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  1.  20
    Finno-Ugric semiotics.Anti Randviir, Eero Tarasti & Vilmos Voigt - 2000 - Sign Systems Studies 28:425-438.
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  2.  11
    Finno-Ugric semiotics.Anti Randviir, Eero Tarasti & Vilmos Voigt - 2000 - Sign Systems Studies 28:425-438.
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  3.  5
    A Hungarian Encyclopedia (1653) with references to semiotics.Vilmos Voigt - 1990 - Semiotica 79 (3-4):235-256.
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  4.  7
    Commemorative essay. In memoriam of ‘Lotmanosphere’.Vilmos Voigt - 1995 - Semiotica 105 (3-4):191-206.
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  5. Czy istnieje logika kultury?Vilmos Voigt - 1990 - Studia Semiotyczne 16:341-346.
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  6.  25
    Catalogue of Böbe's Paintings.Vilmos Voigt - 1990 - Semiotics:201-207.
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  7.  25
    Figures, including two Böbe paintings.Vilmos Voigt - 1990 - Semiotics:208-209.
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  8.  15
    Gestures Expressing Numbers — or — Numbers Expressed by Gestures.Vilmos Voigt - 2010 - American Journal of Semiotics 26 (1-4):111-127.
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  9.  24
    Lessons in Ape Paintings.Vilmos Voigt - 1990 - Semiotics:191-201.
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  10.  7
    Position d’un problème: La hiérarchie des genres dans le folklore.Vilmos Voigt - 1973 - Semiotica 7 (2).
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  11.  32
    The Bridge in Semiotics.Vilmos Voigt - 2012 - Cultura 9 (1):249-258.
    This paper aims to describe the importance of bridges – from the semiotic point of view, stressing their capacity in connecting nature and culture. It is arguing forthe importance of establishing technosemiotics as a separated chapter in sign system studies. The author mentions some famous bridges, such as the bridge over the river Kwai, Brooklyn Bridge, Puente de Alcantara (in Spain), bridges over the sea by the order of Xerxes and Caligula, other Oriental and European bridges, the Mostar Bridge (in (...)
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  12.  40
    Tradition toward the future.Vilmos Voigt - 1992 - World Futures 34 (3):257-261.
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  13.  6
    Une différence méthodologique: La sémiotique est la ‘théorie générale des systèmes de signification’ et non pas la théorie des signes.Vilmos Voigt - 1991 - Semiotica 83 (1-2):69-80.
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