In this paper I examine the meaning of Deleuze's transcendental empiricism by means of the kind of experience that his project opens up for us – an experience that I want to call transcendental. Primarily on the basis of his works on cinema, famously dedicated to freely investigating Bergson's thought, I argue that Deleuze's notion of the time-image, together with his search for its real and necessary conditions, consists in the liberation of experience from its Kantian limitative conditioning. I then (...) examine both the new kind of subjectivity (the fissured ego) that emerges from this enlarged experience and the new conception of temporality (time out of joint) that subtends it. Finally, I try to bring out the concrete relations between (transcendental) experience, thought and the brain that Deleuze brings to light in his analysis of great cinema's reinvention of the relationship between time and movement. (shrink)

This dissertation argues that on the basis of their elaboration of and appeal to the Virtual, Henri Bergson and Gilles Deleuze operate a profound transformation of the Kantian conception of the transcendental. This implies a novel account of experience and its conditions, resulting in what I call Transcendental Experience---whereby the primary condition of experience, that is, time, becomes immanent to what it conditions. Through this revaluation of the transcendental, Bergson and Deleuze are ultimately providing us with an alternative to both (...) Kant's and Phenomenology's theories of subjectivity. Rooted in real experience rather than abstract forms, this approach points to the primacy of the unconscious over consciousness as the ground of subjectivity. With Bergson and Deleuze, then, it is ultimately to the ontological unconscious that we must refer thought and experience, thereby accounting for a radically novel conception of subjectivity, in terms of inhuman and inorganic difference or alteration rather than some postulated transcendental ego. ;Hoping to provide a contribution to the current scholarship concerning Bergson and Deleuze, I examine closely both what they have in common and where they diverge. Accordingly, I dedicate the first part of the dissertation to a comprehensive examination of Bergsonian metaphysics. I conclude that through his observation of the immediate data of consciousness, perception and memory in terms of concrete duration, he is able to offer a new philosophical method based in an original notion of intuition---a method which, I claim, eventually allows him to solve the problem of dualism. The second part of this project then turns to an examination of Deleuze's Transcendental Empiricism which, I argue, is directly inspired from Bergson's method of intuition. There, I focus on Deleuze's differential ontology, which leads me to an exploration of the role he ascribes to the Sensible, and consequently, to the artistic experience, as the primary ground---which, he shows, is also an ungrounding---of consciousness. Finally, I argue that over and above Bergson's ultimate privileging of continuity, Deleuze's prioritization of discontinuity allows him to address the great traditional philosophical problems while opening the future for thought and experience. (shrink)