How do we begin to philosophize? What are the main features of natural, prephilosophical consciousness, and what is its relation to philosophical consciousness? This study investigates the answers given to these questions in Hegel's Phenomenology of Spirit and in Husserl's phenomenology.

How does pregnancy transform our embodiment? This question will be explored with the help of phenomenology and Butoh dance. Although Butoh has not yet been able to fulfil its true potential for disclosing female embodiment and particularly pregnant embodiment, it will provide us with helpful clues. In pregnancy, objects are less ready-to-hand, more out of reach - world as we know it becomes removed. The habit body vanishes away. But pregnancy is not just a loss of the ordinary: it also (...) opens up new dimensions. One such dimension is that of being touched from within. A phenomenology of the pregnant body thus leads to a removal of world, but also reveals new dimensions of world, and it even comes to disclose the other as a new world within. It means to carry something alien, like the stone in Butoh play Child’s Breath, which can only be carried slowly, awkwardly. (shrink)

In his essay 'The Pit and the Pyramid: Introduction to Hegel's Semiology', Jacques Derrida claims that there is a privilege of speech over writing inherent in Hegel's theory of signs. In this paper, I examine Derrida's criticism. While it is to Derrida's credit that he focusses on an area of Hegel's philosophy that has hardly been analysed, his reading is problematic in several regards. After presenting Derrida's main arguments, I pose three questions, the first of which belongs to the realm (...) of subjective spirit, the second to objective spirit, and the third to absolute spirit. I shall then show that Hegel makes several statements in favour of a privilege of writing over speech - statements that are not merely parenthetic or marginal. Moreover, those claims that Hegel makes toward any privilege of speech are in the wrong place, namely, subjective spirit, for them to represent his final point of view. (shrink)