In this essay I ask if there are reasons that count in favor of having a desire in virtue of its attitudinal nature. I call those considerations desire's own reasons. I argue that desire's own reasons are considerations that explain why a desire meets its constitutive standard of correctness and that it meets this standard when its satisfaction would also be satisfactory to the subject who has it. Reasons that bear on subjective satisfaction are fit to regulate desires through experience (...) and imagination because desires are naturally sensitive to them. I also analyze the limits of application that such reasons have and how desire's own reasons relate to other kinds of reasons. (shrink)

A source of epistemic justification can be either preservative or generative, in that it can either just preserve justification that was provided by some other source or generate justification on its own. This paper asks what is required for generationism about memory to be true and argues that there are rather demanding conditions that a case of memory justification needs to satisfy in order to count as epistemically generative in a substantive sense. By considering a parallel argument for epistemically generative (...) cases of imagination and drawing from empirical data on event completion, we argue that there are such cases of memory justification because the way in which memory processes fill in the content of event memories suggests that memory is fit to provide justification about past events that is not due to a source other than memory. (shrink)

One of the most exciting debates in philosophy of imagination in recent years has been over the epistemic use of imagination where imagination epistemically contributes to justifying beliefs and acquiring knowledge. This paper defends “generationism about imagination” according to which imagination is a generative source, rather than a preservative source, of justification. In other words, imagination generates new justification above and beyond prior justification provided by other sources. After clarifying the generation/preservation distinction (Section 2), we present an argument for generationism (...) about imagination, which can be divided into two parts; the philosophical part and the empirical part. In the philosophical part of our argument (Section 3), we claim that generationism about imagination follows from what we call “INACCESSIBILITY”. According to INACCESSIBILITY, imagination is properly constrained by the imaginative constrainers (i.e., the prior representations that constrain the development of a scenario in imagination) to which non-imaginative belief-forming processes do not have access. In the empirical part of our argument (Section 4), we claim that INACCESSIBILITY is plausible in light of relevant studies and theories in the empirical literature, especially the literature on mental simulation (Section 4.1), core cognition (Section 4.2), and intuitive physics (Section 4.3). (shrink)

Desire is commonly understood as a mental state in relation to which we are passive. Since it seems to arise in us spontaneously, without antecedent deliberation, it also seems to constitute a paradigmatic type of mental state which is not up to us. In this paper, I will contest this idea. I will defend a view according to which we can actively shape our desires by controlling the way in which we imagine their contents. This view is supported both by (...) behavioral and neural data which indicate that imagining can either strengthen or weaken our existing desires. Arguably, this influence is made possible by our capacity to imaginatively elaborate on the content of our desires. This gives a reason to think that what we desire is partially under our control. It is under our control only partially because we can influence our desires insofar as their content appears appealing to us in imagination. (shrink)

Imaginings are often characterized in terms of vividness. However, there is little agreement in the philosophical literature as to what it amounts to and how to even investigate it. In this paper, we propose a natural kind methodology to study vividness and suggest treating it as a homeostatic property cluster with an underlying nature that explains the correlation of properties in that cluster. This approach relies on the empirical research on the vividness of mental imagery and contrasts with those accounts (...) that treat vividness as an explanatory primitive and with those that attempt to provide a definition. We apply the natural kind methodology to make several substantive claims about the vividness of mental imagery. First, we will argue that it forms a homeostatic property cluster, in that it is reliably correlated with, but not defined by, some properties, such as the level of detail, clarity, perception-likeness and intensity. In arguing for this claim, we also show how the cluster can be modified in the light of empirical research by complementing it with a correlation between vividness and familiarity. Second, we will argue that these correlations can be explained by an underlying property at the architectural level; i.e., the availability of stored sensory information for the elaboration of a mental image. (shrink)

It is not uncommon to think that having a desire involves taking its object to be good in some sense. This idea has been developed in two directions: either toward a view that understands the positive evaluation in terms of a judgment or belief or a view according to which the relevant evaluation is perception-like. In this article, I defend a novel proposal that takes the positive evaluation of the object of desire to be a kind of imagining.

When we are invited to imagine an unacceptable moral proposition to be true in fiction, we feel resistance when we try to imagine it. Despite this, it is nonetheless possible to suppose that the proposition is true. In this paper, I argue that existing accounts of imaginative resistance are unable to explain why only attempts to imagine the truth of moral propositions cause resistance. My suggestion is that imagination, unlike supposition, involves mental imagery and imaginative resistance arises when imagery that (...) one has formed does not match unacceptable propositions. (shrink)

The ability to attribute beliefs and desires is taken by many to be an essential component of human social cognition, enabling us to predict, explain and shape behaviour and other mental states. In this paper, I argue that there are certain basic responses to attributed attitudes which have thus far been overlooked in the study of social cognition, although they underlie many of the moves we make in our social interactions. The claim is that belief and desire attributions allow for (...) the possibility to agree or disagree and to approve or disapprove, respectively. These evaluative responses may seem obvious but they are of considerable theoretical interest because they can’t be reduced to other roles of belief and desire attribution and are always an open possibility for attributers. What’s more, the responses of agreement/disagreement and approval/disapproval are indispensable for such attributions to be intelligible to us in the first place. (shrink)

According to the two-component view of sensory imagination, imaginative states combine qualitative and assigned content. Qualitative content is the imagistic component of the imaginative state and is provided by a quasi-perceptual image; assigned content has a language-like structure. Recently, such a two-component view has been criticized by Daniel Hutto and Nicholas Wiltsher, both of whom have argued that postulating two contents is unnecessary for explaining how imagination represents. In this paper, I will defend the two-component theory by arguing that it (...) has three explanatory advantages over its competitors. First, it makes explicit a widely acknowledged distinction between engaged imagination and mere supposition. Second, it explains how imagination is constrained by objects’ perceptual appearances. Third, it explains how imaginings can be exploratory. (shrink)

Self‐ascriptions of desire seem to differ in their epistemic security. There are easy cases in which a sincere self‐ascription immediately counts as knowledgeable, and there are hard cases in which it is an open question whether an agent actually knows that they have the desire that they take themselves to have. In this paper, I suggest an explanation according to which whether a self‐ascription of desire is easy or hard depends on whether one is familiar with the content of the (...) self‐ascribed desire. (shrink)

This chapter argues that our self-knowledge is often mediated by our affective self-knowledge. In other words, we often know about ourselves by knowing our own emotions. More precisely, what Cassam has called “substantial self-knowledge” (SSK), such as self-knowledge of one's character, one's values, or one's aptitudes, is mediated by affective forecasting, which is the process of predicting one's emotional responses to possible situations. For instance, a person comes to know that she is courageous by predicting her own emotional reactions to (...) possible risks and dangers. This hypothesis explains why attaining substantive self-knowledge tends to be difficult. Attaining substantive self-knowledge is difficult because, first, SSK is mediated by affective forecasting and, second, we tend to be wrong about predicting the intensity and duration of our own emotional reactions. As a result, we can identify what is common to central cases of SSK: such cases require knowledge about complex dispositions whose manifestations involve affective responses that one is not sufficiently familiar with. One thus needs to resort to the highly fallible method of affective forecasting. (shrink)

Enticing food photography which stimulates its viewers’ cravings, often given a dismissive label “food porn,” is one of the most popular contents in contemporary digital media. In this paper, I argue that the label disguises different ways in which a viewer can engage with it. In particular, food porn enables us to engage in cross-modal gustatory imaginings of a specific kind and an image’s capacity to afford such imaginings can contribute to its artistic merit.

Some philosophers and psychologists share an assumption that pleasure is by nature such that when an experience is pleasurable, an agent is motivated to continue having that experience. In this paper, I dispute this assumption. First, I point out how it does not make sense of the wanting-liking distinction in motivational neuroscience. Second, I present as a counterexample what I call’dynamic pleasure’ which does not motivate retaining one’s focus on the object of original experience but motivates an exploration of other (...) options instead. Third, as another counterexample, I bring out pleasures of relief which are bound to pass when one’s discomfort is removed and in which case it is reasonable to assume that there is no motivation to maintain them. Fourth, I appeal to phenomenology of pleasure and argue that many experiences have a temporal shape which is in conflict with the self-maintenance assumption. As an example, I use the pleasure in listening to a song. The conclusion of the paper is that we should reject the self-maintenance assumption and consider seriously pluralism about the motivational structure of pleasure. (shrink)

Can disagreement with my past self about aesthetic matters give a reason to reconsider my present aesthetic verdict and if it does, under what conditions? In other words, can such a disagreement be a sign of my failing in my present aesthetic judgement? In this paper, I argue that revising one’s judgement in response to disagreeing with one’s former self is appropriate but only when the former and the present self share the same aesthetic personality. The possibility of failure in (...) one’s aesthetic judgement is therefore bound up, among other things, with facts about one’s aesthetic identity over time. The resulting view has implications for our understanding of the scope of the autonomy in aesthetics and is consistent with empirical evidence regarding the way in which people evaluate aesthetic judgments. (shrink)

Interactionists about folk psychology argue that embodied interactions constitute the primary way we understand one another and thus oppose more standard accounts according to which the understanding is mostly achieved through belief and desire attributions. However, also interactionists need to explain why people sometimes still resort to attitude ascription. In this paper, it is argued that this explanatory demand presents a genuine challenge for interactionism and that a popular proposal which claims that belief and desire attributions are needed to make (...) sense of counternormative behavior is problematic. Instead, the most promising conception of belief and desire ascriptions is the communicative conception which locates them in the context of declarative and imperative communication, respectively. Such a communication can take both verbal and non-verbal form. (shrink)

What are the conditions under which an agent has an aesthetic reason to stop appreciating something? In this paper, I argue that such a reason is dependent not only on the aesthetic properties of the object of appreciation but also on the hedonic state of the agent. Virtuous aesthetic agents who are responsive to aesthetic reasons need to be sensitive to hedonic changes in relation to the object and to recognise when these changes make it appropriate to sever one’s appreciative (...) focus. The resulting view has implications for how to understand aesthetic fittingness, aesthetic obligation, and the difference between aesthetic and moral reasons. (shrink)

In this paper I criticize Alvin Goldman's simulation theory of mindreading which involves the claim that the basic method of folk psychologically predicting behaviour is to form pretend beliefs and desires that reproduce the transitions between the mental states of others, in that way enabling to predict what the others are going to do. I argue that when it comes to simulating propositional attitudes it isn't clear whether pretend beliefs need to be invoked in order to explain relevant experimental results, (...) and whether pretend desires can be distinguished from 'real' ones as forming a separate kind of mental states. Since belief-desire model underlies the conception of pretend states in higher-level mindreading, dropping pretend attitudes from the picture isn't possible and, due to that, this model may be incoherent. Nevertheless, Goldman's theory could still survive because it includes an additional model of mindreading, but simulation is given much lesser role there. (shrink)

According to inferentialism about self-knowledge of desire, the basic way in which we come to know what we want is through inference. In this paper, I argue that in a wide range of cases of knowing one’s desire, inference is insufficient. In particular, I look at two inferentialist models, one proposed by Krista Lawlor and the other by Alex Byrne and look at the challenges that they face in securing safe self-ascriptions. In response to these difficulties, I argue that we (...) can explain how inferentially based self-ascriptions can be safe when we consider the agent’s role in sustaining their desires through attending and elaborating on the content of desire through imagination. (shrink)

There are bad movies, and there are movies that are so bad that they are good. So-called good bad movies have received a lot of attention from critics and moviegoers in recent years. Many people, including those with good taste, are willing to invest their time and resources in watching and discussing them. In this paper, I will argue that the fact that aesthetically competent consumers of cinema are engaging with good bad movies challenges an intuitive assumption according to which (...) a film merits appreciation qua film only if it manifests artistic competence. I will argue that we should weaken this assumption. Good bad movies do merit appreciation because they are unique in instantiating artistic possibilities that are out of reach of competent filmmakers. I conclude the paper by comparing and contrasting my account with a recent view of good bad art, suggested by John Dyck and Matt Johnson. (shrink)

In this paper, I argue that by attributing beliefs the attributer is pushed toward taking a stand on the content of those beliefs and that what stand they take partially depends on the relationship between the attributer and the attributee. In particular, if the attributee enjoys a higher social standing than the attributer, the latter is disposed to adopt the attributed belief, as long as certain other conditions are met. I will call this view the Adoption-by-Attribution model. Because of the (...) non-epistemic influence that derives from the relation of inequality, belief attribution can reinforce the existing unequal power relations and contribute to epistemic injustice. (shrink)

In this paper, I criticize Christopher Gauker’s approach to the attributions of desire which identi es them with commands on behalf of others. ese are sup- posed to be needed in situations wherein such commands have to be quali ed in some way. I argue that his account doesn’t manage to make explicit the need for the concept of desire, and I defend my alternative according to which desires are related to our understanding of how commands on a person’s behalf (...) relate to her subjective satisfaction. (shrink)

When we think about what others believe and want, we are usually affected by what we know about their attitudes. If I’m aware that another person believes something, I have an opportunity to agree or disagree with it. If I think that another person wants something, I can endorse or disapprove of her desire. The importance of such reactions to attributed beliefs and desires has thus far been overlooked in philosophy of mind where the focus has been on explanatory and (...) predictive roles of attitude attribution. The primary goal of this thesis is to fill this lacuna and to articulate the indispensability of such reactions – agreement/disagreement and endorsement/disapproval – for social cognition. In the process of doing it I also show how these initial reactions ground certain further possible responses in intersubjective communication: manipulation, negotiation or adoption of attributed attitudes. The second aim of this thesis is to explicate what is it about belief and desire attributions that makes the responses I’ve described possible. Because one can agree or disagree both with beliefs and assertions and endorse or disapprove both desires and requests, I argue that we should understand belief attributions in terms of assertions and desire attributions in terms of requests. When we think what someone believes and wants, we treat her as a conversation partner because her attitudes call for the same responses as speech acts do, even if she hasn’t made any explicit assertion or request herself. In short, beliefs and desires have communicative significance. Given such significance, we can also see what one needs to take into consideration when attributing these attitudes to another. My answer in the thesis is that belief and desire attributions have to be grounded in facts about the behaviour and well-being of attributees and that these facts also constitute the nature of beliefs and desires. (shrink)

As the editors of the series, New Literary Theory, proclaim in the preface of the book, the purpose of the series is to make more room in literary theory for playful and accessible approaches to li...

Selected articles of Ēṭukūru Balarāmamūrti on Marxist philosophy; includes contributed on his life and work.

Professional ethics -- Religious aspects -- Islam.

The article introduces the results of a semantic analysis of Uku Masing’s (1909–1985) early poetry (1926–1943). The metres analyzed are syllabic-accentual trochaic tetrameter, trochaic pentameter, iambic pentameter and dactylic, logaoedic and polymetric hexameters. In each text the textual communicative perspective as well as motifs and tropes of each verse line were examined. The semantic differences and colourings of the metres are most evident in the way of expression, in the viewpoint.

Artiklis käsitletakse nihilistliku kirjandusloome võimalusi eesti luule näitel. Nihilismi ei mõisteta artiklis väärtusprobleemina, vaid ontoloogilise probleemina. Nihilistlikku kirjandusloomet käsitletakse taotlusena tuua sõnasse teine, eimiski. Artikli teoreetiline raamistik toetub põhiliselt Gianni Vattimo languse ontoloogia kontseptsioonile, aga ka Friedrich Nietzsche, Martin Heideggeri ja Maurice Blanchot' töödele. Samuti analüüsitakse artikli teoreetilises osas eimiski väljendamise võimalusi eesti keeles, tuginedes Uku Masingu ning Jaan Kaplinski mõttekäikudele. Luuletajatest käsitletakse artiklis enim Jaan Oksa ja Juhan Liivi. Analüüsi käigus tuuakse esile järgmised eimiskiga seotud poeetilised figuurid: ootus ja (...) luhtumus, langus ja loojak, hullus, surm. Analüüsi tulemusena selgub, et nihilistlik loome on eesti luules tugevalt esindatud, kuid ei filosoofias ega luules pole võimalik saavutada otsest juurdepääsu eimiskile, tuleb piirduda aimamisega, vihjamisega. The paper discusses the possibilities for creating nihilistic literary works, using Estonian poetry as an example. The paper regards nihilism as an ontological problem, and not as a problem of values. Nihilistic literary creativity will be treated as an attempt to introduce nothingness. The theoretical framework is provided by Gianni Vattimo's ontology of decline, as well as by the works of Friedrich Nietzsche, Martin Heidegger and Maurice Blanchot. The paper also analyzes, relying on the ideas put forward by Uku Masing and Jaan Kaplinski, the possibilities of expressing nothingness in the Estonian language. As to Estonian poets, the paper will focus on the works of Juhan Liiv and Jaan Oks. The analysis of their works highlights the following poetic figures related to nothingness: anticipation and failure, decay and decline, madness, death. The analysis will demonstrate that nihilism is strongly present in Estonian poetry. However, since neither philosophy nor poetry has direct access to nothingness, one must remain content with presentiments and allusions. (shrink)

The article introduces the results of a semantic analysis of Uku Masing’s early poetry. The metres analyzed are syllabic-accentual trochaic tetrameter, trochaic pentameter, iambic pentameter and dactylic, logaoedic and polymetric hexameters. In each text the textual communicative perspective as well as motifs and tropes of each verse line were examined. The semantic differences and colourings of the metres are most evident in the way of expression, in the viewpoint.