Results for 'Dieter Mersch'

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  1.  3
    Einleitung.Dieter Mersch - 2023 - Deutsche Zeitschrift für Philosophie 71 (5):721-730.
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  2.  13
    Ideen zu einer Kritik ‚algorithmischer‘ Rationalität.Dieter Mersch - 2019 - Deutsche Zeitschrift für Philosophie 67 (5):851-873.
    A critique of algorithmic rationalisation offers at best some initial reasons and preliminary ideas. Critique is understood as a reflection on validity. It is limited to an “epistemological investigation” of the limits of the calculable or of what appears “knowable” in the mode of the algorithmic. The argumentation aims at the mathematical foundations of computer science and goes back to the so-called “foundational crisis of mathematics” at the beginning of the 20th century with the attempt to formalise concepts such as (...)
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  3.  9
    Epistemologien des Ästhetischen.Dieter Mersch - 2015 - Zürich: Diaphanes.
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  4.  50
    Wittgensteins Bilddenken.Dieter Mersch - 2006 - Deutsche Zeitschrift für Philosophie 54 (6):925-942.
    Neben der Sprache spielt das Bild in Wittgensteins Philosophie eine wesentliche Rolle. Wittgenstein denkt in Bildern und mit Bildern, wie die über 1000 Handzeichnungen des Nachlasses eindrucksvoll bezeugen. Dabei nimmt das Bildliche ebenso einen eigenen Status ein, wie es gleichzeitig immer wieder als Modell oder Vergleichsfolie für die Sprachuntersuchungen fungiert. Im Vordergrund steht aber von Anfang an die Analyse der Struktur und des Gebrauchs von Plänen, Karten, Diagrammen, geometrischen Figuren oder Graphen, so dass epistemische Fragen dominieren.Der vorliegende Beitrag vertritt die (...)
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  5.  18
    Posthermeneutik.Dieter Mersch - 2010 - Akademie Verlag.
    Schmerzen, körperliche Erschöpfung, Erosionen oder Spuren zeitlichen Verfalls und ähnliches verweisen auf Erfahrungen, die sich diskursiver Einholung nicht ohne weiteres fügen. Mit dem Formlosen, der bloßen Materialität oder dem Chaos assoziiert, widersetzen sie sich den generellen Begriffen des Textes und des Verstehens. Zudem verweigern sie sich ihrer Entschlüsselung als Konstruktion - im Sinne ihrer begrifflichen Bezeichnung und Unterscheidung - wie auch ihrer Inszenierung als einer ästhetischen Praxis, weil sie in allen ihren Hervorbringungen als eine nicht aufgehende Heterogenität immer schon mitschwingen. (...)
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  6.  4
    Die Stile Martin Heideggers.Patrick Baur, Bernd Bösel & Dieter Mersch (eds.) - 2013 - Freiburg: Verlag Karl Alber.
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  7.  13
    Meta / Dia Zwei unterschiedliche Zugänge zum Medialen.Dieter Mersch - 2010 - Zeitschrift für Medien- Und Kulturforschung 1 (2):185-208.
    In media philosophy since Benjamin, the concept of medium is conceived in terms of »translation« or »transport«. In a similar vein, Christoph Tholen has brought the literal sense of »metaphor« as »meta-pherein« into focus. In my paper I argue that Tholen’s approach misses the »meta« of »metaphor«, corresponding to the Latin »trans«. This is contrasted with the greek »dia« that allows the development of a performative notion of medium, which orients itself at material practices of transition.
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  8. There are, indeed, things that cannot be put into words' (TLP 6.522) : Wittgenstein's ethics of showing.Dieter Mersch - 2009 - In Ulrich Arnswald (ed.), In Search of Meaning: Ludwig Wittgenstein on Ethics, Mysticism and Religion. Universitätsverlag Karlsruhe.
     
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  9.  10
    Actor & Avatar: A Scientific and Artistic Catalog.Dieter Mersch, Anton Rey, Thomas Grunwald, Jörg Sternagel, Lorena Kegel & Miriam Laura Loertscher (eds.) - 2023 - transcript Verlag.
    What kind of relationship do we have with artificial beings (avatars, puppets, robots, etc.)? What does it mean to mirror ourselves in them, to perform them or to play trial identity games with them? Actor & Avatar addresses these questions from artistic and scholarly angles. Contributions on the making of »technical others« and philosophical reflections on artificial alterity are flanked by neuroscientific studies on different ways of perceiving living persons and artificial counterparts. The contributors have achieved a successful artistic-scientific collaboration (...)
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  10.  12
    Aesthetic theory.Dieter Mersch, Sylvia Sasse, Sandro Zanetti & Frauke Berndt (eds.) - 2019 - Zurich: Diaphanes.
    Theodor Adorno's famous aesthetic theory was not merely a theory of the aesthetic; it also made a wider claim about the aesthetic implications of all theory. At the same time we have to deal with aesthetic objects and events in which an aesthetic theory is inherent, which show themselves as art. From both sides--theory and aesthetics--a link can be made to the etymological meaning of theōria, which understands the theoretical as a seeing or perspective. Featuring lucid essays by major thinkers, (...)
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  11. Aesthetic thinking : art as theōria.Dieter Mersch - 2019 - In Dieter Mersch, Sylvia Sasse, Sandro Zanetti & Frauke Berndt (eds.), Aesthetic theory. Zurich: Diaphanes.
     
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  12.  11
    Aspekte visueller Epistemologie. Zur ‚Logik‘ des Ikonischen.Dieter Mersch - 2011 - In David Wagner, Wolfram Pichler, Elisabeth Nemeth & Richard Heinrich (eds.), Publications of the Austrian Ludwig Wittgenstein Society - N.S. 17. De Gruyter. pp. 269-300.
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  13.  10
    Ding, Gabe und die Praxis der Künste.Dieter Mersch - 2009 - In Andreas Hetzel (ed.), Negativität Und Unbestimmtheit: Beiträge Zu Einer Philosophie des Nichtwissens. Festschrift Für Gerhard Gamm. Transcript Verlag. pp. 91-104.
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  14.  5
    Einführung.Dieter Mersch - 2015 - Internationales Jahrbuch Für Medienphilosophie 1 (1):211-214.
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  15.  14
    Einleitung: Ansätze des Posthermeneutischen.Dieter Mersch - 2010 - In Posthermeneutik. Akademie Verlag. pp. 7-30.
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  16.  4
    „Eine philosophische Weltweisheit kümmert sich um das,was jeden interessiert.“ Zum Tode Gernot Böhmes.Dieter Mersch - 2022 - Allgemeine Zeitschrift für Philosophie 47 (2):293-303.
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  17.  12
    Ökologie und Ökologisierung: Befragung eines kritischen Topos.Dieter Mersch - 2018 - Internationales Jahrbuch Für Medienphilosophie 4 (1):187-220.
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  18.  11
    Kunstmaschinen Zur Mechanisierung von Kreativität.Dieter Mersch - 2005 - In Gerhard Gamm (ed.), Unbestimmtheitssignaturen der Technik. Transcript Verlag. pp. 149-168.
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  19.  4
    Meta / Dia Zwei unterschiedliche Zugänge zum Medialen.Dieter Mersch - 2010 - Zeitschrift für Medien- Und Kulturforschung 1 (2):186-216.
    In media philosophy since Benjamin, the concept of medium is conceived in terms of »translation« or »transport«. In a similar vein, Christoph Tholen has brought the literal sense of »metaphor« as »meta-pherein« into focus. In my paper I argue that Tholen's approach misses the »meta« (»in the middle« or »beyond«) of »metaphor«, corresponding to the Latin »trans«. This is contrasted with the greek »dia« that allows the development of a performative notion of medium, which orients itself at material practices of (...)
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  20.  13
    Medienphilosophie der sprache.Dieter Mersch - 2005 - In Mike Sandbothe & Ludwig Nagl (eds.), Systematische Medienphilosophie. De Gruyter. pp. 113-128.
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  21.  24
    Performativität und Gewalt: Überlegungen zur Tragödie im Ethischen.Dieter Mersch - 2015 - In Andreas Hetzel & Gerhard Gamm (eds.), Ethik - Wozu Und Wie Weiter? Bielefeld: Transcript Verlag. pp. 185-204.
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  22.  22
    Representation and Distortion: On the Construction of Rationality and Irrationality in Early Modern Modes of Representation.Dieter Mersch - 2008 - In Jan Lazardzig, Ludger Schwarte & Helmar Schramm (eds.), Theatrum Scientiarum - English Edition, Volume 2, Instruments in Art and Science: On the Architectonics of Cultural Boundaries in the 17th Century. De Gruyter. pp. 20-37.
  23.  12
    Schluss: Unterwegs zu einer posthermeneutischen Philosophie des Kulturellen.Dieter Mersch - 2010 - In Posthermeneutik. Akademie Verlag. pp. 309-339.
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  24.  21
    2. Teil: Die Unverständlichkeit.Dieter Mersch - 2010 - In Posthermeneutik. Akademie Verlag. pp. 131-200.
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  25.  13
    1. Teil: Präsenz und Absenz.Dieter Mersch - 2010 - In Posthermeneutik. Akademie Verlag. pp. 31-130.
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  26.  14
    3. Teil: Performativität und Responsivität.Dieter Mersch - 2010 - In Posthermeneutik. Akademie Verlag. pp. 201-308.
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  27. Von der Destruktion der Ontologie zur Grundlegung einer Sozialphilosophie des "anderen Menschen".Dieter Mersch - 2016 - In Burkhard Liebsch (ed.), Der Andere in der Geschichte - Sozialphilosophie im Zeichen des Krieges: ein kooperativer Kommentar zu Emmanuel Levinas' Totalität und Unendlichkeit. Freiburg: Verlag Karl Alber.
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  28.  4
    Von Metaphysikkritik zu non-naturalistischen Ökologien.Dieter Mersch - 2023 - Zeitschrift für Kulturphilosophie 2023 (1):18-34.
    Three phases of a cultural-philosophical criticism can be distinguished during the last 100 years: Firstly, the metaphysical critique of Heidegger, Wittgenstein, and Adorno, secondly, the poststructuralist critique of representation as put forward by Roland Barthes, Michel Foucault, and Jacques Derrida and thirdly ecological critiques as a countermovement, as emanating from Speculative Realism, New Materialism, and Latour's Actor-Network-Theory. Beyond critiques of rationality and of power and discourse, ecological critiques situate the human being in the exterior, which in some traits allows a (...)
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  29.  16
    Writing and event.Dieter Mersch - 2003 - Semiotica 2003 (143):61-68.
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  30.  15
    Wozu Medienphilosophie? Eine programmatische Einleitung.Dieter Mersch - 2015 - Internationales Jahrbuch Für Medienphilosophie 1 (1):13-48.
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  31.  11
    Zweck und Zwecklosigkeit der Künste.Dieter Mersch - 2003 - Deutsche Zeitschrift für Philosophie 51 (6):1065.
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  32. Platon im nachmetaphysischen Zeitalter.Gregor Schiemann & Dieter Mersch (eds.) - 2006 - Wissenschaftliche Buchgesellschaft.
    Die Beschäftigung mit Platon hat eine lange Geschichte, Rezeptionen seines Denkens sind so prägend für die Philosophiegeschichte geworden, dass diese verständlicherweise zuweilen als eine Sammlung von Fußnoten zu seinem Werk begriffen wurde. Das gilt besonders für einen durchgängigen metaphysischen Zug des abendländischen Denkens, ein grundsätzliches Ordnungsmodell aus der Antike, das, christlich gewendet, die Theoriebildung bis in unsere Tage fundiert. Aber mit einer Reihe anderer Gewissheiten ist auch dieser erfolgreiche Platonismus Gegenstand der Kritik geworden. Kann und soll man den metaphysischen Platon (...)
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  33.  4
    Bild: ein interdisziplinäres Handbuch.Stephan Günzel, Dieter Mersch & Franziska Kümmerling (eds.) - 2014 - Stuttgart: Metzler.
    Vom Tafelbild über den Film bis zum 3D-Bild. Bilder überfluten uns in allen Bereichen der Gesellschaft, der Umgang mit digitalen Bildern wird immer wichtiger. Seit dem Pictorial oder Iconic Turn haben sich auch die Kulturwissenschaften des Themas angenommen und eine Wissenschaft vom Bild und der Bildwahrnehmung begründet. Das Handbuch gibt erstmals einen umfassenden Überblick, erläutert Grundlagen wie Semiotik, Phänomenologie und Ikonologie, analysiert verschiedene Einzelmedien und sich anschließende Bilddiskurse. Ein abschließender Teil beleuchtet die Bildtheorien verschiedener Disziplinen, und wie sich diese als (...)
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  34.  9
    The Changing Face of Alterity: Communication, Technology and Other Subjects.David J. Gunkel, Ciro Marcondes Filho & Dieter Mersch (eds.) - 2016 - New York: Rowman & Littlefield Publishers.
    Addressing a challenge and opportunity that is definitive of life in the 21st century, this book provides a range of possible solutions that serve to motivate and structure future research and debate around the concept of 'the other' in communication.
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  35.  14
    Beyond Mimesis: Aesthetic Experience in Uncanny Valleys.Jörg Sternagel, James Tobias & Dieter Mersch (eds.) - 2023 - Lanham: Rowman & Littlefield Publishers.
    This book gathers an interdisciplinary group of thinkers to ask if intersubjective acts of relating can be transferred to artificial beings without remainder. Using the uncanny valley model developed by Masahiro Mori, this significant contribution to performance philosophy presents a clear framework to consider aesthetic experience beyond mimesis.
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  36.  7
    The changing face of alterity: communication, technology, and other subjects.David J. Gunkel, Ciro Marcondes & Dieter Mersch (eds.) - 2016 - New York: Rowman & Littlefield International.
    Addressing a challenge and opportunity that is definitive of life in the 21st century, this book provides a range of possible solutions that serve to motivate and structure future research and debate around the concept of 'the other' in communication.
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  37. Rezension: Dieter Mersch (Hg.): Gespräche über Wittgenstein.Richard Raatzsch - 1996 - Wittgenstein-Studien 3 (2).
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  38.  5
    Kunst als Organon der Medienphilosophie? Dieter Mersch führt in die Medientheorien ein.Jens Kertscher - 2007 - Zeitschrift für Kulturphilosophie 2007 (1):165-169.
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  39.  9
    Raum und die Struktur des Lexikons.Dieter Wunderlich - 1986 - In Hans G. Bosshardt (ed.), Perspektiven Auf Sprache: Interdisziplinäre Beiträge Zum Gedenken an Hans Hörmann. De Gruyter. pp. 212-231.
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  40. Die Antinomien der Logik – Der Kern des Problems und seine Pragmatik.Dieter Wandschneider - 1993 - In PRAGMATIK, Vol. IV. Hamburg: pp. 320–352.
    First I argue that the prohibition of linguistic self-reference as a solution to the antinomy problem contains a pragmatic contradiction and is thus not only too restrictive, but just inconsistent (chap.1). Furthermore, the possibilities of non-restrictive strategies for antinomy avoidance are discussed, whereby the explicit inclusion of the – pragmatically presuposed – consistency requirement proves to be the optimal strategy (chap.2). The central question here is that about the actual reason for antinomic structures. It turns out to be a form (...)
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  41. Explaining the Paradoxes of Logic – The Nub of the Matter and its Pragmatics.Dieter Wandschneider - 1993 - In PRAGMATIK, Vol. IV. Hamburg:
    [[[ (Here only the chapters 3 – 8, see *** ) First I argue that the prohibition of linguistic self-reference as a solution to the antinomy problem contains a pragmatic contradiction and is thus not only too restrictive, but just inconsistent (chap.1). Furthermore, the possibilities of non-restrictive strategies for antinomy avoidance are discussed, whereby the explicit inclusion of the – pragmatically presuposed – consistency requirement proves to be the optimal strategy (chap.2). ]]] The central question here is that about the (...)
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  42.  5
    Arbeitsbuch Semantik.Dieter Wunderlich - 1980 - Königstein/Ts.: Athenäum.
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  43. The Philosophy of Nature of Kant, Schelling and Hegel.Dieter Wandschneider - 2010 - In Dean Moyar (ed.), The Routledge Companion to Nineteenth Century Philosophy: London, New York. London, New York: Routledge. pp. 64—‘l03.
    The present investigation brings into view the philosophy of nature of German Idealism, a philosophical movement which emerged around the beginning of the nineteenth century. German Idealism appro- priated certain motivations of the Kantian philosophy and developed them further in a "speculative" manner (Engelhardt 1972, 1976, 2002). This powerful philosophical movement, associated above all with the names of Fichte, Schelling and Hegel - and moreover having nothing whatsoever to do with the "subjective idealism" of George Berkeley - was replaced by (...)
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  44. Das 'eigentlich schwierige Problem' phänomenaler Wahrnehmung.Dieter Wandschneider - 2015 - Zeitschrift für Philosophische Forschung 69 (4):550-568.
    The center of this investigation is the ‘real hard problem’ of phenomenal perception (Chalmers), i.e. of the qualitative kind of perception presenting the subject with forms, colors, smell, pleasurable or negative feelings etc.; the problem of Human consciousness, however, will explicitly not be treated. The ‘explanatory gap’ (Levine) complained by the philosophy of mind, that is to say the failure of all attempts to supply a neuronal explanation of experiences, is emergence-theoretically treated: Systems own properties and laws different from their (...)
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  45. Zur Seinsweise des Psychischen.Dieter Wandschneider - 2016 - Zeitschrift für Philosophische Forschung 70 (1):28-46.
    The study ties in with former considerations concerning the problem of phenomenal perception of higher animals. Accordingly the phenomenal character, qualia included, results from the adjustment of perceptions to (typal) behavioral dispositions under the principle of self-preservation: an emergence phenomenon provided by the constitutive system unity of perception and behavior, here characterized as percept-act-system. Thereby the subject of behavior can be explained as an emergent instance of the – system-theoretically highest rank – percept-act-level. In terms of the principle of self-preservation (...)
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  46. Dialectic as the 'Self-Fulfillment' of Logic.Dieter Wandschneider - 2010 - In Nektarios Limnatis (ed.), The Dimensions of Hegel's Dialectic. London, New York: Continuum. pp. 31–54.
    The scope of my considerations here is defined along two lines, which seem to me of essential relevance for a theory of dialectic. On the one hand, the form of negation that – as self-referring antinomical negation – gains a quasi-semantic expulsory force [Sprengkraft] and therewith a forwarding [weiterverweisenden] character; on the other hand, the notion that every logical category is defective insofar as the explicit meaning of a category does not express everything that is already implicitly presupposed for its (...)
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  47. Zur Struktur dialektischer Begriffsentwicklung.Dieter Wandschneider - 1997 - In Das Problem der Dialektik. Bonn: Bouvier. pp. 114–169.
    Previous efforts to bring the Hegelian dialectic closer to a clarification give reason for skepticism. The question: "What is dialectic", according to Dieter Henrich, "has remained without an answer so far". Hegel's objective-idealistic program is, however, so much linked to the possibility of a dialectical logic that it is an urgent desideratum to gain clarity about the stringency of dialectical argumentation. But this is only possible on the basis of a theory of dialectic. Hegel's own reflection on methods cannot (...)
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  48. Farewell to Chalmers' Zombie - The 'Principle Self-Preservation' as the Basis of 'Sense'.Dieter Wandschneider - 2018 - Zeitschrift für Philosophische Forschung 72:246-262.
    My argument is that Chalmers' zombie fiction and his rigid-designator-argument going back on Kripke comes down to a petitio principii. Rather, at the core it appears to be more related to the essential 'privacy' of the phenomenal internal perspective. In return for Chalmers I argue that the 'principle self-preservation' of living organisms necessarily implies subjectivity and the emergence of sense. The comparison with a robot proves instructive. The mode of 'mere physical' being is transcended if, in the form of phenomenal (...)
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  49. The 'Hard Problem' of Phenomenal Perception.Dieter Wandschneider - 2015 - Zeitschrift für Philosophische Forschung 69:550–568.
    The center of this investigation is the hard problem of phenomenal perception. To be clear, hereby it is thought of higher animals; accordingly the problem of Human consciousness will explicitly not be treated. The so-called explanatory gap (Levine), i.e. missing a neural explanation of experiences, here is emergence-theoretically countered: It is argued that systems own properties and laws different from those of their components. Applied to the brain the phenomenal character of perception is explained as an emergence effect from the (...)
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  50. Seeing Zombie Off - Axiologically - Nomologically.Dieter Wandschneider - 2018 - Zeitschrift für Philosophische Forschung 72:590-597.
    The zombie, mocking all nomological arguments, gives rise to axiological considerations that also result in a vindication of the nomological paradigm. So the ‘philosophical benefit of zombies’ ultimately proves to be that they lead to an understanding they were originally invented to refute.
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