The sixteen essays in Gender Struggles address a wide range of issues in gender struggles, from the more familiar ones that, for the last thirty years, have been the mainstay of feminist scholarship, such as motherhood, beauty, and sexual violence, to new topics inspired by post-industrialization and multiculturalism, such as the welfare state, cyberspace, hate speech, and queer politics, and finally to topics that traditionally have not been seen as appropriate subjects for philosophizing, such as adoption, care work, and the (...) home. (shrink)

In thinking about the relationship between the sexed body and the state, it is worth recalling that both have a history. This essay, divided into two sections, uses the example of nineteenth-century England, which has had an exemplary status in scholarship on both the state and sexuality, to highlight the variability of law and government with respect to the body. The first section shows how a particular state during a key historical period produced sexuality through its decisions to protect and (...) regulate some bodies and not to regulate and protect others through the state's marriage laws and sodomy laws. The second section of this essay looks beyond sexuality to explore state oversight in the second sense of the term: as an omission or lapse in attention. What were the intimate matters to which the state was relatively indifferent? (shrink)

Abstract“Reading as if for Death” asks how people live in the face of imminent death by analyzing Nevil Shute’s 1957 novel On the Beach. The few critics who have commented on this novel have focused on its message about the dangers of nuclear weapons. This article argues that this middlebrow Australian bestseller, which has never gone out of print, is also an important contribution to the literature of death and dying. In its focus on characters who may well be dead (...) within a year but continue to plant gardens and learn shorthand, the novel departs from common views of everyday life as passive, static, and immanent, instead portraying it as centered around acts of repair and future-oriented planning. In contrast to representations of mortality that emphasize transcendence and enlightenment, On the Beach sympathetically conveys the combination of certainty and uncertainty that most of its characters endure in living their final days and depicts characters for whom denial, refusing to see what is, and delusion, believing in what is not, become forms of palliative care. (shrink)