The concept features as a vital element in architectural protocol and its vocabulary. If architecture and philosophy are defined as creation of concepts, then they are the terra nullius shared by both disciplines. By distinguishing the architectural concept from its philosophical counterpart, this paper analyzes the former as an entity that animates and directs a project as the documental prefiguration of an architectural object. In a more radical move, we consider architecture itself as a concept, that is, what makes architecture (...) what it is and what this discipline can become tomorrow. In addition to decisively participating in the process of generating an object yet to be constructed (the fetus of a building), on a correlative level, the concept has an essential role in theoretical self-thematization of architecture and guards the future of the architectural profession as an autonomous intellectual discipline. (shrink)

Two great theories - one in philosophy, one in architecture - emerge nearly simultaneously in the twentieth century: Gilles Deleuze?s understanding of the?concept,? that is, defining philosophy as an activity that produces concepts, and Peter Eisenman?s idea of the?project? as a platform,?position,? or?theory? of an architect. My intention is to suggest and problematize the idea of the concept as?capacity? or?potentiality? implying the production of a multitude of?concepts? or varying?conceptions.? Deleuze?s great significance for architecture of this century allowed for the construction (...) of the?concept? as?author?s potential,? the source of activity and creative architectural acts. An architectural concept, determined in the course of the text, and thanks to which architectural terminology is redefined, could potentially be quite useful in philosophy and theory of the subject. nema. (shrink)

Our intention is to construct the conditions for a new position that more closely explains the reality of the object (its location, concreteness, possibility of being seen, extension, instantaneousness, etc.), but also the object’s movement, the “situation” in which it is or becomes a potential agent that “works,” influences us and incites us to _movement _towards us, indeed gives us a _turn_ towards an ideal object and its realization. Using a variety of texts that thematize the object, a few passages (...) from Hegel, we attempt to reveal connections between key architectural (and not only architectural) concepts, form a given epistemological order, and differentiate amongst basic acts and operations that could be ascribed to the object. (shrink)

The answer to the question of whether there is a tension between the insight that the concept of dispositif reveals to us the variability of objective reality and the theory that the design of an architectural object depends on the various elements captured by the concept of dispositif The primary thesis of this paper is that the application of dispositifs in the field of architecture helps us to better understand this concept – from Michel Foucault to Gilles Deleuze to Giorgio (...) Agamben. In other words, the paper presents arguments that the unstable philosophical concept of dispositif can be made more precise through the experiences of architectural practice and theory. On this occasion, I would like to show not only why architects need philosophy, but also, conversely, how an architect and his practice can help philosophers. (shrink)