Background:While there have been studies exploring moral habitability and its impact on the work environments of nurses in Western countries, little is known about the moral habitability of the work environments of nurses and midwives in resource-constrained settings.Research objective:The purpose of this research was to examine the moral habitability of the work environment of nurses and midwives in Ghana and its influence on their moral agency using the philosophical works of Margaret Urban Walker.Research design and participants:A critical moral ethnography was (...) conducted through the analysis of interviews with 30 nurses and midwives, along with observation, and documentary materials.Ethical considerations:After receiving ethics approval, signed informed consent was obtained from participants before data collection.Results:Five themes were identified: (1) holding onto the values, identities, and responsibilities of being a midwife/nurse; (2) scarcity of resources as limiting capacity to meet caring responsibilities; (3) gender and socio-economic inequities shaping the moral-social context of practice; (4) working with incoherent moral understandings and damaged identities in the context of inter- and intra-professional relationships; and (5) surviving through adversity with renewed commitment and courage.Discussion:The nurses and midwives were found to work in an environment that was morally uninhabitable and dominated by the scarcity of resources, overwhelming and incoherent moral responsibilities, oppressive conditions, and workplace violence. These situations constrained their moral agency and provoked suffering and distress. The nurses and midwives negotiated their practice and navigated through morally uninhabitable work environment by holding onto their moral values and commitments to childbearing women.Conclusion:Creating morally habitable workplaces through the provision of adequate resources and instituting interprofessional practice guidelines and workplace violence prevention policies may promote safe and ethical nursing and midwifery practice. (shrink)

Discussions of reproducibility are casting doubts on the credibility of experimental outcomes in the life sciences. Although experimental evolution is not typically included in these discussions, this field is also subject to low reproducibility, partly because of the inherent contingencies affecting the evolutionary process. A received view in experimental studies more generally is that standardization (i.e., rigorous homogenization of experimental conditions) is a solution to some issues of significance and internal validity. However, this solution hides several difficulties, including a reduction (...) of external validity and reproducibility. After explaining the meaning of these two notions in the context of experimental evolution, we import from the fields of animal research and ecology and suggests that systematic heterogenization of experimental factors could prove a promising alternative. We also incorporate into our analysis some philosophical reflections on the nature and diversity of research objectives in experimental evolution. (shrink)

The intellectual Huguenot Refuge is one of the most important movements in Early modern Europe. This volume provides new information about one of its centres: about Berlin, and on the extremely important role Huguenot scholars played disseminating Enlightened thought.

In order to highlight the intimate relationship between imagining, drawing and making worlds, this essay questions the educational meaning of children to initiate in the action of drawing in face of the growing cultural tendency of the body being less and less required to produce senses. The incarnated action of drawing, as an aesthetic action of touching and being touched by the world when transposing the visible limits and entering into the intimacy of worldly invisibility, constitutes an experience that is (...) as recurrent and trivialized in school daily life as it is existentially complex due to its poetic power to enter the invisible and inaugurate worldviews. The historical disqualification of the image and imagination in Western thought, supported by the separation between subjectivity of the body and objectivity of the world, does not allow educational thought to consider the phenomenon of poetic imagination as an existential experience of language insertion in the world from the gesture of drawing. Gesture that finds its specificity in the instant the hand traces and inscribes lines on the surface of the supports as infinitely creative writing. The aesthetic gesture of drawing, temporalized by the rhythm of the body in the emergence of the fabulation that accompanies the repetition of the marks, implies a poetic experience of language that involves the fusion of two senses: that of the gesture in materiality and that of the mark configured in it, marked and cicatrized in the surface of the support by the body’s action that performed it. The approximation between education, arts and childhood allows us to highlight the philosophical and pedagogical tensions that involve the question of poetic imagination and to take another look at the action of drawing in the context of children's education. What emerges, from the dialogue between Gaston Bachelard, Maurice Merleau-Ponty and Jean-Luc Nancy, is the relevance of the educational intention of caring for the vital function of language as an aesthetic and poetic experience that is constituted in the processuality of the body to make something appear that produces and contains presence, that which promotes and expands the existential density of the real. (shrink)

This paper brings studies around the poetic dimension of language to approach the relationship between teaching in preschool education and the experience of being open and listening as an aesthesic way of coexisting in the world. The approximation of philosophy, arts and preschool education from the reunion between music and education highlights that listening refers to the sound of meaning, and not to the meaning of the sound to be interpreted. The dialog with the thinking of Jean-Luc Nancy, stating that (...) the sensible sense/meaning arouses the intelligible sense/meaning and in a constant movement that is not completed or finalized, producing signification or information, appears as a philosophical resistance to the privilege of the theoretical record founded upon the western prevalence of the optical model. To be open and listening implies the resonance as the sound of sense, as the body's first or last depth. The music as a play between sound and noise, as a poetic production of ordering sound senses provoked by resonance – as a gesture of listening to the listening, contributes to question the education of babies and small children based on a body that can play with the worlds' sounds to experience the poetics of making noise as the musical power of playing with sounds and noises. Children's sonic appetite calls them to make noise for the esthesia of listening to the world in the plurality of coexistence. The gesture of being open and listening in the teaching of babies and small children points out to educative actions that consider the experience constituted by resonances and reverberations of meanings implied in the sound, a feeling of feeling, as share and sharing of voices, signs, gestures, shapes, of the felt meaning and the sensible meaning that gather ones-with-others in human coexistence.key words: music; listenin; early childhood education; jean-luc nancy.estar à escuta: música e docência na educação infantilresumoO ensaio aproxima estudos em torno da dimensão poética da linguagem para abordar a relação entre docência na educação infantil e experiência de estar à escuta como modo estésico de coexistir no mundo. A aproximação entre filosofia, artes e educação infantil, desde o encontro entre e música e educação, sublinha que a escuta é o som do sentido e não o sentido do som a ser interpretado. A interlocução com o pensamento de Jean-Luc Nancy, ao permitir afirmar que o sentido sensível suscita o sentido sensato ou inteligível e o faz num movimento constante que não se completa ou finaliza produzindo uma significação ou uma informação, emerge como resistência filosófica ao privilégio do registro teórico fundado na primazia ocidental do modelo óptico. Estar à escuta implica a ressonância como o som do sentido, como profundidade primeira ou última do corpo. A música como jogo entre som e ruído, como produção poética de ordenação de sentidos sonoros provocados pela ressonância – como gesto de escutar a escuta, contribui para interrogar a educação de bebês e crianças pequenas a partir de um corpo que pode brincar com a sonoridade do mundo para viver a poética do barulhar como potência musical de jogar com sons e ruídos. O apetite sonoro das crianças as convocam a barulhar pela estesia de escutar o mundo na pluralidade da coexistência. O gesto de estar à escuta na docência com bebês e crianças pequenas aponta para ações educativas que consideram a experiência constituinte de ressonâncias e reverberações de sentidos imbricamos no som, um sentir se sentir, como partição e partilha das vozes, dos signos, dos gestos, das formas, do sentido sentido e do sentido sensato que nos situam sendo-uns-com-os-outros na coexistência mundana.palavras chave: música; escuta; educação infantil; jean-luc nancy.estar a la escucha: música y docencia en la educación infantilresumenEl ensayo aproxima estudios acerca de la dimensión poética del lenguaje para abordar la relación entre docencia en la educación infantil y experiencia de estar a la escucha como modo sensible de coexistir en el mundo. La aproximación entre filosofía, artes y educación infantil, desde el encuentro entre música y educación, destaca que la escucha es el sonido del sentido y no el sentido del sonido a ser interpretado. La interlocución con el pensamiento de Jean-Luc Nancy, al permitir afirmar que el sentido sensible suscita el sentido sensato o inteligible y lo hace en un movimiento constante que no se completa o finaliza produciendo una significación o una información, emerge como resistencia filosófica al privilegio del registro teórico fundado en la primacía occidental del modelo óptico. Estar a la escucha implica la resonancia como el sonido del sentido, como profundidad primera o última del cuerpo. La música como juego entre sonido y ruido, como producción poética de ordenación de los sentidos sonoros provocados por la resonancia -como gesto de escuchar la escucha, contribuye para interrogar la educación de bebés, niños y niñas pequeñas a partir de un cuerpo que puede jugar con la sonoridad del mundo para vivir la poética del hacer ruido como potencia musical del jugar con sonidos y ruidos. El apetito sonoro de los niños y niñas las llama hacer ruidos por la sensibilidad de escuchar el mundo en la pluralidad de la coexistencia. El gesto de estar a la escucha en la docencia con bebés, niños y niñas pequeñas apunta para acciones educativas que consideran la experiencia constituyente de resonancias y reverberaciones de sentidos solapados en el sonido, un sentir sentirse, como participación y intercambio de voces, de signos, de gestos de las formas, del sonido sentido y del sentido sensato que nos sitúan siendo-unos-con-los-otros en la coexistencia mundana.palabras clave: música; escucha; educación infantil; jean-luc nancy. (shrink)

This article reconsiders the influence of Rosenzweig’s thought on Levinas’s work in the light of the captivity notebooks (Carnets de captivité), as well as the lectures given shortly after the war at the Collège philosophique. Levinas’s ongoing dealings with Rosenzweig are discussed in two ways: first, by analyzing the articles he explicitly dedicated to Rosenzweig and, second, by identifying elements of Rosenzweig’s thought in Levinas’s work that are not explicitly mentioned therein. By combining these two approaches, I show that Rosenzweig’s (...) work offered Levinas an ontological narrative that contrasts with Heidegger’s analysis of Dasein, and it motivated a concept of a new mode of transcendence linked to Judaism. Language, as spoken words produced face-to-face, plays a crucial role in this context: just as it opens up the mute Self into a loving Soul in The Star of Redemption, it is the face that speaks in Levinas, opening up the relationship to the Other and the “beyond of being.”. (shrink)

This article reconsiders the influence of Rosenzweig’s thought on Levinas’s work in the light of the captivity notebooks (Carnets de captivité), as well as the lectures given shortly after the war at the Collège philosophique. Levinas’s ongoing dealings with Rosenzweig are discussed in two ways: first, by analyzing the articles he explicitly dedicated to Rosenzweig and, second, by identifying elements of Rosenzweig’s thought in Levinas’s work that are not explicitly mentioned therein. By combining these two approaches, I show that Rosenzweig’s (...) work offered Levinas an ontological narrative that contrasts with Heidegger’s analysis of Dasein, and it motivated a concept of a new mode of transcendence linked to Judaism. Language, as spoken words produced face-to-face, plays a crucial role in this context: just as it opens up the mute Self into a loving Soul in The Star of Redemption, it is the face that speaks in Levinas, opening up the relationship to the Other and the “beyond of being.”. (shrink)

The volume examines the interrelationships between the history of medicine and literature from the 17th until the 19th centuries. The papers in the volume analyse these interrelationships using the styles of medical and literary texts, which show how the dimensions of knowledge and of representation determine each other – for example in the case of narrative structures in medical case histories or a diagnostic narrative stance in a novel.

Als "innerweltliche Askese" beschrieb Max Weber die reformierte Religion und Lebensführung. Für deutsche und "frankophone" Texte (Lehrbücher, Essays, Periodika, Reden/Rededramen, philosophische Romane) des ausgehenden 17. und des 18. Jahrhunderts zeigt diese vergleichende, literatur- und denkgeschichtliche Untersuchung, daß die Beschreibung Webers zwar zutrifft, aber zu kurz greift. Reformierte Morallehren stehen nicht nur am aufklärerischen (Wieder-)Beginn der deutschen Literatur, sondern prüfen die eigene Moral bereits "empirisch" und im Mittel der Literatur, um ihre Grenzen aufzuzeigen.

A review of Tomáš Hlobil´s Geschmacksbildung im Nationalinteresse: Die Anfänge der Prager Universitätsästhetik im mitteleuropäischen Kulturraum 1763–1805 (Bochumer Quellen und Forschungen zum 18. Jahrhundert 2. Hanover: Wehrhahn, 2012, 462 pp. ISBN 978-3-86525-247-0).

In der gesamten Neuzeit war Freiheit ein Schlüsselbegriff für das Selbstverständnis Europas und Deutschlands. Doch was galt hierzulande zu welchen Zeiten als "Freiheit"? Wie und von wem wurden in Deutschland seit der Frühaufklärung Freiheitsvorstellungen formuliert, diskutiert oder auch machtpolitisch vereinnahmt? Anhand ausgewählter Texte aus vier Jahrhunderten verdeutlicht dieses Buch, dass sich Freiheitsvorstellungen in Deutschland wandelten. Der Begriff blieb jedoch stets eine zentrale politische Kategorie, um das Verhältnis des Einzelnen zur Gesellschaft zu verhandeln. Immer bewegte er sich dabei im Spannungsfeld von (...) Selbstbestimmung und Kontrolle, Freizügigkeit und Sicherheit, Alterität und Konformität, Emanzipation und Diskriminierung, Gleichheit und Ungleichheit - also von Themen, die auch heute noch ins Mark der politischen und gesellschaftlichen Debatten treffen. (shrink)