The question of judgment has become one of the central problems in recent social, political and ethical thought. This paper explores Hannah Arendt's decisive contribution to this debate by attempting to reconstruct analytically two distinctive perspectives on judgment from the corpus of her writings. By exploring her relation to Aristotelian and Kantian sources, and by uncovering debts and parallels to key thinkers such as Benjamin and Heidegger, it is argued that Arendt's work pinpoints the key antinomy within political judgment itself, (...) that between the viewpoints of the political actor and the political spectator. The paper concludes by highlighting some lacunae and difficulties in the development of Arendt's account, difficulties that set challenges for those theorists (such as Seyla Benhabib and Alessandro Ferrara) who wish to appropriate and extend Arendt's contribution into the field of contemporary critical theory. Key Words: action • aesthetics • community • freedom • history • judgment • reflection. (shrink)

This article explores the origins of the problematic of political community by considering it in relation to the founding principles of `modern thought'. These principles are identified with the extirpation of moral values and ends from nature, in keeping with the rise of a `disenchanted' and mechanical scientific world-view. The transition from an `ancient' to a `modern' world-view is elaborated by drawing upon the work of Hans Blumenberg and Leo Strauss. The `demoralization' of nature, it is claimed, projects the formation (...) of the political commons into the space of history, a space within which community must be produced via artifice on the part of the willing subject. This Leitbild of modern community is examined through a reading of Hobbes's Leviathan which, it is claimed, stands as the founding attempt to remember the political commons from the sphere of human immanence, without recourse to natural or theological externality. However, it is argued, nature occupies an intermediary and ambiguous position in Hobbes's thought, at once transcended and reinscribed into political life as a `hedonist anthropology' that defines the human animal. Further, Hobbes's insistence that conventionally produced standards need be misrecognized as necessary and non-contingent undermines their legitimacy from the standpoint of human autonomy. This failure to break decisively with the appeal to nature leads to a political community that is at best a simulacrum, far removed from the vision of ethical unity that characterizes the classical conception of the polis and political life. Yet, it is argued, Hobbes's strategy nevertheless presents the key to subsequent attempts to complete a political `revolt' against nature, as developed in the thought of Rousseau, Kant and Hegel. (shrink)

This paper attempts to sketch a critical model of political community by drawing upon recent contributions to the theory of ‘recognition’, particularly in the work of Axel Honneth. The paper proceeds by, first, delineating key features shared by a range of positions associated with ‘communitarianism’, along with the limitations and problems incurred by these commitments. The second part of the paper attempts to mobilise Honneth’s theoretical work to develop a conception of community that shares a number of the basic premisesvis-á-vis (...) political life associated with communitarianism, but which nevertheless accommodates the reservations expressed by communitarianism’s liberal and radical critics. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:How I Hate You, CancerClaire YarMigraine. That’s what we thought. They run in my family, so why not? My beautiful, bright, extroverted ten–year–old daughter’s neurological exam was unremarkable, but she had a bad headache and was vomiting in the early morning hours. Migraine didn’t seem that much of a stretch. Our savvy pediatrician had a gut feeling that it was more than a migraine and sent her for an (...) MRI.We had not even left the children’s hospital before I received a voicemail to call our pediatrician. When I returned the call, on our way to pick up Ellie’s younger brother from school and already running late I heard the words that no parent wants to hear, “I have bad news. We found a brain tumor and it’s rather large”. This conversation would turn our lives into a frenzy of fear and leave unanswered (unanswerable?) questions. I was told to bring her to the ER where we would be met by a neurosurgeon and oncologist. I could not process this information. My initial fears were too scary to utter. Was she going to die? Do children survive brain surgery “intact”? Is it operable? Oncologist = scary cancer, doesn’t it? Did we do something to cause it? What if our insurance doesn’t cover the best treatment?Clinging to the life I knew before—needing to stay in the “before,” not even pulling the car over, I reached backwards, held Ellie’s leg and spoke the words out loud for the first time. That’s what a brain tumor diagnosis does to your family. It breaks up time into “before” and “after”. Her reaction was a terrified wail and then, oddly, hysterical laughter. Is that what shock looks like? My own reaction to the call was of stunned silence. The sound of my heartbeat and the blood rushing in my ears meant I could not ask the questions I had in that moment.Ellie has always been exceptional. She is a bright light in any room. At only ten–years–old, she spoke like a teenager; had the vocabulary of an adult. Never again would I be able to take this for granted. In every waking moment that our lives were unoccupied with the practicalities of a brain tumor diagnosis, the questions I couldn’t think of or say out loud during that terrible phone call continually flooded my thoughts. Your child’s brain is everything after all; it’s what makes them “them.”An avid horse rider, she had been off her favorite horse’s back for a few weeks saying that the bouncing hurt her neck. I had kept her off school for several days, but we had seen marked improvement in [End Page E12] the day or two leading up to that devastating D–Day of diagnosis, and she had been back at school doing well. Only a week before, Ellie had been dancing at a party with friends. How could she have a brain tumor?We rushed home and hurriedly packed our bags for “at least a week”—and I recall that life seemed to be both in slow motion and traveling at the speed of light. I desperately wanted to turn the clock back to the innocence we had known a few hours before. This was way too much news to hear in one day. Even when I heard the diagnosis, I was surprised that we would have to go to the hospital that day. Now! Don’t people get time to process or plan and get second opinions? We had no time to tell family and friends or ask for help. We didn’t have the luxury of time. Time is another thing I no longer take for granted.Upon arrival at the large children’s hospital we felt as if we were given so much information, but looking back, I now know that these angels are trained in giving parents only what they can handle—in tiny pieces, nibble by nibble. You don’t (can’t) hear half of it anyway. Our families live far from us, and trying to gather and figure out... (shrink)

Lectures on Sankhya philosophy and contribution of Kaṇāda and Pāṇini; lecture series organized by Centre for Vedanta Studies, University of Kerala with the financial assistance from the Ministry of Human Resource Development, Government of India during the Sanskrit year 2000.

Anonymous verse work of the fundamentals of the Advaita school in Hindu philosophy.

Comparative exposision of the implications of modern physics and ancient Indian metaphysics.

On human consciousness and quatum theory.

The research paper addresses the unresolved linguistic vacuum that accounts for the authorial and fictional abrogation and appropriation of language in Lessing’s works. This research paper attempts to take a holistic view of these implications. Lessing has used a number of methods to overcome this inadequacy and the abrogation and appropriation of language thus seen is clearly evident in her novel The Grass is Singing. The concepts of hegemony of language by the colonizers and their control over the means of (...) communications as well as the attempts to liberate the language by the blacks were seen in the novel. In order to analyze the post-colonial aspects of the novel, one has to keep in mind the colonial features that were seen in The Grass is Singing. Thus, the process of abrogation and appropriation will be seen through the fictional characters of Mary and Moses. With these characters Lessing highlights the larger reality of the center-margin, colonizer-colonized relation in the novel. Natives on acquiring control over the Language and the ability to control the means of communication then reveal the hollowness of the colonial ideas based on oppression and exploitation of the indigenous people. (shrink)

Interpretation of Śaṅkarācārya's Brahmasūtrabhāṣyam; includes original text.

Abstractabstract:Adopting a cross-cultural perspective on hierophanies, this article not only explores the fundamental patterns of prophet Muhammad and Buddhas as expositors of cosmic light as interpreted in the Islamic and Buddhist traditions, but it also engages in comparative theological reflection on how Islam and Buddhism use the symbol of light in describing the cosmological and practical dimension of Muhammad's prophetic nature and the revelatory role of the Buddha. Examples are Nūr Muḥammadī, Muhammadan light, and Shin Buddhism's understanding of Amitābha/Amida (...) Buddha as the Buddha of Infinite Light with Śākyamuni, Siddhārtha Gautama, as the narrator of the Pure Land Sutras. This essay considers the role and perception of the Muslim prophet in relation to the role of the Buddhas as a shared motif for building appreciation between Islam and Shin-Buddhism. (shrink)

Al-Ghazzālī a toujours utilisé les travaux de ses prédécesseurs. Le Mi‘yār al-‘ilm fī fann, sorte de manuel de logique aristotélicienne adaptée au droit et à la théologie islamiques, contient ainsi une grande variété d’écrits avicenniens, du K. jusqu’à certaines parties du Šifā’. Mais quelques écrits farabiens, en particulier al-Qiyās et al-Maqūlāt, y sont mêlés. C’est la première et, à notre connaissance, la seule fois qu’al-Ghazzālī combine ainsi des éléments empruntés à ces deux grands maîtres.

Kohlberg basamakları çerçevesine uymayan ahlâkî yargı sıklıkla geçiş basamaklarında değerlendirilmektedir. Bu konuların bir denge basamağında olmayıp, daha çok iç çatışma düzeyinde oldukları farz edilmektedir. Bu makalede, sözü edilen görüşe karşı çıkılmakta, 4 1/2 yargısının diğer herhangi bir ahlakî yargı tipinden daha tutarsız olmadığı ve Basamak 4 1/2'un ayrı bir basamak olarak kabulü gerektiği savunulmaktadır. Bu kabul ancak; ahlakî biliş mimarisinde ayrı bir köşe taşı olarak Basamak 4 1/2' u içine alan yeni bir basamak sınışandırması çerçevesi içinde mümkün olacaktır.

Mobil haberleşme piyasaları sermaye yoğun piyasalar olarak öne çıkmaktadır. Piyasaya girişteki yatırım maliyetlerinin yüksekliği birçok firma için caydırıcı etken olarak görülmektedir. Yarışılabilir Piyasalar Modelinde ise yatırım maliyetlerinin yüksek olması piyasaya giriş için engeli olarak görülmemekte, yatırım maliyetlerinin ne kadarlık kısmının batık maliyet içerdiği hususu önem kazanmaktadır. Bu kapsamda her ülkede genellikle devlet tarafından tahsis edilen GSM lisanslarının maliyeti, mobil piyasalardaki batık maliyeti belirleyecek olan en önemli unsurdur. Bu çalışmada, Türkiye GSM piyasası Yarışılabilir Piyasalar Modeli çerçevesinde analiz edilmiştir. 2008-2018 yıllarını kapsayan (...) analiz sonucunda piyasanın aşırı karlı bir yapıya sahip olduğu sonucuna ulaşılmış ve karlı piyasa yapısına rağmen yeni firmaların piyasaya giriş yapmadığı görülmüştür. Yeni firmaların piyasaya giriş yapmaması; yüksek lisans bedellerinden kaynaklı batık maliyet engelleri ve spektrumun kıt bir kaynak olmasından kaynaklı sınırlı sayıda firmaya tahsis edilebilmesi sebeplerine bağlanmaktadır. Piyasanın daha verimli ve etkin çalışabilmesine yönelik sanal mobil şebeke işletmelerinin piyasaya entegre edilmesi gerekliliği yönündeki öneri ve bu önerinin desteklenmesine yönelik basit matematiksel model çalışmanın son kısmını oluşturmaktadır. (shrink)

Balkan yarımadası Osmanlı Devleti’nin hâkimiyetine girdikten sonra orada yaşayan farklı milletler ile Osmanlılar arasında karşılıklı bir şekilde sosyo-kültürel, ekonomik, dinî vb. alanlarda bir etkileşim ve gelişim meydana gelmiştir. Bu etkileşim ve gelişimin nasıl olduğuna dair objektif ve sübjektif bazı çalışmalar yapılmıştır. Bu hususla ilgili son araştırmalarda ortaya çıkan ortak kanaat, Osmanlıların fethettikleri yeni bölgelerdeki Gayri Müslimlere İslâm dinini telkin etmekle birlikte onların din, gelenek ve örflerini zorla değiştirme politikaları izlemedikleri gerçeğidir. Nitekim Osmanlılar Balkanlarda 5 asır hâkimiyet sürmekle birlikte 20. yüzyıla (...) gelindiğinde sadece Arnavutların ekseriyeti ve Boşnakların İslam’ı benimsedikleri görülmektedir. Arnavutların İslâm dinini benimsedikleri dönemlere bakıldığında Kripto Hıristiyan grupların değişik bölgelerde ve dönemlerde ortaya çıkmaları dikkatimizi çekmektedir. Kripto Hıristiyan vakaları Osmanlı’nın diğer Balkan bölgelerinde, Kıbrıs, Adalar, Trabzon vb. gibi yerlerde de görülmüştür. Bu makale günümüz Arnavutluk’un sınırları içerisinde meydana gelen Kripto Hıristiyan olaylarını incelemeyi amaçlar. Araştırmanın temel kaynaklarını o dönemin papaz raporları ve Osmanlı arşiv belgeleri oluşturmaktadır. Ayrıca bu konuyla ilgili yapılan yerli ve yabancı yeni çalışmalara da atıf yapılmıştır. (shrink)

Muḥyī al-Dīn Ibn ‘Arabī (d. 638/1240) is regarded as one of the foremost mystical thinkers in Islam. This paper explores the ways in which he and his followers distinguish between the reality of Muḥammad (_al-ḥaqīqa al-Muḥammadiyya_) or the light of Muḥammad (_al-nūr al-Muḥammadī_), as the metaphysical reality of Muḥammad, and his metahistorical manifestation as Muḥammad Ibn ‘Abd Allāh. In his metaphysical reality, Muḥammad is the manifestation of the _qur’ān_, which ‘brings together’ the divine and His creation. Muḥammad’s metaphysical reality, as (...) the primary recipient of the divine outpouring, enables further differentiations of the divine to emerge in the form of the universe, and establishes his connection to the divine. Yet the Qur’an is also temporal in terms of being an historical act of revelation. Likewise, Muḥammad Ibn ‘Abd Allāh, in terms of his physical reality, was temporally circumscribed. It is in these ways, argues Ibn ‘Arabī and his acolytes, that Muḥammad, as reality and personality, brings together the divine and the temporal, in the same manner as the _qur’ān_/Qur’an respectively. (shrink)

The first poems about the Prophet Muḥammad appeared while he was alive. These first examples, which are panegyrics (madīḥ, i‛tiẕār, fakhr and ris̱ā), largely reflect the characteristics of the pre-Islamic qaṣīda poetry. Due to the developments in the following centuries, the number of poems about the Prophet increased. And thus, a separate literary genre was formed under the name al-madīḥ al-nabawī. Especially the fact that sufi leaning poets contributed to the literary richness in this field. Another factor is the beginning (...) of the tradition of writing mawlid poems in memory of the birth of the Prophet Muḥammad. The thirteenth century was an important period for poems praising the Prophet Muḥammad. Two important poets emerged in this century. One of them is Egyptian poet al-Būṣīrī and the other is Baghdad's famous poet, Yaḥyā al-Ṣarṣarī. Even after his death, Ṣarṣarî’s works with high literary value were read and memorized in the circles of science, literature and Sufism. Due to his competence in the field, al-Ṣarṣarī was known as the poet of the Prophet and Ḥassān b. Thābit of his time. However, it is understood that his poems, which lost their importance in literary circles over time, were not studied as much as they deserved in the modern period. In this article, his life and works are introduced and basic language and stylistic features of his poems are examined. Also, the image of the Prophet in his poems was determined within the framework of the political conditions of the period.Summary: In the field of madīh nabawī, which first appeared in the ‘Asr al-Sa’āda and has continued to the present day, especially two names stand out in the 7th/13th century, when famous poets such as Macduddīn al-Vitrī (d. 662/1264), Ibn al-Muraḥḥal (d. 699/1300) and Ṣafiyyuddīn al-Ḥillī (d. 749/1348) were also raised. One of them is the Egyptian poet al-Būṣīrī (d. 695/1296), who left his mark on the field of madīh nabawī with his many poems, especially Qaṣīda Burda, and the other is the Iraqi poet Yahya al-Ṣarṣarī (d. 656/1258), who was named Shā‘iru Rasūlillāh (The poet of the Prophet) and Ḥassānu Vaḳtihī (Ḥassān of that period) because of the quality of his poems in this field.al-Ṣarṣarī, was born in the village of al-Ṣarṣar, near Baghdad, spent most of his life in the shadow of Baghdad’s political instability and the social collapse that developed in parallel. He was killed in 656/1258 by the Mongolian forces that invaded Baghdad. al-Ṣarṣarī was extremely knowledgeable in fiqh, hadith, language, and ‘ilm al-qirāa. Our poet adopted the views of the Hanbalī law school. In addition, he turned to Sufism and became a murīd (disciple) of Ali ibn Idrīs al-Ya‘kūbī, a student of Abdalqadīr al-Gīlanī who was accepted as the founder of Qādiriyya. He was closely attached to the Sunnah of the Prophet and was fond of reading the Quran. He was chaste and patient and was content with what he had himself. All his works are poetic and they all concern the madīh nabawī or fiqh.Since his poems, almost all of which are about the praise of the Prophet, have a high literary value, they were read, memorized and narrated for a long time in the circles of science, literature and Sufism. In terms of its structure, his poems are based on the traditional forms of Arab qasīda. In the introductory sections of his poems, he often expresses his longing for Madina. The main subject in poems is usually the Prophet and his superior features. In the last part, he usually says salāt for the Prophet and seeks help from him. It can be said that he used simple language in his poems. The vocabulary reflects the characteristics of the urban life in which he lived. The source of inspiration for his poems are the Qur’an and especially the hadith of the Prophet. He uses the potential of literary arts as much as possible while conveying his feelings. But he does not allow the correct information to be lost due to these arts on a serious subject such as depicting the Prophet. We can see a lot of badī‘ (creative) art in some of his poems. But we can immediately understand that these arts do not spoil the beauty of his expression. The poet provides rhythm and harmony in his poetry with the meter and rhyme in accordance with the classical Arabic qasida rules. In addition, he strengthens the musicality in poetry with puns (jinās) and repetition.The influence of the instability of the region where al-Ṣarṣarī lived on his poems is obvious. According to him, the main reason for the terrible situation that Muslims were in was that they were away from the way of the Prophet. He thought that it would be possible to go back to the old peaceful days by following the way of the Prophet. Perhaps as a result of this opinion, he allocated his qasīda to the narration of the Prophet and his Companions. In his poems, he describes the Prophet with his names, superior qualities, physical and moral characteristics. He says that the sentences describing the Prophet are the ornament of poems and believes that praising him is a mean of salvation in the next world. He also hoped that the poems he said in order to achieve spiritual ascension would protect himself against the troubled events of the period.In his poems, especially on the occasion of mawlīd, al-Ṣarṣarī mentions the Prophet’s physical characteristics and likens his smiling face to a bright full moon, his brows to the letter nûn, his teeth to pearls. He describes the Prophet as a man with black eyes, broad shoulders, born with kohl-lined eyes, and who emanates a beautiful scent as a requirement of his creation. The poet, who also touches on the Prophet’s powerful address, states that his speech is more effective than Luqman’s wise words by virtue of his jawami‘ al-kalim (comprehensive speech) and faṣl al-khiṭab (clear speech), and that his soft address, which states nothing other than the truth, is a blessing from Allah. He additionally describes the Prophet’s plain words, easy to understand by all, as more valuable than jewels. al-Ṣarṣarī, who praises the Prophet in terms of morality with basic human virtues such as bashfulness, justice, modesty, and courage, emphasizes that he is, a paragon of patience, perseverance, kindness, and compassion through analogies such as, “his clothes are peace and perseverance”, his “cover is kindness and forgiveness”. In his world of imagery, the Prophet’s benevolence is so abundant like the rain that the clouds cannot compete with him. Also, he does not shame anybody for what he gives. He bestows the most valuable possessions like gold and camels. Even the respectable personalities of the tribe benefit from his grace. He is so generous that he is giving even when the clouds are stingy about giving rain during times of drought. He welcomes with a smile those who approach him with requests. The donations he makes privately are entirely satisfying.The image of prophethood in al-Ṣarṣarī’s poems, is centralized around the thought of nūr Muhammadī (prophetic light) and the miracles of the Prophet. He reminds that the Prophet never gave up despite the calamities he encountered and that he was supported with extraordinary events in various stages of his life since he was born, and reflects the understanding that the prophet is spiritually supporting the community with his nūr, and in the case the community follow his sunnah, overcoming the Mongolian attacks, which seems like a miracle, is possible. The mention of Qattāl (warrior), Māḥī (eliminator of disbelief), Ẓāhir, Ẓāfir, Manṣūr and Muẓaffar (victorious) among the Prophet’s names, especially those that evoke the superiority he gained in his fight against the disbelievers, giving greater prominence to his courage and valor among his virtues are also related to the political and social conditions of the period. The couplets about the Companions of the Prophet following the couplets that describe the Prophet’s valor, the emphasis of their aid to the Prophet, and the particular mention of their fighter spirit may be considered in the same context. Perhaps, in this way, the poet aims to boost the courage of the Muslims who are exposed to Mongolian attacks with respect to protecting their spiritual and holy values against the enemy. (shrink)