-itself nature inherent to phenomena, but serve also as the essential basis and foundation for all genuine forms of art. In the fourth and final chapter (“"Critical Discussion of Schopenhauer’s Ideas"”), I consider and outline a number of potential problems with respect to Schopenhauer’s analysis. In particular, Schopenhauer encounters difficulties on the basis of the simultaneous immanence and transcendence of the Ideas; of the knowledge of the Ideas characterized as intuitive while yet having a strangely abstract basis; of the unity of the will in face of the plurality of Ideas and phenomena; and finally of the annihilation of the will which creates essential problems in terms of the desideratum of knowledge itself. I here also attempt to offer various solutions to these problems where relevant. The conclusion which I arrive at in this work is that any radical reorientation of ontology must bear an essential effect upon the character and methodology of knowledge itself. In other words, Schopenhauer’s interpretation of the perceptibility of the Ideas is a direct consequence of hi s analysis of the will as the metaphysical thing-in-itself. In fact, this essential change colors his entire epistemological approach, from science and mathematics, to logic and the Ideas—from the ground the up. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Concepts, Judgments, and Unity in Kant's Metaphysical Deduction of the Relational Categories CHARLES NUSSBAUM 1. INTRODUCTION TO ANY ATTENTIVEREADERof the section of the Critique of Pure Reason' known as the "Metaphysical Deduction of the Categories" (A67/B92-A83/B to9), one paragraph in that section stands out particularly by virtue of its special importance for Kant's developing argument: The same function Which gives unity to the various representations in ajudgment (...) also gives unity to the mere synthesis of various representations in an intuition; and this unity, in its most general expression, we entitle the pure concept of the understanding. The same understanding, through the same operations by which in concepts, by means of analytical unity, it produced the logical form of a judgment, also introduces a transcendental content into its representations, by means of the synthetic unity of the manifold of intuition in general.... (CPR A79/B loS) The importance of this paragraph is, however, more than equaled by its difficulties, which center on the question of how the function which operates by means of analytical unity can be the same as one that operates by means of the synthetic unity of the manifold of intuition in general. Put shortly, the problem is this. If the functions are really the same, then how do we distinguish at all between analytic and synthetic operations? But if they are different, then how can these forms of judgment serve as a clue for the discovery of the categories? ' Immanuel Kant, Critiqueof Pure Reason, trans. Norman KempSmith (London: Macmillan and Co., Ltd., 1963).Hereafter CPR. [89] 9~ JOURNAL OF THE HISTORY OF PHILOSOPHY 28:1 JANUARY 1990 The results of this dilemma which can be observed in the literature are not surprising: commentators tend to grasp one horn or the other. They either emphasize the difference between analysis and synthesis, and reject or dilute the claims as to sameness of function; or they take seriously Kant's argument concerning sameness of functions, and try to minimize the difference between analysis and synthesis. The major twentieth-century representant of the former approach is Kemp Smith," and of the latter, Paton. 3 This latter approach has found a formidable contemporary champion in the person of Henry Allison. By Allison's own admission,4 however, his position on this controversial topic was suggested (in part) by arguments first put forward over fifty years ago by Klaus Reich in a most remarkable book entitled Die Volls~ndigkeit der Kantischen Urteilstafel, 5 a book, by the way, also greatly admired by Paton. 6 In the first section of this paper I will try to show that Reich's arguments are rather more subtle than Allison apparently takes them to be, and that Reich is one commentator who attempts to go between the horns of the dilemma described above, and who essays an interpretation of our crucial paragraph that unifies its seemingly divergent tendencies. In the second section of the paper I will introduce some interpretive elements of my own. 2. Let us begin by reacquainting ourselves with Kant's notion of analytical unity, one aspect of this debate which is not particularly controversial and is largely agreed upon by all parties. For Kant, analytical unity is the sort of unity achieved by all general concepts (conceptus communes) insofar as they abstract from all differences that subsist between the objects under them, or the lower concepts subordinated to them. 7 A general concept unifies these objects or concepts by means of a common mark or set of marks. Thus Kant's example at CPR A69/B94 of the unification of bodies under the concepts 'body' and 'divisible' is a perfectly representative instance of unification via analytical unity, as the function upon which such concepts "rest." Let us note that the " Norman KempSmith,A CommentarytoKant's "Cr/t~rueofPureReason"(NewYork:HumanitiesPress, 196~). 3 H.J. Paton, Kant's MetaphysicofExperience, 2 vols.(London:George Allenand Unwin,Ltd., 1936). 4 Henry Allison,Kant's TranscendentalIdealum (NewHaven:YaleUniversityPress, 1983), 144 n. 3o. Hereafter KTI. 5 KlausReich,Die Vollst~ndigkeitderKantischenUrteilstafel,3rd. ed. (Hamburg: Meiner, 1986). Hereafter VKU. 6 Paton, Kant's Metaphysic, 1:302. Kant, we should note, does not makethis important logicaldistinctionbetweensubordination... (shrink)

The long creative career of Aleksei Fedorovich Losev touches on many different spheres, currents, and traditions of world thought. The greater part of this manifold variety is divided between two major domains of culture: philosophy and classical philology, the study of antiquity. But such a division was by no means an insurmountable barrier for Losev. These two domains were linked together by many threads in his world view and in his work. One of the principal links running through the whole (...) of his creative career was the idea or intuition of total-unity [vseedinstvo], which has occupied both philosophers and investigators of antiquity. That this idea came to Losev was far from accidental. Total-unity is one of the dominant intuitions and pervasive themes of Russian religious-philosophical thought. It is at the center of the most important stage of the latter's development, the stage of the metaphysics of total-unity, with which Losev was intimately associated. And one cannot avoid it even now, either in the study of Losev's legacy or in broader reflections on the paths of Russian thought. (shrink)

The Principle of Universality asserts that a part retains its intrinsic value regardless of the whole in which it is a part or even whether it is part of a whole. The idea underlying this principle is that the intrinsic value of a thing supervenes on its intrinsic properties. Since the intrinsic properties remain unchanged so does the thing’s intrinsic value. In this article, I argue that, properly understood, the Principle of Universality can handle seemingly troublesome intuitions about the relative (...) intrinsic value of a vicious person having pain and his having pleasure. I specifically argue that the intuition that the former state is better is explained by the nature of the basic intrinsic-value states, which involve a person having a level of well-being and desert at a time. One implication of this is that given the nature of such basic intrinsic-value states, pleasure and pain are not value-bearing parts of virtuous and vicious attitudes. (shrink)

Today it is no news to point out that Kant’s doctrine of space as a form of intuition is motivated by epistemological considerations independent of his commitment to Euclidean geometry. These considerations surface—apparently without his own recognition—in Poincaré’s, Science and Hypothesis, the very work that helped turn analytically-minded philosophers away from the Critique. I argue that we should view Poincaré as refining Kant’s doctrine of space as the form of intuition, even as we see both views as arbitrarily (...) limited—in Kant’s case, to Euclidean transformations, and, in Poincaré's, to geometries of constant curvature. Both run together the question whether space is an a priori form of intuition with the question whether there are a priori constraints on its applied geometry. At his best, Kant sees—what Poincaré does not—that they are connected by a form of cognition consisting in the intuition of homogeneous pluralities, of totalities apprehended as unities. (shrink)

This paper is an articulation and defense of a trope-bundle theory of material objects. After some background remarks about objects and tropes, I start the main defense in Section III by answering a charge frequently made against the bundle theory, namely that it commits a conceptual error by saying that properties are parts of objects. I argue that there’s a general and intuitive sense of “part” in which properties are in fact parts of objects. This leads to the question of (...) qualitative unity: in virtue of what are certain properties unified as parts of an object? In Section IV I defend an account of unity for complex material objects. It turns on the thesis that the properties of such objects are structural properties. After addressing some objections, I turn in Section V to the question of unity for simple material objects. Here a different and more radical account is needed, for simples, since they do not have structural properties, are not subsumed by the account of Section IV. I defend the view that a simple object just is a simple property, so that identity delivers the desired unity. (shrink)

A close reading of Socrates’ arguments against the proposed definition of knowledge as true opinion together with a logos (“account”). I examine the orienting implications of his apparently destructive dilemma defeating the so-called dream theory and of his apparently decisive arguments rejecting the notions of “account” as verbalization, as working through the parts of the whole of the definiendum, and as identifying what differentiates the definiendum from all else. Whereas the dilemma implies of the object of knowledge that it must (...) be both simple and complex, the last two notions of “account” point to the kinds of discursive analysis that can do justice to its complexity; together the refutations suggest the relation between noesis, that is, eidetic intuition of the object in its simplicity, and discursive analysis of the object in its complexity that knowledge requires. (shrink)

The problem of ‘collective unity’ in the transcendental philosophies of Kant and Husserl is investigated on the basis of number’s exemplary ‘collective unity’. To this end, the investigation reconstructs the historical context of the conceptuality of the mathematics that informs Kant’s and Husserl’s accounts of manifold, intuition, and synthesis. On the basis of this reconstruction, the argument is advanced that the unity of number – not the unity of the ‘concept’ of number – is presupposed (...) by each transcendental philosopher in their accounts of the transcendental foundation of manifold, intuition, and synthesis. This presupposition is ultimately traced to Kant’s and Husserl’s responses to Hume’s philosophy of human understanding and the critical limits of what Kant calls the ‘qualitative’ unity of transcendental consciousness. These critical limits are exposed in both philosophers’ attempts to account for that ‘qualitative’ unity on the basis of the ‘quantitative’ unity of number. (shrink)

Introduction -- Part I: Growth, inquiry, and unity -- Problems with inquiry -- Aesthetic inquiry -- Inquiry, inquiry, inquiry -- Why unification? -- Part II: The metaphysics of unity -- The quest for being QUA being -- Time and individuality -- The Humpty-Dumpty intuition -- The mystical.

In this paper, I examine what is for Plato and all those who follow in his footsteps the ne plus ultra of cognition, namely, intuition (nous or noēsis). This is the paradigm of cognition, meaning that all forms of human (and even animal) cognition are inferior manifestations of this. Intuition is mental seeing, analogous to physical seeing. Among embodied souls, it is seeing a unity of some sort manifested in some diversity or plurality. Thus, someone who sees (...) that the Morning Star is the Evening Star, or that S at t1 is identical with S at t2, or that f = ma, etc., sees the unity ‘behind’ the diversity. The disembodied intellect that is the Demiurge (or, for Aristotle, the Unmoved Mover) sees paradigmatically the diversity of all intelligible being as a unity. Because mental seeing or intuition is paradigmatic for all cognition, cognition is essentially a unificatory process. Plato's method of collection and division displays both this process and its reverse. In the light of this core doctrine, I examine some of the insights that Platonists, especially Plotinus and Proclus, arrived at regarding a host of issues, including the nature of the first principle of all and the nature of normativity. (shrink)

L’article s’interroge sur l’unité intrinsèque des concepts d’intuition, d’évidence et de remplissement dans la pensée de Husserl : existe-t-il un concept formel d’intuition qui soit valable pour toutes les sphères d’objets possibles ? Peut-on transposer aux différents types d’essences ou de catégories d’objets le paradigme de l’intuition élaboré dans la sphère de la perception sensible ? Cette question nous conduit à analyser, chez Husserl, la structure et les modalités du remplissement et de l’intuition pour les singularités (...) sensibles, les essences matériales et les essences mêlant sensibilité et forme catégoriale.In our paper, we ask whether or not the concepts of intuition, insight and fulfillment have an intrinsic unity in Husserl’s thought. Does a formal concept of intuition exist, which would have a validity in all possible spheres of objects ? Is it possible to transfer to the different kinds of essences the model of intuition, which has been elaborated in the sphere of sensory perception ? That problem leads us to analyze in Husserl’s thought the structure and modalities of fulfillment and intuition for sensory singularities, for material essences and for essences that are a mix of sensibility and categorical form. (shrink)

A close reading of the dilemmatic argument and of the discussions of the three senses of logos by which Socrates appears to refute the proposal that knowledge is true judgment together with a logos. I argue that the determinateness of each of Socrates' arguments implies further lines of thought for the reader and that these lead to an understanding of the relations of intuition and discourse in inquiry and of the compossible simplicity and complexity of the object of knowledge. (...) These lines of thought find their home, as it were, in the critical turn to the conception of forms in the Parmenides and in the practice of dialectic in the Sophist and the Statesman. (shrink)