In his famous essay “Of the Standard of Taste,” Hume seeks to reconcile two conflicting intuitions—one affirming the subjectivity and variety of taste and the other acknowledging the existence of an artistic standard that is both based on taste and has stood the test of time—by postulating “ideal critics”1 who can serve as the arbiters of taste. However, because philosophers disagree about the role of the ideal critics themselves, instead of settling the matter, Hume’s attempt at reconciliation has created more (...) controversy rather than less. Some, like Noël Carroll, think that the ideal critic is a redundant heuristic device and should be dispensed with,2 while others, like Peter Kivy, are concerned that by .. (shrink)

Animal ethics committees (AECs) appeal to utilitarian principles in their justification of animal experiments. Although AECs do not grant rights to animals, they do accept that animals have moral standing and should not be unnecessarily harmed. Although many appeal to utilitarian arguments in the justification of animal experiments, I argue that AECs routinely fall short of the requirements needed for such justification in a variety of ways. I argue that taking the moral status of animals seriously—even if this falls short (...) of granting rights to animals—should lead to a thorough revision or complete elimination of many of the current practices in animal experimentation. (shrink)

In his new book Animals and African Ethics, Kai Horsthemke examines whether an African morality can be extended to include animal rights. He argues that the African ethical systems of ubuntu and ukama, because they are anthropocentric at heart, do not adequately make space for animal rights. In his defense of animal rights, Horsthemke responds to arguments claiming that there is a difference between racism and speciesism, and that the latter is morally justifiable even though the former is not. I (...) examine this discussion and agree with Horsthemke that the arguments in favor of speciesism are weak. I defend the claim that—like racism—speciesism is morally unjustifiable. (shrink)

This paper defends a version of “suspension of disbelief” in an analysis of the problem concerning our emotional responses to fictional characters. The paper begins with an analysis of the issues, as raised initially by Colin Radford. It then offers an examination of Coleridge's notion of the suspension of disbelief. It is argued that a developed version of this concept provides a solution to Radford's problem. The concept is defended against possible objections. Finally, its psychological plausibility is examined. S. Afr. (...) J. Philos. Vol.21(3) 2002: 190-199. (shrink)

The paper defends Wollheim’s account of aesthetic expressive perception by showing that it may fruitfully be extended to artistic genres other than painting. The paper hopes to show the richness of Wollheim’s theory of expressive projection as an account of aesthetic perception. In investigating the application of Wollheim’s account of artistic expression to literature, I shall illustrate how understanding expression as the result of the projective activity of the writer is a useful way of understanding some of the expressive properties (...) of two poems by Wordsworth. I shall also attempt to show how Wordsworth’s poems require and facilitate the activity of projection by the reader, so as to allow for the appreciation of the work’s expressive properties. In exploring the application of Wollheim’s account of expression-as-projection to poetry, this paper will also attempt to defend Wollheim’s account against some objections raised by Malcolm Budd. (shrink)

In this paper, I hope to show how a recent theory in the philosophy of mind concerning how we ‘read’ the minds of others – namely, Heal’s version of simulation theory – is consistent with the view that the kind of understanding we bring to bear on the irrational is different in kind from the way we understand one another in the course of everyday life. I shall attempt to show that Heal’s version of simulation theory (co-cognition) is to be (...) favoured over its rival ‘theory theories’ in the light of its accommodation of deeply irrational mental states. I claim that simulation theory preserves an asymmetry of psychological explanation which is not similarly preserved by a theory theory account, and I argue that this preservation of asymmetry is an advantage of Heal’s account. (shrink)

I argue that cultural practices that harm animals are not morally defensible: Tradition cannot justify cruelty. My conclusion applies to all such practices, including ones that are long-standing, firmly entrenched, or held sacred by their practitioners. Following Mary Midgley, I argue that cultural practices are open to moral scrutiny, even from outsiders. Because animals have moral status, they may not be harmed without good reason. I argue that the importance of religious or cultural rituals to adherents does not count as (...) a sufficiently good reason to harm or kill animals, since rituals are inherently symbolic, and cultures are able to adapt and change, making adherence to cruel traditions unnecessary. (shrink)

I defend Hume's account of tragic pleasure against various objections. I examine his account of the emotions in order to clarify his "conversion theory". I also argue that Hume does not give us a theory of tragedy as an aesthetic genre, but rather elucidates the felt experience of a particular work of tragedy. I offer a partial reading of King Lear by way of illustration. Finally, I suggest that the experiences of aesthetic pleasure, and aesthetic sadness, share certain qualities. "Tragic (...) pleasure" is possible, in part, because the pity of tragedy is realised through the pleasure of the aesthetic. (shrink)

'It is ... exactly because Hecuba is nothing to us that her sorrows are so suitable a motive for a tragedy.' Oscar Wilde Much of the contemporary debate concerning the nature and role of fictive emotions has argued that we do feel garden-variety emotions for fictional characters; the puzzle has been to account for this, given our knowledge of their fictional status. In this paper I argue that many of the emotional responses we have towards fictional characters are nothing like (...) the emotions we feel in ordinary life. The implications for our engagement with literary fictions are subsequently examined. S. Afr. J. Philos. Vol.22(3) 2003: 267–275. (shrink)

Contemporary philosophical discussion on the nature of the imagination has been influenced by recent empirical work in cognitive science. Our imaginative and emotional engagement with works of fiction has been explained by appealing to the similarities between our ordinary cognitive functioning and the workings of our imagination. Believing and imagining, it is argued, are governed by a “single code.” I argue against this claim, and suggest that our imagination – and in particular our literary imagination – in many respects functions (...) very differently from ordinary cognition. (shrink)

The Kleinian psychoanalyst Hanna Segal argues for the reparative nature of art, and especially of the genre of classical tragedy. According to Kleinian theory, healthy psychological development requires that early infantile aggressive and destructive emotions are worked through; such “working through” is necessary for the development of conscience, for feelings of empathy, as well as for cognitive development. It is also a necessary condition for creative activity. Segal examines the roots of the impulse to create by looking specifically at the (...) genre of classical tragedy; she argues that the pleasure we derive from tragedy is non-contingently related to the distressing elements of the drama. Thus not only are the formal and aesthetic elements important for the containment of powerfully distressing emotions, but the distressing emotions themselves are a necessary ingredient of the aesthetic pleasure This paper will examine Segal’s discussion of tragedy in the light of her commitments to Kleinian theory, and it will attempt to explore more fully the contributions of difficult or painful emotions towards aesthetic pleasure. (shrink)

This paper argues against the view that the Freudian unconscious can be understood as an extension of ordinary belief-desire psychology. The paper argues that Freud’s picture of the mind challenges the paradigm of folk psychology, as it is understood by much contemporary philosophy of psychology and cognitive science. The dynamic unconscious postulated by psychoanalysis operates according to rules and principles which are distinct in kind from those rules that organise rational and conscious thought. Psychoanalysis offers us a radical reconception of (...) our ordinary way of thinking about our own minds. (shrink)

In this brief reply to the essays by Edwin Etieyibo, Thad Metz, and Elisa Galgut, I argue that African morality is neither biocentric nor ecocentric in the sense of accepting that “there is no significant moral difference between animal and human slaughter and rituals,” and that African modal relationalism is problematic in both its empirical assumptions and its normative counsel. I concede that anthropocentrism, whether this involves the view that only human beings merit moral treatment or the view that (...) any human is necessarily superior to or more significant morally than any other animal, is not essential to African morality. There exist several resources in African philosophical thinking for deriving a nonanthropocentric and nonspeciesist ethical orientation. The task, however, is a formidable one that requires imagination as well as intellectual consistency and honesty. (shrink)

Most moral theorists agree that it is one thing to believe that someone has slighted you and another to resent her for the insult; one thing to believe that someone did you a favor and another to feel gratitude toward her for her kindness. While all of these ways of responding to another's conduct are forms of moral appraisal, the reactive attitudes are said to 'go beyond' beliefs in some way. We think this claim is adequately explained only when we (...) take seriously the fact that reactive attitudes are emotions. In this paper, we appeal to insights of the emotions literature to highlight one key way in which reactive attitudes go beyond beliefs: beliefs about a person and her morally significant conduct merely ascribe to the person the property of having performed a morally significant action, while reactive attitudes are ways of experiencing that person as having performed a morally significant action. We then suggest that appreciating this is a crucial first step toward understanding why reactive emotions play roles in our practices around responsibility that beliefs do not. (shrink)

Animal Suffering: Philosophy and Culture explores the multifaceted moral meanings allocated to non-human suffering in contemporary Western culture.

Empathy is a term used increasingly both in moral theory and animal ethics. Yet, its precise meaning is often left unexplored. The book aims to tackle this by clarifying the different and even contradictory ways in which “empathy” can be defined.

New genetic technologies promise to generate valuable insights into the aetiology of several psychiatric conditions, as well as a wider range of human and animal behaviours. Advances in the neurosciences and the application of new brain imaging techniques offer a way of integrating DNA analysis with studies that are looking at other biological markers of behaviour. While candidate 'genes for' certain conditions, including schizophrenia and bipolar disorders, are said to be 'un-discovered' at a faster rate than they are discovered, many (...) studies are being conducted on personality traits such as aggressiveness and anti-social traits. The clinical applicability and implications of these studies are often discussed within the scientific community. However, little attention has so far been paid to their possible policy implications in relation to criminality management and to Criminal Law itself. Similarly, the related ethical issues arising in the field of crime control, and the tensions between enhancing security for society and protecting civil liberties, are currently under-explored. This paper investigates these ethical issues by focusing on the views of those professionals – including judges, lawyers, probation officers and social workers – who work with individuals 'deemed at risk' of violent and aggressive behaviours. It also discusses and problematizes mainstream rhetoric and arguments around the notion of 'risky individuals'. (shrink)

It is now a commonplace that emotions are not mere sensations but, rather, conceptually contentful states. In trying to expand on this insight, however, most theoretical approaches to emotions neglect central intuitions about what emotions are like. We therefore need a methodological shift in our thinking about emotions away from the standard accounts' attempts to reduce them to other mental states and toward an exploration of the distinctive work emotions do. I show that emotions' distinctive function is to engage us (...) with both objective and personal values. Attention to emotions' work reveals that it is precisely their “unruliness” that allows them to play meaningful roles in our lives. (shrink)

This article deals with various responses to the phenomenon of Orientalism. Since the publication of Edward Said s book _Orientalism_, there has been an ongoing discussion about the influence of Orientalism on contemporary social sciences in the East. In the West, Orientalism was an original theory, but in the East its acceptance was tantamount to an assimilation of foreign point of view on social reality. I argue that it is a symptom of provincialism among scientists from the East. Even though (...) most of them tried to overcome Orientalism, they used the same categories and methodology. In this sense they repeated its mistakes and misunderstandings. This article analyzes different attempts of overcoming Orientalism and shows why they are provincial. (shrink)

To date, 1.7 million US military service personnel have been deployed to Iraq and Afghanistan. Of those, one in five are suffering from diagnosable combat-stress related psychological injuries including Posttraumatic Stress Disorder (PTSD). All indications are that the mental health toll of the current conflicts on US troops and the medical systems that care for them will only increase. Against this backdrop, research suggesting that the common class of drugs known as beta-blockers might prevent the onset of PTSD is drawing (...) much interest. I urge caution against accepting too quickly the use of beta-blockers for dealing with the psychological injuries that combat experiences can wreak. Beta-blockers are thought to work by disrupting the formation of emotionally disturbing memories that typically occur in the wake of traumatic events and that in some people manifest as PTSD. Focusing on a single dimension of soldiers' experience in combat, namely, their perpetration of other-directed violence, I argue that some of the emotional memories blunted by beta-blockers play important roles in the recovery of moral aspects of soldiers' selves damaged by experiences of combat violence — specifically, in the achievement of a state of grace— and, therefore, that the use of beta-blockers may come with distinct moral costs. (shrink)

Empathy has become a common point of debate in moral psychology. Recent developments in psychiatry, neurosciences and social psychology have led to the revival of sentimentalism, and the ‘empathy thesis’ has suggested that affective empathy, in particular, is a necessary criterion of moral agency. The case of psychopaths – individuals incapable of affective empathy and moral agency, yet capable of rationality – has been utilised in support of this case. Critics, however, have been vocal. They have asserted that the case (...) of autism proves the empathy thesis wrong; that psychopathy centres on rational rather than empathic limitations; that empathy is not relevant to many common normative behaviours; and that rationality is required when empathy fails. The present paper analyses these four criticisms. It will be claimed that they each face severe difficulties, and that moral agency ought to be approached via a multi-tier model, with affective empathy as a baseline. (shrink)

Altruism has often been thought to be the reason we treat animals with a certain moral respect. Animals are not moral agents who could reciprocally honour our well being, and because of this duties toward them are considered to be based on other-directed motivations. Altruism is a vague notion, and in the context of animals can be divided into at least three different alternatives. The first one equates altruism with benevolence or "kindness"; the second one argues altruism is based on (...) recognising inherent value in others; and the third one emphasises identification. Out of these three the first one seems the poorest, for it ultimately falls into egoism: we treat animals with respect out of a need to cultivate our "humanity". The second option is well justified and has been defended thoroughly in the field of animal ethics. Still, it has been criticised recently for being too theory-dependent and even abstract. The third alternative seems tempting in its willingness to give room to practice instead of emphasising abstract moral notions. However, this willingness also comes with a price, for it seems unclear what the mere concentration on contexts and practice can tell us about duties and norms. The main problem is fitting together identification as a practical grounds for moral sentiment with the need for "codified" and even abstract moral principles. One way to do this, the paper suggests, is to use a three-level approach that seeks to take both sides into account. (shrink)

Suzanne Lacy introduced the term ‘New Genre Public Art’ (NGPA) to refer to art practices that depart from those traditional of public art (such as installing works in parks and plazas) and focus instead on the direct engagement of artists with audiences to deal with pressing socio-political issues. In this paper, I argue that some works of NGPA should be valued for the intellectual value grounded in their artistic features, not dissimilarly to works of conceptual art. In developing my argument, (...) I take distance from Vid Simoniti’s recent account of ‘Socially Engaged Art’, offer a thorough analysis of Thomas Hirschhorn’s Bataille Monument (2002) and Kathrin Bohm’s and Stefan Saffer’s Mobile Porch (1999), and submit that both such works qualify as good works of NGPA. (shrink)

What Aristotle meant by katharsis has tantalised philosophers, psychologists, and literary critics alike for centuries - from metaphors of purgation, purification and ritual cleansing, to claims that katharsis is not an experience of the audience but a property of the play1, a release of feeling, or a kind of pleasure 2. Some authors, such as Daniels and Scully3, even deny that katharsis is essentially an aspect of the emotional experiences of an audience. This paper will provide an attempt at gaining (...) insight into the “singular phenomenon”4 of tragic katharsis via the lens of the psychoanalyst Hanna Segal. My paper will begin by looking at some of the arguments I find most persuasive regarding the nature of katharsis; I shall then turn my attention to Segal’s discussion of tragedy. The final part of the paper will attempt to show how Segal’s discussion can shed light on the analysis of tragedy that Aristotle provides in his Poetics. (shrink)

Este texto é a primeira parte do terceiro capítulo de minha tese de doutoramento - MÁRIO DE ANDRADE, PLURAL . Aí, tenta-se a produção de um biografema à maneira de Roland Barthes, de quem é a epígrafe do capítulo. O biografema é uma livre-produção textual na medida em que não deriva de significado , mas, enfatizando imagens, cenas, gestos, fragmentos textuais, pulsões, opera significancias. O biografema não dispensa a biografia - usa-a, desmembra-a, desgasta-a. Disseminação, o biografema não hesita em lançar (...) mão de todos os operadores de linguagem à disposição. Se a biografia opera com dados, instituindo a verossimilhança no biografado, o biografema retém o arbitrário na produção do ser-de-tinta que imprime no papel.Ce texte est une partie du troisième chapitre de mon Doctorat de 3 ème Cycle - Mário de Andrade: Pluriel . Il s'agit d'un essai de production d'un biographème, à la façon de Roland Barthes. Le biographème c'est de la production textuelle à la dérive des signifiants. Ne s'inquiétant point de la vérité, le biographème joue à la vraisemblance tout en la déjouant. Dissémination, un biographème n'hesite pas à mètre en oeuvre tous les opérateurs de langage a sa portée. Agissant de la sorte, il fait usage de la biographie, Técartelle en la rendant autre à l'écart Si la biographie travaille avec des faits en vue de l'établissement du vraisemblable du biographe, le biographème retient l'arbitraire de la production de cet "être-en-encre" qu'il imprime sur le papier. Son enjeu c'est donc le jeu des images, des scènes, des gestes, des fragments textuels, des pulsions, c'est-à-dire, des signifiances. (shrink)

O artigo apresenta uma reflexão, no ambiente acadêmico, sobre as relações interdisciplinares, que são distintas da disciplinaridade e da multidisciplinaridade, estas já bem sedimentadas. Para tanto, compreende a disciplina como um campo específico de conhecimento, em termos teóricos e metodológicos, situando a interdisciplinaridade como uma resposta às limitações impostas pela especialização disciplinar. A partir de uma metodologia que utiliza a revisão bibliográfica como elemento central, conclui que a vocação do campo de conhecimento das Ciências das Religiões para a interdisciplinaridade se (...) dá pela disposição e possibilidade teórica e organizacional de pesquisadores, de diferentes áreas de conhecimento,compartilharem de um mesmo espaço acadêmico. Destaca a identidade das Ciências das Religiões, enquanto disciplina, e remete para a importância de diálogos interdisciplinares para a produção de novos conhecimentos. Recorda finalmente o trabalho pioneiro de Max Muller, considerado um dos fundadores da área de Ciências das Religiões, cujo método por ele proposto, chamado filológico, dá pistas para a aplicação do conceito de interdisciplinaridade. (shrink)

In this article we critically reflect on ‘feminist research methods’ and ‘methodology’, from the perspective of a feminist research unit at a South African university, that explicitly aims to improve gender-based violence service provision and policy through evidence-based advocacy. Despite working within a complex and inequitable developing country context, where our feminist praxis is frequently pitted against seemingly intractable structural realities, it is a praxis that remains grounded in documenting the stories of vulnerable individuals and within a broader political project (...) of working towards improving the systems that these individuals must navigate under challenging social and structural conditions. We primarily do this by working with non-governmental organisations (NGOs) providing gender-based violence services in research conceptualisation, design and implementation. This raises unique and complex questions for feminist participatory research, which we illustrate through a case study of collaborative, participatory research with NGOs to improve health and criminal justice outcomes for survivors of sexual violence. Issues include the possibility of good intentions/good research designs failing; the suitability of participatory research in sensitive service provision contexts; the degree(s) of engagement between researchers, service providers (collaborators/participants) and research participants; as well as our ethical duties to do no harm and to promote positive, progressive change through personal narratives and other forms of evidence. Given the demands of our context and these core issues, we not only argue that there are no ‘feminist methods’, but also caution against the notion of a universal ‘feminist methodology’. Whilst we may all be in agreement about the centrality of gender to our research and analysis, the fundamental aims and assumptions of mainstream (Western) feminist approaches do not hold true in all contexts, nor are they without variance in mode, ideal degrees of participation and importance to social context. (shrink)

This paper aims to investigate the significance of mood for a philosophical approach to emotion. Are moods problematic because they constrain us in an affective cage? Or do they rather give us access to the world? The starting point for this investigation is the work of Martin Heidegger: I analyze what he defines as vorweltlich arguing that this term refers to the emotional dimension of human existence, in particular, to mood, or, in Heideggerian terms, Stimmung. Human existence is not just (...) a neutral being-there but a being-affected, a being-in-a-mood. I then move on to consider the role of mood in relation to the concept of transcendence, providing an analysis of two main source of inspiration in Heidegger’s thought: Augustine and Aristotle. This allows us to distinguish three aspects of Stimmung : Stimmung as openness to the world, Stimmung as teleological movement, and Stimmung as event of ontological difference. In the final section, I discuss the contribution of these aspects of Heidegger’s thought to the contemporary debate on emotions. (shrink)

The critical examination of current hypotheses is one of the key ways in which scientific fields develop and grow. Therefore, any critique, including Haidle and Schlaudt’s article, “Where Does Cumulative Culture Begin? A Plea for a Sociologically Informed Perspective,” represents a welcome addition to the literature. However, critiques must also be evaluated. In their article, Haidle and Schlaudt review some approaches to culture and cumulative culture in both human and nonhuman primates. H&S discuss the “zone of latent solutions” hypothesis as (...) applied to nonhuman primates and stone-toolmaking premodern hominins. Here, we will evaluate whether H&S’s critique addresses its target. (shrink)