Arguing that we ought to look to psychedelic aesthetics of the 1960s in relation to current crises in liberal democracy, this book emphasizes the intersection of European thought and the psychedelic. The first half of the book focuses on philosophical influences of Herbert Marcuse and Antonin Artaud, while the second half shifts toward literary and theoretical influences of Aldous Huxley on psychedelic aesthetics. Framed within an emergent discourse of political theology, it suggests that taking a postsecular approach to psychedelic aesthetics (...) helps us understand deeper connections between aesthetics and politics. (shrink)

In Alan Cameron's long-awaited and epoch-making studyThe Last Pagans of Rome, a typically erudite and stimulating chapter is devoted to the anonymous poem generally known today asCarmen contra paganos(CCP), written in the late fourth or (some have argued) early fifth century. This poem (of 122 lines)—of which the text is still in many places uncertain, in spite of a wealth of critical attention from the time when it was brought fully to light by Delisle in 1867 to the present day—is (...) a blistering invective against worshippers of the traditional gods and their practices, and against one person in particular, whose identity has been much debated. Cameron has brought forward a battery of strong arguments, many of them new, against the claims of Virius Nicomachus Flavianus, for a long time the front runner, whose name used to be given confidently in the poem's title, and, like Ellis and Cracco Ruggini, has strongly championed the claims of Vettius Agorius Praetextatus, the grandee who was consul designate for the year 385 but did not live to take up the office. (shrink)

In his panegyric of Avitus, his father-in-law, the poet Sidonius gives a vivid and often detailed picture of the career of the future emperor from his boyhood until he gained the supreme power in the West in the year 455, which he owed to his ability and accomplishments in warfare, diplomacy and administration. He also enjoyed strong support from both Goths and Gauls, and his repeated success in managing the volatility and the aspirations of the Goths is a major theme. (...) This short note seeks to contribute to the understanding of his emergence as Augustus by proposing a new interpretation of a pivotal passage (lines 519–24), quoted below. The context can be briefly given. Sidonius has painted a graphic picture of the reaction among the Goths to the news of the Vandal capture of Rome in the year 455 (lines 441–57). In the ensuing assembly of Gothic elders Avitus (who happens to be with them at Toulouse at this moment) gives a speech that vigorously praises peace (lines 458–86), and this is favourably received. There follows a speech from the Gothic king, Theoderic II, in which he puts his own strong case for an agreement between Goths and Gauls, and seeks to persuade Avitus to fill the vacuum in Rome and Italy caused by the recent death of the emperor Petronius Maximus and take the name of Augustus (lines 489–518). (shrink)