The article examines and analyzes the state structures of Soviet Ukraine in the 20s and 30s of the twentieth century, which were responsible for the organization, support and control in the field of culture and science of the country. In line with the postmodern transformations of this chronological segment, the system of state structures and their influence on the activities of semi-independent scientific organizations have been reconstructed. In view of postmodernism as a philosophical current, the nonviolent resistance of the scientific (...) intelligentsia to proletarian culture, forced by the Soviet nomenklatura with a mass, uncompromising character, is revealed. The political processes around state structures and scientific organizations are reproduced in historical retrospect. The activity of scientific organizations of the above historical period is investigated and an attempt is made to reproduce their organizational and social network. The article proves that the evolution of modern society is due to the complex influence of a set of important trends and factors that determine the progressive development of its economic, political, social and spiritual spheres. The relevance of the study is due to modern transformation processes in a post-communist society focused on democratic, liberal European values. With the spread and development of liberal views in Ukrainian society, we are increasingly seeing the emergence of private scientific institutions, which are the prototypes of scientific organizations of the previous century. As a result, their internal activities and connections with other organizations are of great interest today, not only among scientists, but also among business representatives. This necessitates a more in-depth development of this problem, taking into account the evolution of the theory and practice of social and public administration of various forms of ownership of organizations and enterprises. (shrink)

The last decade has seen a dramatic increase in studies on the development, function and evolution of asymmetries in vertebrates, including amphibians. Here we discuss current knowledge of behavioral and anatomical asymmetries in amphibians. Behavioral laterality in the response of both adult and larval anurans to presumed predators and competitors is strong and may be related, respectively, to laterality in the telencephalon of adults and the Mauthner neurons of tadpoles. These behavior lateralities, however, do not seem to correlate with visceral (...) asymmetries in the same animals. We briefly compare what is known about the evolution and development of asymmetry in the structure and function of amphibians with what is known about asymmetries in other chordate and non‐chordate groups. Available data suggest that the majority of asymmetries in amphibians fall into two independent groups: (1) related to situs viscerum and (2) of a neurobehavioral nature. We find little evidence linking these two groups, which implies different developmental regulatory pathways and independent evolutionary histories for visceral and telencephalic lateralizations. Studies of animals other than standard model species are essential to test hypotheses about the evolution of laterality in amphibians and other chordates. BioEssays 26:512–522, 2004. © 2004 Wiley Periodicals, Inc. (shrink)

Mutations in DNA topoisomerase II are often correlated with drug‐resistance in tumor cell lines. Studies of topoisomerase II‐mediated drug‐resistance in various model systems, as well as the sequencing of such mutations from drug‐resistant tumors, have shed light on the functional domains of topoisomerase II, on how it interacts with inhibitors, and on the different mechanisms by which cells avoid the toxic effects of many clinically important anti‐tumor drugs.

Spring and Autumn Historiography: Form and Hierarchy in Ancient Chinese Annals. By Newell ann Van Auken. New York: Columbia UniversitY Press, 2023. Pp. xx + 328. $65.

This paper introduces a new reading of the “Shi fu”, a chapter in the Yi Zhou shu that is commonly read as an early record of the conquest of China’s first historically attested dynasty of Shang by King Wu of Zhou in the middle of the eleventh century BCE. I argue that this conventional reading does not give justice to the structural complexities of the “Shi fu” and disregards the fact that certain compositional units of the text are unrelated to (...) the conquest event. I propose to analyze the “Shi fu” against a better studied corpus of the Near Eastern royal inscriptions where there are surprisingly similar examples of compositionally heterogeneous texts that constitute a textual celebration of successful universal kingship based on military valor. Notably, such a notion of universal kingship is largely alien to the later Chinese tradition where an emphasis is put on the kings’ reign by virtue. While there are no reasons to consider seriously the possibility of the “Shi fu” being immediately influenced by the Near Eastern inscriptions, this parallel can be explained by the structural similarity of the societies that produced them, in particular, the similarity of how royal power was understood, legitimized, and celebrated. (shrink)

What India and China Once Were: The Pasts That May Shape the Global Future. Edited by Sheldon I. Pollock and Benjamin A. Elman. New York: Columbia University Press, 2018. Pp. xiii + 365. $35.

The impact of Hegelian philosophy on Belinskij’s thinking and especially on his self-understanding did not end with his well-known and ostentatious anti-Hegelian tirades. By focusing on Belinskij’s tormented early years in Petersburg, after he had supposedly reneged on his “reconciliation with reality,” this paper will attempt to show how the continued conceptual evolution of Belinskij’s Hegelian thinking was intimately interrelated with his personal striving for self-realization. Ultimately, Hegelian ideas not only allowed Belinskij to affirm a unique sense of self as (...) the subject of a not-yet-world-historical nation, they also served as the crucial theoretical framework that would finally allow Belinskij to conceptualize the essential, organic connection between Russian literature and Russian life, as evidenced in his monumental eleven-part study on Pushkin. (shrink)

Language, speech and word are undergoing catastrophic changes in the context of modern history. The multilingual world has created a catastrophe for all elements of language, where they are gradually losing their original meaning. The historical territories of languages are dispersed and disintegrate into many fragments, putting them in danger of extinction. However, art becomes the new territory for their Renaissance. The art world provides its environment for the complete rebirth of the word and language. Furthermore, it allows the subsequent (...) acquisition of an entirely new corporeality and constructs a new metalanguage for the “dialogue” between people. The works of contemporary artists such as Erik Bulatov, Sergei Katran, Lena Herzog, Eyal Sivan, Yegor Astapchenko, Jaak Sooaar, Aleksei Kruglov, Dmitriy Prigov, Sharon Bloom of absolutely different nationalities will help us to trace the main strategies for preserving all the components of our communication - language, speech and words. And the main ideas of such scholars as Juri Lotman, Jean-Jacques Rousseau, Gaston Bachelard, and Michel Jouvet will help us understand the trends of their changes. (shrink)

The thematic structure of Fyodor Dostoyevsky’s novel ‘Netochka Nezvanova‘ is revealed in the article through the system of leitmotifs rising to elementary semantic oppositions. The topical opposition of high and low is traced throughout the semantics of space. The periphery of the story - the estate of a landowner, a music-lover, and its sacral centre - the ’sunny’ home of Prince H. in St. Petersburg are brought together by the main character’s lifelong way. In Yegor Efimov’s biography, this is (...) predetermined in the same way as the initiation of a fairytale hero is predestined. It should be emphasized that the unique temporal structure of ‘Netochka Nezvanova‘ is analyzed in this aspect for the first time. Like many other Dostoyevsky’s works, this particular story displays signs of ‘inoculations‘ from different poetic systems and other texts which form a complicated system of intertextual connections. The leading motif of the story belongs to the circle of the basic mythopoetic topic: Man’s temptation by Satan. The demon’s intrusion into Efimov’s life is especially well traced in his friendship with the Italian conductor and in inheriting the latter’s violin. The history of the violin is accompanied by the marginal demonic background created by the stable mythologem - ‘the Satan’s violin‘. Within the borders of mythopoetic concept of music, an artist is a medium, a person who has the power to influence other people in the name of good or evil by supernatural forces. In this respect, the life story of Efremov the violinist can be compared to the adventures of a mythological ‘cultural hero‘ presented as a non-stop chain of events: meeting a magical sorcerer, receiving a magic weapon from him as a gift and the ensuing sequence of dreadful ordeals. Yegor Efimov’s life story is shown in the article against the background of the mythopoetic concept of music, as Man’s temptation by Satan, and in the historical and cultural context, as shattering a romantic myth about ‘a demonic artist‘. (shrink)

Mediation of Legitimacy in Early China: A Study of the Neglected Zhou Scriptures and the Grand Duke Traditions. By Yegor Grebnev. New York: Columbia University Press, 2022. Pp. 368. $65.